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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEE1B it is the complementary color #4111E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEE1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEE1B shade: #C3EE16, #D4FF29, #E5FF3C, #F6FF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEE1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEE1B shade: #BEEE1B, #ADDC08, #9CCA00, #8BB800 and #7AA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEE1B shade: #BDED1B, #EDE41B, #EDAC1B, #ED731B and #ED3A1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEE1B shade: #BDED1B, #85ED1B, #4CED1B, #1BED23 and #1BED5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEE1B shade matches the following richer shades: #BDED1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEE1B shade: #BDED1B, #B3DA2F, #A8C642, #9DB256 and #929E6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEE1B shade: #EDAB1B, #EDE31B, #C0ED1B, #88ED1B and #4FED1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEE1B shade: #86A90C, #A4D00F, #BDED1B, #C8F041 and #D3F368

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEE1B shade: #BEEE1B, #1BED73 and #C71BED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEE1B shade: #BEEE1B, #1BC0ED and #ED1BC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEE1B shade: #BEEE1B, #1BED73, #481BED and #ED1B96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEE1B shade: #BEEE1B, #1BEDB2, #481BED and #ED1B56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 89 / 7

HEX #BEEE1B

RGB 190 238 27

HSL 73.65, 0.86%, 0.52%

LAB 88.05, -39.55, 82.91

 

Complementary color

CMYK 71 / 93 / 0 / 11

HEX #4111E4

RGB 65 17 228

HSL 253.65, 0.86%, 0.48%

LAB 32.09, 70.97, -92.85

 

CMYK 18 / 0 / 91 / 7

HEX #C3EE16

RGB 195 238 22

HSL 71.94, 0.86%, 0.51%

LAB 88.36, -37.69, 84.02

 

CMYK 17 / 0 / 84 / 0

HEX #D4FF29

RGB 212 255 41

HSL 72.06, 1%, 0.58%

LAB 94.17, -38.22, 85.98

 

CMYK 10 / 0 / 76 / 0

HEX #E5FF3C

RGB 229 255 60

HSL 68, 1%, 0.62%

LAB 95.37, -30.92, 82.81

 

CMYK 4 / 0 / 69 / 0

HEX #F6FF4F

RGB 246 255 79

HSL 63.07, 1%, 0.65%

LAB 96.69, -23.32, 78.5

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 20 / 0 / 89 / 7

HEX #BEEE1B

RGB 190 238 27

HSL 73.65, 0.86%, 0.52%

LAB 88.05, -39.55, 82.91

 

CMYK 21 / 0 / 96 / 14

HEX #ADDC08

RGB 173 220 8

HSL 73.3, 0.93%, 0.45%

LAB 81.89, -38.47, 79.85

 

CMYK 23 / 0 / 100 / 21

HEX #9CCA00

RGB 156 202 0

HSL 73.66, 1%, 0.4%

LAB 75.64, -37.21, 75.36

 

CMYK 24 / 0 / 100 / 28

HEX #8BB800

RGB 139 184 0

HSL 74.67, 1%, 0.36%

LAB 69.31, -35.84, 70.09

 

CMYK 27 / 0 / 100 / 35

HEX #7AA600

RGB 122 166 0

HSL 75.9, 1%, 0.33%

LAB 62.85, -34.46, 64.71

 

CMYK 20 / 0 / 89 / 7

HEX #BDED1B

RGB 189 237 27

HSL 73.71, 0.85%, 0.52%

LAB 87.71, -39.49, 82.61

 

CMYK 0 / 4 / 89 / 7

HEX #EDE41B

RGB 237 228 27

HSL 57.43, 0.85%, 0.52%

LAB 88.72, -15.73, 84.86

 

CMYK 0 / 27 / 89 / 7

HEX #EDAC1B

RGB 237 172 27

HSL 41.43, 0.85%, 0.52%

LAB 74.56, 12.93, 73.82

 

CMYK 0 / 51 / 89 / 7

HEX #ED731B

RGB 237 115 27

HSL 25.14, 0.85%, 0.52%

LAB 61.95, 42.57, 64.14

 

CMYK 0 / 76 / 89 / 7

HEX #ED3A1B

RGB 237 58 27

HSL 8.86, 0.85%, 0.52%

LAB 53.07, 66.17, 57.49

 

CMYK 20 / 0 / 89 / 7

HEX #BDED1B

RGB 189 237 27

HSL 73.71, 0.85%, 0.52%

LAB 87.71, -39.49, 82.61

 

CMYK 44 / 0 / 89 / 7

HEX #85ED1B

RGB 133 237 27

HSL 89.71, 0.85%, 0.52%

LAB 84.81, -59.35, 79.03

 

CMYK 68 / 0 / 89 / 7

HEX #4CED1B

RGB 76 237 27

HSL 106, 0.85%, 0.52%

LAB 83.01, -73.72, 76.79

 

CMYK 89 / 0 / 85 / 7

HEX #1BED23

RGB 27 237 35

HSL 122.29, 0.85%, 0.52%

LAB 82.34, -79.55, 74.43

 

CMYK 89 / 0 / 62 / 7

HEX #1BED5B

RGB 27 237 91

HSL 138.29, 0.85%, 0.52%

LAB 82.68, -75.25, 56.33

 

CMYK 20 / 0 / 89 / 7

HEX #BDED1B

RGB 189 237 27

HSL 73.71, 0.85%, 0.52%

LAB 87.71, -39.49, 82.61

 

CMYK 20 / 0 / 89 / 7

HEX #BDED1B

RGB 189 237 27

HSL 73.71, 0.85%, 0.52%

LAB 87.71, -39.49, 82.61

 

