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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 54 / 48 / 20 it is the complementary color CMYK 68 / 0 / 7 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 54 / 48 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 54 / 48 / 20: CMYK 0 / 55 / 52 / 18, CMYK 0 / 50 / 47 / 11, CMYK 0 / 47 / 43 / 5, CMYK 0 / 42 / 38 / 0 and CMYK 0 / 35 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 54 / 48 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 54 / 48 / 20: CMYK 0 / 54 / 48 / 20, CMYK 0 / 59 / 53 / 27, CMYK 0 / 66 / 60 / 33, CMYK 0 / 74 / 68 / 40 and CMYK 0 / 84 / 78 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

Complementary color

CMYK 68 / 0 / 7 / 37

HEX #33A195

RGB 51 161 149

HSL 173.45, 0.52%, 0.42%

LAB 60.22, -33.44, -2.77

 

CMYK 0 / 55 / 52 / 18

HEX #D15E65

RGB 209 94 101

HSL 356.35, 0.56%, 0.59%

LAB 54.55, 46.05, 18.5

 

CMYK 0 / 50 / 47 / 11

HEX #E27078

RGB 226 112 120

HSL 355.79, 0.66%, 0.66%

LAB 60.88, 45.01, 16.54

 

CMYK 0 / 47 / 43 / 5

HEX #F3828B

RGB 243 130 139

HSL 355.22, 0.82%, 0.73%

LAB 67.19, 43.98, 14.85

 

CMYK 0 / 42 / 38 / 0

HEX #FF949E

RGB 255 148 158

HSL 354.39, 1%, 0.79%

LAB 72.83, 41.21, 12.4

 

CMYK 0 / 35 / 31 / 0

HEX #FFA6B1

RGB 255 166 177

HSL 352.58, 1%, 0.83%

LAB 77.11, 34.2, 8.03

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 0 / 59 / 53 / 27

HEX #BB4C57

RGB 187 76 87

HSL 354.05, 0.45%, 0.52%

LAB 47.52, 45.69, 16.72

 

CMYK 0 / 66 / 60 / 33

HEX #AA3A44

RGB 170 58 68

HSL 354.64, 0.49%, 0.45%

LAB 41.2, 46.49, 19.37

 

CMYK 0 / 74 / 68 / 40

HEX #992831

RGB 153 40 49

HSL 355.22, 0.59%, 0.38%

LAB 35.03, 46.92, 22.69

 

CMYK 0 / 84 / 78 / 47

HEX #88161E

RGB 136 22 30

HSL 355.79, 0.72%, 0.31%

LAB 29.16, 46.57, 26.87

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 0 / 52 / 55 / 20

HEX #CB615C

RGB 203 97 92

HSL 2.7, 0.52%, 0.58%

LAB 54.05, 41.64, 22.92

 

CMYK 0 / 43 / 55 / 20

HEX #CB745C

RGB 203 116 92

HSL 12.97, 0.52%, 0.58%

LAB 58, 31.77, 28.09

 

CMYK 0 / 34 / 55 / 20

HEX #CB865C

RGB 203 134 92

HSL 22.7, 0.52%, 0.58%

LAB 62.1, 22.04, 33.31

 

CMYK 0 / 25 / 55 / 20

HEX #CB995C

RGB 203 153 92

HSL 32.97, 0.52%, 0.58%

LAB 66.71, 11.67, 39.03

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 53 / 47 / 80

HEX #33181B

RGB 51 24 27

HSL 353.33, 0.36%, 0.15%

LAB 12.2, 13.92, 3.93

 

CMYK 0 / 54 / 48 / 60

HEX #662F35

RGB 102 47 53

HSL 353.45, 0.37%, 0.29%

LAB 27.06, 25.36, 7.87

 

CMYK 0 / 54 / 48 / 40

HEX #994750

RGB 153 71 80

HSL 353.41, 0.37%, 0.44%

LAB 40.99, 35.17, 11.17

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 4 / 0 / 55 / 20

HEX #C2CB5C

RGB 194 203 92

HSL 64.86, 0.52%, 0.58%

LAB 79.01, -18.31, 53.38

 

CMYK 55 / 27 / 0 / 20

HEX #5C95CB

RGB 92 149 203

HSL 209.19, 0.52%, 0.58%

LAB 59.96, -3.1, -33.5

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 48 / 0 / 55 / 20

HEX #69CB5C

RGB 105 203 92

HSL 112.97, 0.52%, 0.58%

LAB 73.86, -50.29, 46.06

 

CMYK 55 / 48 / 0 / 20

HEX #5C69CB

RGB 92 105 203

HSL 232.97, 0.52%, 0.58%

LAB 47.87, 23.31, -52.62

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 4 / 0 / 55 / 20

HEX #C2CB5C

RGB 194 203 92

HSL 64.86, 0.52%, 0.58%

LAB 79.01, -18.31, 53.38

 

CMYK 55 / 0 / 6 / 20

HEX #5CCBBE

RGB 92 203 190

HSL 172.97, 0.52%, 0.58%

LAB 75.27, -34.79, -3.14

 

CMYK 50 / 55 / 0 / 20

HEX #655CCB

RGB 101 92 203

HSL 244.86, 0.52%, 0.58%

LAB 45.27, 33.19, -56.77

 

CMYK 0 / 54 / 48 / 20

HEX #CC5E6A

RGB 204 94 106

HSL 353.45, 0.52%, 0.58%

LAB 53.9, 44.73, 14.55

 

CMYK 21 / 0 / 55 / 20

HEX #A0CB5C

RGB 160 203 92

HSL 83.24, 0.52%, 0.58%

LAB 76.65, -31.72, 50.04

 

CMYK 55 / 0 / 6 / 20

HEX #5CCBBE

RGB 92 203 190

HSL 172.97, 0.52%, 0.58%

LAB 75.27, -34.79, -3.14

 

CMYK 34 / 55 / 0 / 20

HEX #865CCB

RGB 134 92 203

HSL 262.7, 0.52%, 0.58%

LAB 48.3, 40.77, -51.72

 

Description

Color code: CMYK 0 / 54 / 48 / 20 | qconv.com Color code: CMYK 0 / 54 / 48 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 94 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 94 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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