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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88ED1B it is the complementary color #7712E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88ED1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88ED1B shade: #8DED16, #9EFF29, #AFFF3C, #C0FF4F and #D1FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88ED1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88ED1B shade: #88ED1B, #77DB08, #66C900, #55B700 and #44A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88ED1B shade: #89ED1D, #C1ED1D, #EDE11D, #EDA81D and #ED701D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88ED1B shade: #89ED1D, #50ED1D, #1DED21, #1DED59 and #1DED91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88ED1B shade matches the following richer shades: #89ED1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88ED1B shade: #89ED1D, #88D930, #87C544, #86B158 and #869D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88ED1B shade: #EDDF1D, #C3ED1D, #8CED1D, #54ED1D and #1DED1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88ED1B shade: #5EA90E, #74CF11, #89ED1D, #9DF043 and #B0F369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88ED1B shade: #88ED1B, #1DEDA7 and #ED1DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88ED1B shade: #88ED1B, #1D8CED and #ED1D8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88ED1B shade: #88ED1B, #1DEDA7, #7E1DED and #ED1D62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88ED1B shade: #88ED1B, #1DEDE6, #7E1DED and #ED1D23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

Complementary color

CMYK 48 / 92 / 0 / 11

HEX #7712E4

RGB 119 18 228

HSL 268.86, 0.85%, 0.48%

LAB 37.76, 74.45, -83.28

 

CMYK 41 / 0 / 91 / 7

HEX #8DED16

RGB 141 237 22

HSL 86.79, 0.86%, 0.51%

LAB 85.14, -56.91, 80.2

 

CMYK 38 / 0 / 84 / 0

HEX #9EFF29

RGB 158 255 41

HSL 87.2, 1%, 0.58%

LAB 91.21, -57.79, 82.28

 

CMYK 31 / 0 / 76 / 0

HEX #AFFF3C

RGB 175 255 60

HSL 84.62, 1%, 0.62%

LAB 92.11, -51.24, 78.62

 

CMYK 25 / 0 / 69 / 0

HEX #C0FF4F

RGB 192 255 79

HSL 81.48, 1%, 0.65%

LAB 93.14, -44.13, 73.79

 

CMYK 18 / 0 / 62 / 0

HEX #D1FF62

RGB 209 255 98

HSL 77.58, 1%, 0.69%

LAB 94.29, -36.57, 68.09

 

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

CMYK 46 / 0 / 96 / 14

HEX #77DB08

RGB 119 219 8

HSL 88.44, 0.93%, 0.45%

LAB 78.81, -57.31, 76.25

 

CMYK 49 / 0 / 100 / 21

HEX #66C900

RGB 102 201 0

HSL 89.55, 1%, 0.39%

LAB 72.63, -55.92, 71.86

 

CMYK 54 / 0 / 100 / 28

HEX #55B700

RGB 85 183 0

HSL 92.13, 1%, 0.36%

LAB 66.37, -54.3, 66.67

 

CMYK 59 / 0 / 100 / 35

HEX #44A500

RGB 68 165 0

HSL 95.27, 1%, 0.32%

LAB 60.01, -52.5, 61.42

 

CMYK 42 / 0 / 88 / 7

HEX #89ED1D

RGB 137 237 29

HSL 88.85, 0.85%, 0.52%

LAB 84.98, -58.03, 78.9

 

CMYK 19 / 0 / 88 / 7

HEX #C1ED1D

RGB 193 237 29

HSL 72.69, 0.85%, 0.52%

LAB 87.97, -37.89, 82.59

 

CMYK 0 / 5 / 88 / 7

HEX #EDE11D

RGB 237 225 29

HSL 56.54, 0.85%, 0.52%

LAB 87.94, -14.22, 83.92

 

CMYK 0 / 29 / 88 / 7

HEX #EDA81D

RGB 237 168 29

HSL 40.1, 0.85%, 0.52%

LAB 73.61, 15.08, 72.62

 

CMYK 0 / 53 / 88 / 7

HEX #ED701D

RGB 237 112 29

HSL 23.94, 0.85%, 0.52%

LAB 61.38, 44.08, 63.09

 

CMYK 42 / 0 / 88 / 7

HEX #89ED1D

RGB 137 237 29

HSL 88.85, 0.85%, 0.52%

LAB 84.98, -58.03, 78.9

 

CMYK 66 / 0 / 88 / 7

HEX #50ED1D

RGB 80 237 29

HSL 105.29, 0.85%, 0.52%

LAB 83.11, -72.89, 76.56

 

CMYK 88 / 0 / 86 / 7

HEX #1DED21

RGB 29 237 33

HSL 121.15, 0.85%, 0.52%

LAB 82.35, -79.49, 74.85

 

CMYK 88 / 0 / 62 / 7

HEX #1DED59

RGB 29 237 89

HSL 137.31, 0.85%, 0.52%

LAB 82.67, -75.34, 57.17

 

CMYK 88 / 0 / 39 / 7

HEX #1DED91

RGB 29 237 145

HSL 153.46, 0.85%, 0.52%

LAB 83.38, -66.91, 31.73

 

CMYK 42 / 0 / 88 / 7

HEX #89ED1D

RGB 137 237 29

HSL 88.85, 0.85%, 0.52%

LAB 84.98, -58.03, 78.9

 