CMYK 18 / 0 / 78 / 15

HEX #B3DA2F

RGB 179 218 47

HSL 73.68, 0.7%, 0.52%

LAB 81.8, -34.25, 72.92

 

CMYK 15 / 0 / 67 / 22

HEX #A8C642

RGB 168 198 66

HSL 73.64, 0.54%, 0.52%

LAB 75.52, -28.32, 60.16

 

CMYK 12 / 0 / 52 / 30

HEX #9DB256

RGB 157 178 86

HSL 73.7, 0.37%, 0.52%

LAB 69.24, -21.39, 44.13

 

CMYK 8 / 0 / 33 / 38

HEX #929E6A

RGB 146 158 106

HSL 73.85, 0.21%, 0.52%

LAB 63.02, -13.19, 25.8

 

CMYK 0 / 28 / 89 / 7

HEX #EDAB1B

RGB 237 171 27

HSL 41.14, 0.85%, 0.52%

LAB 74.32, 13.45, 73.63

 

CMYK 0 / 4 / 89 / 7

HEX #EDE31B

RGB 237 227 27

HSL 57.14, 0.85%, 0.52%

LAB 88.46, -15.24, 84.66

 

CMYK 19 / 0 / 89 / 7

HEX #C0ED1B

RGB 192 237 27

HSL 72.86, 0.85%, 0.52%

LAB 87.9, -38.32, 82.84

 

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

CMYK 67 / 0 / 89 / 7

HEX #4FED1B

RGB 79 237 27

HSL 105.14, 0.85%, 0.52%

LAB 83.08, -73.15, 76.87

 

CMYK 21 / 0 / 93 / 34

HEX #86A90C

RGB 134 169 12

HSL 73.38, 0.87%, 0.35%

LAB 64.54, -30.75, 64.76

 

CMYK 21 / 0 / 93 / 18

HEX #A4D00F

RGB 164 208 15

HSL 73.68, 0.87%, 0.44%

LAB 77.9, -36.55, 75.79

 

CMYK 20 / 0 / 89 / 7

HEX #BDED1B

RGB 189 237 27

HSL 73.71, 0.85%, 0.52%

LAB 87.71, -39.49, 82.61

 

CMYK 17 / 0 / 73 / 6

HEX #C8F041

RGB 200 240 65

HSL 73.71, 0.85%, 0.6%

LAB 89.38, -35.24, 75.01

 

CMYK 13 / 0 / 57 / 5

HEX #D3F368

RGB 211 243 104

HSL 73.81, 0.85%, 0.68%

LAB 91.21, -29.86, 62.22

 

CMYK 20 / 0 / 89 / 7

HEX #BEEE1B

RGB 190 238 27

HSL 73.65, 0.86%, 0.52%

LAB 88.05, -39.55, 82.91

 

CMYK 89 / 0 / 51 / 7

HEX #1BED73

RGB 27 237 115

HSL 145.14, 0.85%, 0.52%

LAB 82.93, -72.09, 45.85

 

CMYK 16 / 89 / 0 / 7

HEX #C71BED

RGB 199 27 237

HSL 289.14, 0.85%, 0.52%

LAB 50.73, 84.63, -66.7

 

CMYK 20 / 0 / 89 / 7

HEX #BEEE1B

RGB 190 238 27

HSL 73.65, 0.86%, 0.52%

LAB 88.05, -39.55, 82.91

 

CMYK 89 / 19 / 0 / 7

HEX #1BC0ED

RGB 27 192 237

HSL 192.86, 0.85%, 0.52%

LAB 72.26, -23.46, -33.27

 

CMYK 0 / 89 / 19 / 7

HEX #ED1BC0

RGB 237 27 192

HSL 312.86, 0.85%, 0.52%

LAB 54.65, 84.68, -34.38

 

CMYK 20 / 0 / 89 / 7

HEX #BEEE1B

RGB 190 238 27

HSL 73.65, 0.86%, 0.52%

LAB 88.05, -39.55, 82.91

 

CMYK 89 / 0 / 51 / 7

HEX #1BED73

RGB 27 237 115

HSL 145.14, 0.85%, 0.52%

LAB 82.93, -72.09, 45.85

 

CMYK 70 / 89 / 0 / 7

HEX #481BED

RGB 72 27 237

HSL 252.86, 0.85%, 0.52%

LAB 34.55, 71.09, -93.88

 

CMYK 0 / 89 / 37 / 7

HEX #ED1B96

RGB 237 27 150

HSL 324.86, 0.85%, 0.52%

LAB 52.94, 80.09, -12.36

 

CMYK 20 / 0 / 89 / 7

HEX #BEEE1B

RGB 190 238 27

HSL 73.65, 0.86%, 0.52%

LAB 88.05, -39.55, 82.91

 

CMYK 89 / 0 / 25 / 7

HEX #1BEDB2

RGB 27 237 178

HSL 163.14, 0.85%, 0.52%

LAB 83.97, -60.1, 15.61

 

CMYK 70 / 89 / 0 / 7

HEX #481BED

RGB 72 27 237

HSL 252.86, 0.85%, 0.52%

LAB 34.55, 71.09, -93.88

 

CMYK 0 / 89 / 64 / 7

HEX #ED1B56

RGB 237 27 86

HSL 343.14, 0.85%, 0.52%

LAB 51.22, 75.32, 23.86

 

Description

Color code: HEX #BEEE1B | qconv.com Color code: HEX #BEEE1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 238 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 238 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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