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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF3E4B it is the complementary color #40C1B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF3E4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF3E4B shade: #C43E46, #D55059, #E6626C, #F7747F and #FF8692

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF3E4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF3E4B shade: #BF3E4B, #AE2C38, #9D1A25, #8C0812 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF3E4B shade: #C13E4C and #C13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF3E4B shade: #C13E4C, #C13E6F, #C13E92, #C13EB5 and #A93EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF3E4B shade matches the following richer shades: #C13E4C, #D52A3B, #EA152B and #FE011A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF3E4B shade: #C13E4C, #AC535C, #97686D, #837C7D and #6E918D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF3E4B shade: #C13E93, #C13E70, #C13E4E, #C1523E and #C1753E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF3E4B shade: #822A33, #A1343F, #C13E4C, #CB5E69 and #D57D86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF3E4B shade: #BF3E4B, #B6C13E and #3E82C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF3E4B shade: #BF3E4B, #4EC13E and #3E4EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF3E4B shade: #BF3E4B, #B6C13E, #3EC1B1 and #493EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF3E4B shade: #BF3E4B, #8FC13E, #3EC1B1 and #703EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

Complementary color

CMYK 67 / 0 / 7 / 24

HEX #40C1B4

RGB 64 193 180

HSL 173.95, 0.51%, 0.5%

LAB 71.23, -37.76, -3.73

 

CMYK 0 / 68 / 64 / 23

HEX #C43E46

RGB 196 62 70

HSL 356.42, 0.53%, 0.51%

LAB 46.48, 53.58, 25.88

 

CMYK 0 / 62 / 58 / 16

HEX #D55059

RGB 213 80 89

HSL 355.94, 0.61%, 0.57%

LAB 52.51, 52.92, 22.95

 

CMYK 0 / 57 / 53 / 10

HEX #E6626C

RGB 230 98 108

HSL 355.45, 0.73%, 0.64%

LAB 58.64, 52.05, 20.5

 

CMYK 0 / 53 / 49 / 3

HEX #F7747F

RGB 247 116 127

HSL 354.96, 0.89%, 0.71%

LAB 64.8, 51.09, 18.42

 

CMYK 0 / 47 / 43 / 0

HEX #FF8692

RGB 255 134 146

HSL 354.05, 1%, 0.76%

LAB 69.74, 46.96, 14.73

 

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

CMYK 0 / 75 / 68 / 32

HEX #AE2C38

RGB 174 44 56

HSL 354.46, 0.6%, 0.43%

LAB 39.72, 52.52, 25.05

 

CMYK 0 / 83 / 76 / 38

HEX #9D1A25

RGB 157 26 37

HSL 354.96, 0.72%, 0.36%

LAB 34.07, 52.02, 29.23

 

CMYK 0 / 94 / 87 / 45

HEX #8C0812

RGB 140 8 18

HSL 355.45, 0.89%, 0.29%

LAB 28.88, 50.28, 34.02

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 68 / 61 / 24

HEX #C13E4C

RGB 193 62 76

HSL 353.59, 0.51%, 0.5%

LAB 46.05, 52.99, 21.59

 

CMYK 0 / 68 / 68 / 24

HEX #C13E3E

RGB 193 62 62

HSL 0, 0.51%, 0.5%

LAB 45.81, 52.14, 29.7

 

CMYK 0 / 68 / 61 / 24

HEX #C13E4C

RGB 193 62 76

HSL 353.59, 0.51%, 0.5%

LAB 46.05, 52.99, 21.59

 

CMYK 0 / 68 / 42 / 24

HEX #C13E6F

RGB 193 62 111

HSL 337.56, 0.51%, 0.5%

LAB 46.88, 55.94, 1.33

 

CMYK 0 / 68 / 24 / 24

HEX #C13E92

RGB 193 62 146

HSL 321.53, 0.51%, 0.5%

LAB 48.08, 60.02, -18.08

 

CMYK 0 / 68 / 6 / 24

HEX #C13EB5

RGB 193 62 181

HSL 305.5, 0.51%, 0.5%

LAB 49.64, 65.11, -36.38

 

CMYK 12 / 68 / 0 / 24

HEX #A93EC1

RGB 169 62 193

HSL 289.01, 0.51%, 0.5%

LAB 46.62, 61.63, -48.39

 

CMYK 0 / 68 / 61 / 24

HEX #C13E4C

RGB 193 62 76

HSL 353.59, 0.51%, 0.5%

LAB 46.05, 52.99, 21.59

 

CMYK 0 / 80 / 72 / 16

HEX #D52A3B

RGB 213 42 59

HSL 354.04, 0.67%, 0.5%

LAB 47.13, 64.72, 33.95

 

CMYK 0 / 91 / 82 / 8

HEX #EA152B

RGB 234 21 43

HSL 353.8, 0.84%, 0.5%

LAB 49.74, 73.77, 47.01

 

CMYK 0 / 100 / 90 / 0

HEX #FE011A

RGB 254 1 26

HSL 354.07, 0.99%, 0.5%

LAB 53.13, 80.02, 59.48

 

CMYK 0 / 68 / 61 / 24

HEX #C13E4C

RGB 193 62 76

HSL 353.59, 0.51%, 0.5%

LAB 46.05, 52.99, 21.59

 