CMYK 42 / 0 / 88 / 7

HEX #89ED1D

RGB 137 237 29

HSL 88.85, 0.85%, 0.52%

LAB 84.98, -58.03, 78.9

 

CMYK 37 / 0 / 78 / 15

HEX #88D930

RGB 136 217 48

HSL 88.76, 0.69%, 0.52%

LAB 79.08, -49.76, 69.25

 

CMYK 31 / 0 / 65 / 23

HEX #87C544

RGB 135 197 68

HSL 88.84, 0.53%, 0.52%

LAB 73.22, -40.39, 56.32

 

CMYK 24 / 0 / 50 / 31

HEX #86B158

RGB 134 177 88

HSL 88.99, 0.36%, 0.52%

LAB 67.44, -29.7, 40.62

 

CMYK 15 / 0 / 31 / 38

HEX #869D6C

RGB 134 157 108

HSL 88.16, 0.2%, 0.52%

LAB 61.88, -17.08, 23.04

 

CMYK 0 / 6 / 88 / 7

HEX #EDDF1D

RGB 237 223 29

HSL 55.96, 0.85%, 0.52%

LAB 87.42, -13.24, 83.51

 

CMYK 18 / 0 / 88 / 7

HEX #C3ED1D

RGB 195 237 29

HSL 72.12, 0.85%, 0.52%

LAB 88.09, -37.1, 82.75

 

CMYK 41 / 0 / 88 / 7

HEX #8CED1D

RGB 140 237 29

HSL 87.98, 0.85%, 0.52%

LAB 85.11, -57.06, 79.07

 

CMYK 65 / 0 / 88 / 7

HEX #54ED1D

RGB 84 237 29

HSL 104.13, 0.85%, 0.52%

LAB 83.2, -72.09, 76.68

 

CMYK 88 / 0 / 88 / 7

HEX #1DED1D

RGB 29 237 29

HSL 120, 0.85%, 0.52%

LAB 82.33, -79.64, 75.59

 

CMYK 44 / 0 / 92 / 34

HEX #5EA90E

RGB 94 169 14

HSL 89.03, 0.85%, 0.36%

LAB 62.33, -45.87, 61.74

 

CMYK 44 / 0 / 92 / 19

HEX #74CF11

RGB 116 207 17

HSL 88.74, 0.85%, 0.44%

LAB 75.06, -53.54, 72.18

 

CMYK 42 / 0 / 88 / 7

HEX #89ED1D

RGB 137 237 29

HSL 88.85, 0.85%, 0.52%

LAB 84.98, -58.03, 78.9

 

CMYK 35 / 0 / 72 / 6

HEX #9DF043

RGB 157 240 67

HSL 88.79, 0.85%, 0.6%

LAB 86.94, -50.94, 71.14

 

CMYK 28 / 0 / 57 / 5

HEX #B0F369

RGB 176 243 105

HSL 89.13, 0.85%, 0.68%

LAB 89.09, -42.71, 58.8

 

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

CMYK 88 / 0 / 30 / 7

HEX #1DEDA7

RGB 29 237 167

HSL 159.81, 0.85%, 0.52%

LAB 83.77, -62.45, 21.02

 

CMYK 0 / 88 / 6 / 7

HEX #ED1DDF

RGB 237 29 223

HSL 304.04, 0.85%, 0.52%

LAB 56.3, 88.42, -49.52

 

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

CMYK 88 / 41 / 0 / 7

HEX #1D8CED

RGB 29 140 237

HSL 207.98, 0.85%, 0.52%

LAB 57.2, 5.55, -56.96

 

CMYK 0 / 88 / 41 / 7

HEX #ED1D8C

RGB 237 29 140

HSL 327.98, 0.85%, 0.52%

LAB 52.7, 78.86, -6.74

 

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

CMYK 88 / 0 / 30 / 7

HEX #1DEDA7

RGB 29 237 167

HSL 159.81, 0.85%, 0.52%

LAB 83.77, -62.45, 21.02

 

CMYK 47 / 88 / 0 / 7

HEX #7E1DED

RGB 126 29 237

HSL 267.98, 0.85%, 0.52%

LAB 40.29, 74.83, -84.19

 

CMYK 0 / 88 / 59 / 7

HEX #ED1D62

RGB 237 29 98

HSL 340.1, 0.85%, 0.52%

LAB 51.57, 75.69, 17.04

 

CMYK 43 / 0 / 89 / 7

HEX #88ED1B

RGB 136 237 27

HSL 88.86, 0.85%, 0.52%

LAB 84.94, -58.4, 79.18

 

CMYK 88 / 0 / 3 / 7

HEX #1DEDE6

RGB 29 237 230

HSL 177.98, 0.85%, 0.52%

LAB 85.27, -46.61, -9.79

 

CMYK 47 / 88 / 0 / 7

HEX #7E1DED

RGB 126 29 237

HSL 267.98, 0.85%, 0.52%

LAB 40.29, 74.83, -84.19

 

CMYK 0 / 88 / 85 / 7

HEX #ED1D23

RGB 237 29 35

HSL 358.27, 0.85%, 0.52%

LAB 50.69, 73.18, 52.14

 

Description

Color code: HEX #88ED1B | qconv.com Color code: HEX #88ED1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 237 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 237 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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