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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF14C9 it is the complementary color #40EB36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF14C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF14C9 shade: #C414C4, #D526D7, #E638EA, #F74AFD and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF14C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF14C9 shade: #BF14C9, #AE02B6, #9D00A3, #8C0090 and #7B007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF14C9 shade: #BE14C8, #C814A1, #C81470, #C81440 and #C81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF14C9 shade: #BE14C8, #8D14C8, #5D14C8, #2C14C8 and #1414C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF14C9 shade matches the following richer shades: #BE14C8 and #CD02D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF14C9 shade: #BE14C8, #AE25B6, #9E37A4, #8E4992 and #7F5B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF14C9 shade: #5C14C8, #8C14C8, #BC14C8, #C814A4 and #C81474

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF14C9 shade: #760C7C, #9A10A2, #BE14C8, #DD1CE9 and #E342EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF14C9 shade: #BF14C9, #C82C14 and #14C874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF14C9 shade: #BF14C9, #C8BC14 and #14C8BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF14C9 shade: #BF14C9, #C82C14, #20C814 and #14B0C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF14C9 shade: #BF14C9, #C86214, #20C814 and #147AC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 90 / 0 / 21

HEX #BF14C9

RGB 191 20 201

HSL 296.69, 0.82%, 0.43%

LAB 46.7, 78.57, -52.71

 

Complementary color

CMYK 73 / 0 / 77 / 8

HEX #40EB36

RGB 64 235 54

HSL 116.69, 0.82%, 0.57%

LAB 82.26, -73.92, 69.66

 

CMYK 0 / 90 / 0 / 23

HEX #C414C4

RGB 196 20 196

HSL 300, 0.81%, 0.42%

LAB 47.26, 78.66, -48.86

 

CMYK 1 / 82 / 0 / 16

HEX #D526D7

RGB 213 38 215

HSL 299.32, 0.7%, 0.5%

LAB 52.33, 81.41, -51.54

 

CMYK 2 / 76 / 0 / 8

HEX #E638EA

RGB 230 56 234

HSL 298.65, 0.81%, 0.57%

LAB 57.65, 83.19, -53.65

 

CMYK 2 / 71 / 0 / 1

HEX #F74AFD

RGB 247 74 253

HSL 297.99, 0.98%, 0.64%

LAB 63.15, 84.25, -55.3

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 5 / 90 / 0 / 21

HEX #BF14C9

RGB 191 20 201

HSL 296.69, 0.82%, 0.43%

LAB 46.7, 78.57, -52.71

 

CMYK 4 / 99 / 0 / 29

HEX #AE02B6

RGB 174 2 182

HSL 297.33, 0.98%, 0.36%

LAB 41.88, 74.78, -49.51

 

CMYK 4 / 100 / 0 / 36

HEX #9D00A3

RGB 157 0 163

HSL 297.79, 1%, 0.32%

LAB 37.5, 69.31, -45.36

 

CMYK 3 / 100 / 0 / 44

HEX #8C0090

RGB 140 0 144

HSL 298.33, 1%, 0.28%

LAB 33.11, 63.52, -41

 

CMYK 2 / 100 / 0 / 51

HEX #7B007D

RGB 123 0 125

HSL 299.04, 1%, 0.25%

LAB 28.62, 57.59, -36.52

 

CMYK 5 / 90 / 0 / 22

HEX #BE14C8

RGB 190 20 200

HSL 296.67, 0.82%, 0.43%

LAB 46.47, 78.25, -52.51

 

CMYK 0 / 90 / 20 / 22

HEX #C814A1

RGB 200 20 161

HSL 313, 0.82%, 0.43%

LAB 46.11, 74.59, -30.01

 

CMYK 0 / 90 / 44 / 22

HEX #C81470

RGB 200 20 112

HSL 329.33, 0.82%, 0.43%

LAB 44.16, 69.35, -3.12

 

CMYK 0 / 90 / 68 / 22

HEX #C81440

RGB 200 20 64

HSL 345.33, 0.82%, 0.43%

LAB 42.99, 66.08, 25.3

 

CMYK 0 / 90 / 90 / 22

HEX #C81414

RGB 200 20 20

HSL 0, 0.82%, 0.43%

LAB 42.51, 64.7, 49.34

 

CMYK 5 / 90 / 0 / 22

HEX #BE14C8

RGB 190 20 200

HSL 296.67, 0.82%, 0.43%

LAB 46.47, 78.25, -52.51

 

CMYK 30 / 90 / 0 / 22

HEX #8D14C8

RGB 141 20 200

HSL 280.33, 0.82%, 0.43%

LAB 38.43, 70.78, -65.91

 

CMYK 54 / 90 / 0 / 22

HEX #5D14C8

RGB 93 20 200

HSL 264.33, 0.82%, 0.43%

LAB 31.8, 65.29, -77.05

 

CMYK 78 / 90 / 0 / 22

HEX #2C14C8

RGB 44 20 200

HSL 248, 0.82%, 0.43%

LAB 27.31, 62.13, -84.63

 

CMYK 90 / 90 / 0 / 22

HEX #1414C8

RGB 20 20 200

HSL 240, 0.82%, 0.43%

LAB 26.21, 61.44, -86.5

 

CMYK 5 / 90 / 0 / 22

HEX #BE14C8

RGB 190 20 200

HSL 296.67, 0.82%, 0.43%

LAB 46.47, 78.25, -52.51

 

CMYK 6 / 99 / 0 / 15

HEX #CD02D9

RGB 205 2 217

HSL 296.65, 0.98%, 0.43%

LAB 49.54, 84.97, -57.24

 

