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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2FF6 it is the complementary color #40D009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2FF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2FF6 shade: #C42FF1, #D541FF, #E653FF, #F765FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2FF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2FF6 shade: #BF2FF6, #AE1DE3, #9D0BD0, #8C00BD and #7B00AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2FF6 shade: #BE2CF6, #F52CF6, #F62CC1, #F62C8B and #F62C54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2FF6 shade: #BE2CF6, #882CF6, #522CF6 and #2C2CF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2FF6 shade matches the following richer shades: #BE2CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2FF6 shade: #BE2CF6, #B73EE4, #AF50D3, #A762C1 and #9F73AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2FF6 shade: #512CF6, #872CF6, #BD2CF6, #F32CF6 and #F62CC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2FF6 shade: #9308C8, #B00AEF, #BE2CF6, #CB54F8 and #D77CFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2FF6 shade: #BF2FF6, #F62C3D and #2CF66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2FF6 shade: #BF2FF6, #F6BD2C and #2CF6BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2FF6 shade: #BF2FF6, #F62C3D, #66F62C and #2CF6E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2FF6 shade: #BF2FF6, #F6582C, #66F62C and #2CCBF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

Complementary color

CMYK 69 / 0 / 96 / 18

HEX #40D009

RGB 64 208 9

HSL 103.42, 0.92%, 0.43%

LAB 73.69, -67.43, 71.3

 

CMYK 19 / 80 / 0 / 5

HEX #C42FF1

RGB 196 47 241

HSL 286.08, 0.87%, 0.56%

LAB 51.97, 80.64, -66.97

 

CMYK 16 / 75 / 0 / 0

HEX #D541FF

RGB 213 65 255

HSL 286.74, 1%, 0.63%

LAB 57.22, 80.86, -66.18

 

CMYK 10 / 67 / 0 / 0

HEX #E653FF

RGB 230 83 255

HSL 291.28, 1%, 0.66%

LAB 61.85, 77.98, -58.62

 

CMYK 3 / 60 / 0 / 0

HEX #F765FF

RGB 247 101 255

HSL 296.88, 1%, 0.7%

LAB 66.75, 74.75, -50.69

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

CMYK 23 / 87 / 0 / 11

HEX #AE1DE3

RGB 174 29 227

HSL 283.94, 0.78%, 0.5%

LAB 46.21, 78.82, -68.57

 

CMYK 25 / 95 / 0 / 18

HEX #9D0BD0

RGB 157 11 208

HSL 284.47, 0.9%, 0.43%

LAB 41.15, 75.74, -66.01

 

CMYK 26 / 100 / 0 / 26

HEX #8C00BD

RGB 140 0 189

HSL 284.44, 1%, 0.37%

LAB 36.46, 71.28, -62.69

 

CMYK 28 / 100 / 0 / 33

HEX #7B00AA

RGB 123 0 170

HSL 283.41, 1%, 0.33%

LAB 32.06, 65.55, -58.67

 

CMYK 23 / 82 / 0 / 4

HEX #BE2CF6

RGB 190 44 246

HSL 283.37, 0.92%, 0.57%

LAB 51.15, 81.36, -71.14

 

CMYK 0 / 82 / 0 / 4

HEX #F52CF6

RGB 245 44 246

HSL 299.7, 0.92%, 0.57%

LAB 59.77, 90.55, -56.82

 

CMYK 0 / 82 / 22 / 4

HEX #F62CC1

RGB 246 44 193

HSL 315.74, 0.92%, 0.57%

LAB 57.31, 83.64, -30.69

 

CMYK 0 / 82 / 43 / 4

HEX #F62C8B

RGB 246 44 139

HSL 331.78, 0.92%, 0.57%

LAB 55.34, 78.03, -2.06

 

CMYK 0 / 82 / 66 / 4

HEX #F62C54

RGB 246 44 84

HSL 348.12, 0.92%, 0.57%

LAB 54.06, 74.27, 29.07

 

CMYK 23 / 82 / 0 / 4

HEX #BE2CF6

RGB 190 44 246

HSL 283.37, 0.92%, 0.57%

LAB 51.15, 81.36, -71.14

 

CMYK 45 / 82 / 0 / 4

HEX #882CF6

RGB 136 44 246

HSL 267.33, 0.92%, 0.57%

LAB 43.78, 73.76, -83.48

 

CMYK 67 / 82 / 0 / 4

HEX #522CF6

RGB 82 44 246

HSL 251.29, 0.92%, 0.57%

LAB 38.29, 68.35, -92.74

 

CMYK 82 / 82 / 0 / 4

HEX #2C2CF6

RGB 44 44 246

HSL 240, 0.92%, 0.57%

LAB 35.97, 66.16, -96.66

 

CMYK 23 / 82 / 0 / 4

HEX #BE2CF6

RGB 190 44 246

HSL 283.37, 0.92%, 0.57%

LAB 51.15, 81.36, -71.14

 

CMYK 23 / 82 / 0 / 4

HEX #BE2CF6

RGB 190 44 246

HSL 283.37, 0.92%, 0.57%

LAB 51.15, 81.36, -71.14

 

