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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2551 it is the complementary color #40DAAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BF2551: #C4254C, #D5375F, #E64972, #F75B85 and #FF6D98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BF2551: #BF2551, #AE133E, #9D012B, #8C0018 and #7B0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

Complementary color

CMYK 71 / 0 / 20 / 15

HEX #40DAAE

RGB 64 218 174

HSL 162.86, 0.68%, 0.55%

LAB 78.63, -50.1, 10.22

 

CMYK 0 / 81 / 61 / 23

HEX #C4254C

RGB 196 37 76

HSL 345.28, 0.68%, 0.46%

LAB 43.63, 62.2, 18.5

 

CMYK 0 / 74 / 55 / 16

HEX #D5375F

RGB 213 55 95

HSL 344.81, 0.65%, 0.53%

LAB 49.14, 62.94, 14.8

 

CMYK 0 / 68 / 50 / 10

HEX #E64972

RGB 230 73 114

HSL 344.33, 0.76%, 0.59%

LAB 54.87, 63.04, 11.78

 

CMYK 0 / 63 / 46 / 3

HEX #F75B85

RGB 247 91 133

HSL 343.85, 0.91%, 0.66%

LAB 60.74, 62.74, 9.29

 

CMYK 0 / 57 / 40 / 0

HEX #FF6D98

RGB 255 109 152

HSL 342.33, 1%, 0.71%

LAB 65.33, 59.36, 5.07

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 0 / 89 / 64 / 32

HEX #AE133E

RGB 174 19 62

HSL 343.35, 0.8%, 0.38%

LAB 37.5, 59.45, 18.44

 

CMYK 0 / 99 / 73 / 38

HEX #9D012B

RGB 157 1 43

HSL 343.85, 0.99%, 0.31%

LAB 32.62, 56.67, 23.76

 

CMYK 0 / 100 / 83 / 45

HEX #8C0018

RGB 140 0 24

HSL 349.71, 1%, 0.27%

LAB 28.49, 51.75, 30.14

 

CMYK 0 / 100 / 96 / 52

HEX #7B0005

RGB 123 0 5

HSL 357.56, 1%, 0.24%

LAB 24.39, 46.79, 34.52

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 0 / 81 / 70 / 25

HEX #C02439

RGB 192 36 57

HSL 351.92, 0.68%, 0.45%

LAB 42.4, 60.32, 28.53

 

CMYK 0 / 79 / 81 / 25

HEX #C02924

RGB 192 41 36

HSL 1.92, 0.68%, 0.45%

LAB 42.64, 58.13, 40.98

 

CMYK 0 / 65 / 81 / 25

HEX #C04324

RGB 192 67 36

HSL 11.92, 0.68%, 0.45%

LAB 46.11, 48.61, 44.33

 

CMYK 0 / 52 / 81 / 25

HEX #C05D24

RGB 192 93 36

HSL 21.92, 0.68%, 0.45%

LAB 50.88, 36.19, 48.82

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 0 / 81 / 57 / 5

HEX #F22F67

RGB 242 47 103

HSL 342.77, 0.88%, 0.57%

LAB 53.91, 73.62, 17.37

 

CMYK 0 / 82 / 58 / 85

HEX #260710

RGB 38 7 16

HSL 342.58, 0.69%, 0.09%

LAB 5.43, 16.03, 1.42

 

CMYK 0 / 81 / 57 / 65

HEX #591126

RGB 89 17 38

HSL 342.5, 0.68%, 0.21%

LAB 18.65, 33.79, 6.09

 

CMYK 0 / 81 / 58 / 45

HEX #8C1B3B

RGB 140 27 59

HSL 343.01, 0.68%, 0.33%

LAB 31.06, 47.98, 10.51

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 0 / 8 / 81 / 25

HEX #C0B124

RGB 192 177 36

HSL 54.23, 0.68%, 0.45%

LAB 71.4, -9.12, 67.16

 

CMYK 81 / 24 / 0 / 25

HEX #2491C0

RGB 36 145 192

HSL 198.08, 0.68%, 0.45%

LAB 56.52, -13.37, -32.8

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 57 / 0 / 81 / 25

HEX #53C024

RGB 83 192 36

HSL 101.92, 0.68%, 0.45%

LAB 69.23, -57, 62.74

 

CMYK 81 / 57 / 0 / 25

HEX #2453C0

RGB 36 83 192

HSL 221.92, 0.68%, 0.45%

LAB 38.49, 24.92, -61.54

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 0 / 8 / 81 / 25

HEX #C0B124

RGB 192 177 36

HSL 54.23, 0.68%, 0.45%

LAB 71.4, -9.12, 67.16

 

CMYK 81 / 0 / 24 / 25

HEX #24C091

RGB 36 192 145

HSL 161.92, 0.68%, 0.45%

LAB 69.55, -49.75, 12.85

 

CMYK 81 / 73 / 0 / 25

HEX #2434C0

RGB 36 52 192

HSL 233.85, 0.68%, 0.45%

LAB 30.97, 44.65, -73.88

 

CMYK 0 / 81 / 58 / 25

HEX #BF2551

RGB 191 37 81

HSL 342.86, 0.68%, 0.45%

LAB 42.75, 61.16, 14.03

 

CMYK 16 / 0 / 81 / 25

HEX #A1C024

RGB 161 192 36

HSL 71.92, 0.68%, 0.45%

LAB 73.16, -29.83, 67.75

 

CMYK 81 / 0 / 24 / 25

HEX #24C091

RGB 36 192 145

HSL 161.92, 0.68%, 0.45%

LAB 69.55, -49.75, 12.85

 

CMYK 65 / 81 / 0 / 25

HEX #4324C0

RGB 67 36 192

HSL 251.92, 0.68%, 0.45%

LAB 30.06, 55.46, -75.32

 

Description

Color code: HEX #BF2551 | qconv.com Color code: HEX #BF2551 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 37 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 37 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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