CMYK 0 / 52 / 47 / 33

HEX #AC535C

RGB 172 83 92

HSL 353.93, 0.35%, 0.5%

LAB 46.62, 37.27, 12.07

 

CMYK 0 / 31 / 28 / 41

HEX #97686D

RGB 151 104 109

HSL 353.62, 0.18%, 0.5%

LAB 48.99, 19.6, 4.81

 

CMYK 0 / 5 / 5 / 49

HEX #837C7D

RGB 131 124 125

HSL 351.43, 0.03%, 0.5%

LAB 52.64, 2.85, 0.4

 

CMYK 24 / 0 / 3 / 43

HEX #6E918D

RGB 110 145 141

HSL 173.14, 0.14%, 0.5%

LAB 57.55, -13.01, -1.86

 

CMYK 0 / 68 / 24 / 24

HEX #C13E93

RGB 193 62 147

HSL 321.07, 0.51%, 0.5%

LAB 48.12, 60.15, -18.62

 

CMYK 0 / 68 / 42 / 24

HEX #C13E70

RGB 193 62 112

HSL 337.1, 0.51%, 0.5%

LAB 46.91, 56.04, 0.77

 

CMYK 0 / 68 / 60 / 24

HEX #C13E4E

RGB 193 62 78

HSL 352.67, 0.51%, 0.5%

LAB 46.09, 53.13, 20.43

 

CMYK 0 / 58 / 68 / 24

HEX #C1523E

RGB 193 82 62

HSL 9.16, 0.51%, 0.5%

LAB 49.15, 43.23, 33.72

 

CMYK 0 / 39 / 68 / 24

HEX #C1753E

RGB 193 117 62

HSL 25.19, 0.51%, 0.5%

LAB 56.49, 24.99, 42.18

 

CMYK 0 / 68 / 61 / 49

HEX #822A33

RGB 130 42 51

HSL 353.86, 0.51%, 0.34%

LAB 30.97, 38.43, 15.33

 

CMYK 0 / 68 / 61 / 37

HEX #A1343F

RGB 161 52 63

HSL 353.94, 0.51%, 0.42%

LAB 38.54, 45.66, 18.68

 

CMYK 0 / 68 / 61 / 24

HEX #C13E4C

RGB 193 62 76

HSL 353.59, 0.51%, 0.5%

LAB 46.05, 52.99, 21.59

 

CMYK 0 / 54 / 48 / 20

HEX #CB5E69

RGB 203 94 105

HSL 353.94, 0.51%, 0.58%

LAB 53.73, 44.28, 14.87

 

CMYK 0 / 41 / 37 / 16

HEX #D57D86

RGB 213 125 134

HSL 353.86, 0.51%, 0.66%

LAB 62.11, 35.1, 9.98

 

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

CMYK 6 / 0 / 68 / 24

HEX #B6C13E

RGB 182 193 62

HSL 65.04, 0.51%, 0.5%

LAB 75.1, -20.38, 61.61

 

CMYK 68 / 33 / 0 / 24

HEX #3E82C1

RGB 62 130 193

HSL 208.85, 0.51%, 0.5%

LAB 52.77, -1.06, -39.19

 

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

CMYK 60 / 0 / 68 / 24

HEX #4EC13E

RGB 78 193 62

HSL 112.67, 0.51%, 0.5%

LAB 69.55, -56.79, 54.11

 

CMYK 68 / 60 / 0 / 24

HEX #3E4EC1

RGB 62 78 193

HSL 232.67, 0.51%, 0.5%

LAB 38.42, 31.61, -62.2

 

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

CMYK 6 / 0 / 68 / 24

HEX #B6C13E

RGB 182 193 62

HSL 65.04, 0.51%, 0.5%

LAB 75.1, -20.38, 61.61

 

CMYK 68 / 0 / 8 / 24

HEX #3EC1B1

RGB 62 193 177

HSL 172.67, 0.51%, 0.5%

LAB 71.1, -38.87, -2.29

 

CMYK 62 / 68 / 0 / 24

HEX #493EC1

RGB 73 62 193

HSL 245.04, 0.51%, 0.5%

LAB 35.42, 43.01, -67.06

 

CMYK 0 / 68 / 61 / 25

HEX #BF3E4B

RGB 191 62 75

HSL 353.95, 0.51%, 0.5%

LAB 45.67, 52.28, 21.65

 

CMYK 26 / 0 / 68 / 24

HEX #8FC13E

RGB 143 193 62

HSL 82.9, 0.51%, 0.5%

LAB 72.45, -36.08, 58.05

 

CMYK 68 / 0 / 8 / 24

HEX #3EC1B1

RGB 62 193 177

HSL 172.67, 0.51%, 0.5%

LAB 71.1, -38.87, -2.29

 

CMYK 42 / 68 / 0 / 24

HEX #703EC1

RGB 112 62 193

HSL 262.9, 0.51%, 0.5%

LAB 39.14, 49.62, -60.84

 

Description

Color code: HEX #BF3E4B | qconv.com Color code: HEX #BF3E4B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 62 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 62 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 61 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 61% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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