CMYK 20 / 73 / 0 / 11

HEX #B73EE4

RGB 183 62 228

HSL 283.73, 0.75%, 0.57%

LAB 50.82, 71.23, -61.6

 

CMYK 17 / 62 / 0 / 17

HEX #AF50D3

RGB 175 80 211

HSL 283.51, 0.6%, 0.57%

LAB 51.33, 58.73, -51.19

 

CMYK 13 / 49 / 0 / 24

HEX #A762C1

RGB 167 98 193

HSL 283.58, 0.43%, 0.57%

LAB 52.73, 43.91, -38.72

 

CMYK 9 / 34 / 0 / 31

HEX #9F73AF

RGB 159 115 175

HSL 284, 0.27%, 0.57%

LAB 54.79, 28.22, -25.2

 

CMYK 67 / 82 / 0 / 4

HEX #512CF6

RGB 81 44 246

HSL 250.99, 0.92%, 0.57%

LAB 38.21, 68.28, -92.88

 

CMYK 45 / 82 / 0 / 4

HEX #872CF6

RGB 135 44 246

HSL 267.03, 0.92%, 0.57%

LAB 43.66, 73.64, -83.69

 

CMYK 23 / 82 / 0 / 4

HEX #BD2CF6

RGB 189 44 246

HSL 283.07, 0.92%, 0.57%

LAB 51.01, 81.2, -71.39

 

CMYK 1 / 82 / 0 / 4

HEX #F32CF6

RGB 243 44 246

HSL 299.11, 0.92%, 0.57%

LAB 59.44, 90.2, -57.36

 

CMYK 0 / 82 / 20 / 4

HEX #F62CC4

RGB 246 44 196

HSL 314.85, 0.92%, 0.57%

LAB 57.44, 84, -32.22

 

CMYK 27 / 96 / 0 / 22

HEX #9308C8

RGB 147 8 200

HSL 283.44, 0.92%, 0.41%

LAB 38.81, 73.27, -65.26

 

CMYK 26 / 96 / 0 / 6

HEX #B00AEF

RGB 176 10 239

HSL 283.49, 0.92%, 0.49%

LAB 46.55, 83.9, -74.79

 

CMYK 23 / 82 / 0 / 4

HEX #BE2CF6

RGB 190 44 246

HSL 283.37, 0.92%, 0.57%

LAB 51.15, 81.36, -71.14

 

CMYK 18 / 66 / 0 / 3

HEX #CB54F8

RGB 203 84 248

HSL 283.54, 0.92%, 0.65%

LAB 57.86, 70.59, -61.34

 

CMYK 14 / 50 / 0 / 2

HEX #D77CFA

RGB 215 124 250

HSL 283.33, 0.93%, 0.73%

LAB 66.34, 55.3, -48.86

 

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

CMYK 0 / 82 / 75 / 4

HEX #F62C3D

RGB 246 44 61

HSL 354.95, 0.92%, 0.57%

LAB 53.74, 73.3, 42.02

 

CMYK 82 / 0 / 56 / 4

HEX #2CF66C

RGB 44 246 108

HSL 139.01, 0.92%, 0.57%

LAB 85.77, -74.57, 52.53

 

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

CMYK 0 / 23 / 82 / 4

HEX #F6BD2C

RGB 246 189 44

HSL 43.07, 0.92%, 0.57%

LAB 79.71, 8.26, 74.07

 

CMYK 82 / 0 / 23 / 4

HEX #2CF6BD

RGB 44 246 189

HSL 163.07, 0.92%, 0.57%

LAB 87.06, -59.84, 14.26

 

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

CMYK 0 / 82 / 75 / 4

HEX #F62C3D

RGB 246 44 61

HSL 354.95, 0.92%, 0.57%

LAB 53.74, 73.3, 42.02

 

CMYK 59 / 0 / 82 / 4

HEX #66F62C

RGB 102 246 44

HSL 102.77, 0.92%, 0.57%

LAB 86.46, -70.46, 76.6

 

CMYK 82 / 0 / 7 / 4

HEX #2CF6E5

RGB 44 246 229

HSL 174.95, 0.92%, 0.57%

LAB 88.02, -49.8, -5.18

 

CMYK 22 / 81 / 0 / 4

HEX #BF2FF6

RGB 191 47 246

HSL 283.42, 0.92%, 0.57%

LAB 51.57, 80.74, -70.46

 

CMYK 0 / 64 / 82 / 4

HEX #F6582C

RGB 246 88 44

HSL 13.07, 0.92%, 0.57%

LAB 58.75, 58.51, 55.68

 

CMYK 59 / 0 / 82 / 4

HEX #66F62C

RGB 102 246 44

HSL 102.77, 0.92%, 0.57%

LAB 86.46, -70.46, 76.6

 

CMYK 82 / 17 / 0 / 4

HEX #2CCBF6

RGB 44 203 246

HSL 192.77, 0.92%, 0.57%

LAB 76.01, -24.95, -32.32

 

Description

Color code: HEX #BF2FF6 | qconv.com Color code: HEX #BF2FF6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 47 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 47 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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