CMYK 5 / 90 / 0 / 22

HEX #BE14C8

RGB 190 20 200

HSL 296.67, 0.82%, 0.43%

LAB 46.47, 78.25, -52.51

 

CMYK 4 / 80 / 0 / 29

HEX #AE25B6

RGB 174 37 182

HSL 296.69, 0.66%, 0.43%

LAB 43.8, 69.14, -46.42

 

CMYK 4 / 66 / 0 / 36

HEX #9E37A4

RGB 158 55 164

HSL 296.7, 0.5%, 0.43%

LAB 42.28, 56.57, -38.33

 

CMYK 3 / 50 / 0 / 43

HEX #8E4992

RGB 142 73 146

HSL 296.71, 0.33%, 0.43%

LAB 42.14, 40.34, -27.9

 

CMYK 2 / 29 / 0 / 49

HEX #7F5B81

RGB 127 91 129

HSL 296.84, 0.17%, 0.43%

LAB 43.62, 21.68, -15.48

 

CMYK 54 / 90 / 0 / 22

HEX #5C14C8

RGB 92 20 200

HSL 264, 0.82%, 0.43%

LAB 31.68, 65.2, -77.25

 

CMYK 30 / 90 / 0 / 22

HEX #8C14C8

RGB 140 20 200

HSL 280, 0.82%, 0.43%

LAB 38.28, 70.64, -66.16

 

CMYK 6 / 90 / 0 / 22

HEX #BC14C8

RGB 188 20 200

HSL 296, 0.82%, 0.43%

LAB 46.13, 77.92, -53.08

 

CMYK 0 / 90 / 18 / 22

HEX #C814A4

RGB 200 20 164

HSL 312, 0.82%, 0.43%

LAB 46.26, 74.97, -31.57

 

CMYK 0 / 90 / 42 / 22

HEX #C81474

RGB 200 20 116

HSL 328, 0.82%, 0.43%

LAB 44.29, 69.71, -5.4

 

CMYK 5 / 90 / 0 / 51

HEX #760C7C

RGB 118 12 124

HSL 296.79, 0.82%, 0.27%

LAB 28.3, 54.48, -36.45

 

CMYK 5 / 90 / 0 / 36

HEX #9A10A2

RGB 154 16 162

HSL 296.71, 0.82%, 0.35%

LAB 37.57, 66.65, -44.68

 

CMYK 5 / 90 / 0 / 22

HEX #BE14C8

RGB 190 20 200

HSL 296.67, 0.82%, 0.43%

LAB 46.47, 78.25, -52.51

 

CMYK 5 / 88 / 0 / 9

HEX #DD1CE9

RGB 221 28 233

HSL 296.49, 0.82%, 0.51%

LAB 54.12, 87.3, -58.81

 

CMYK 4 / 72 / 0 / 7

HEX #E342EC

RGB 227 66 236

HSL 296.82, 0.82%, 0.59%

LAB 58.31, 80, -53.75

 

CMYK 5 / 90 / 0 / 21

HEX #BF14C9

RGB 191 20 201

HSL 296.69, 0.82%, 0.43%

LAB 46.7, 78.57, -52.71

 

CMYK 0 / 78 / 90 / 22

HEX #C82C14

RGB 200 44 20

HSL 8, 0.82%, 0.43%

LAB 44.42, 59.27, 50.71

 

CMYK 90 / 0 / 42 / 22

HEX #14C874

RGB 20 200 116

HSL 152, 0.82%, 0.43%

LAB 71.36, -60.12, 30.66

 

CMYK 5 / 90 / 0 / 21

HEX #BF14C9

RGB 191 20 201

HSL 296.69, 0.82%, 0.43%

LAB 46.7, 78.57, -52.71

 

CMYK 0 / 6 / 90 / 22

HEX #C8BC14

RGB 200 188 20

HSL 56, 0.82%, 0.43%

LAB 75.01, -11.67, 73.95

 

CMYK 90 / 0 / 6 / 22

HEX #14C8BC

RGB 20 200 188

HSL 176, 0.82%, 0.43%

LAB 72.95, -42.9, -5.63

 

CMYK 5 / 90 / 0 / 21

HEX #BF14C9

RGB 191 20 201

HSL 296.69, 0.82%, 0.43%

LAB 46.7, 78.57, -52.71

 

CMYK 0 / 78 / 90 / 22

HEX #C82C14

RGB 200 44 20

HSL 8, 0.82%, 0.43%

LAB 44.42, 59.27, 50.71

 

CMYK 84 / 0 / 90 / 22

HEX #20C814

RGB 32 200 20

HSL 116, 0.82%, 0.43%

LAB 70.64, -69.38, 67.11

 

CMYK 90 / 12 / 0 / 22

HEX #14B0C8

RGB 20 176 200

HSL 188, 0.82%, 0.43%

LAB 66.04, -28.03, -22.61

 

CMYK 5 / 90 / 0 / 21

HEX #BF14C9

RGB 191 20 201

HSL 296.69, 0.82%, 0.43%

LAB 46.7, 78.57, -52.71

 

CMYK 0 / 51 / 90 / 22

HEX #C86214

RGB 200 98 20

HSL 26, 0.82%, 0.43%

LAB 53.02, 36.43, 57.05

 

CMYK 84 / 0 / 90 / 22

HEX #20C814

RGB 32 200 20

HSL 116, 0.82%, 0.43%

LAB 70.64, -69.38, 67.11

 

CMYK 90 / 39 / 0 / 22

HEX #147AC8

RGB 20 122 200

HSL 206, 0.82%, 0.43%

LAB 49.78, 1.84, -47.99

 

Description

Color code: HEX #BF14C9 | qconv.com Color code: HEX #BF14C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 20 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 20 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 90 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 90% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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