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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8C81 it is the complementary color #41737E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE8C81: #C38C7C, #D49E8F, #E5B0A2, #F6C2B5 and #FFD4C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE8C81: #BE8C81, #AD7A6E, #9C685B, #8B5648 and #7A4435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

Complementary color

CMYK 48 / 9 / 0 / 51

HEX #41737E

RGB 65 115 126

HSL 190.82, 0.32%, 0.37%

LAB 45.49, -13.66, -11.31

 

CMYK 0 / 28 / 36 / 24

HEX #C38C7C

RGB 195 140 124

HSL 13.52, 0.37%, 0.63%

LAB 63.19, 18.83, 16.84

 

CMYK 0 / 25 / 33 / 17

HEX #D49E8F

RGB 212 158 143

HSL 13.04, 0.45%, 0.7%

LAB 69.78, 18.04, 15.68

 

CMYK 0 / 23 / 29 / 10

HEX #E5B0A2

RGB 229 176 162

HSL 12.54, 0.56%, 0.77%

LAB 76.26, 17.35, 14.62

 

CMYK 0 / 21 / 26 / 4

HEX #F6C2B5

RGB 246 194 181

HSL 12, 0.78%, 0.84%

LAB 82.65, 16.72, 13.63

 

CMYK 0 / 17 / 22 / 0

HEX #FFD4C8

RGB 255 212 200

HSL 13.09, 1%, 0.89%

LAB 88.22, 13.26, 11.56

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 0 / 29 / 36 / 32

HEX #AD7A6E

RGB 173 122 110

HSL 11.43, 0.28%, 0.55%

LAB 56.02, 18.3, 14.51

 

CMYK 0 / 33 / 42 / 39

HEX #9C685B

RGB 156 104 91

HSL 12, 0.26%, 0.48%

LAB 49.16, 19.23, 15.83

 

CMYK 0 / 38 / 48 / 45

HEX #8B5648

RGB 139 86 72

HSL 12.54, 0.32%, 0.41%

LAB 42.17, 20.32, 17.35

 

CMYK 0 / 44 / 57 / 52

HEX #7A4435

RGB 122 68 53

HSL 13.04, 0.39%, 0.34%

LAB 35.06, 21.61, 19.15

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 0 / 21 / 32 / 25

HEX #BE9682

RGB 190 150 130

HSL 20, 0.32%, 0.63%

LAB 65.26, 12.09, 16.26

 

CMYK 0 / 16 / 32 / 25

HEX #BEA082

RGB 190 160 130

HSL 30, 0.32%, 0.63%

LAB 67.8, 6.61, 19.77

 

CMYK 0 / 11 / 32 / 25

HEX #BEAA82

RGB 190 170 130

HSL 40, 0.32%, 0.63%

LAB 70.39, 1.19, 23.3

 

CMYK 0 / 5 / 32 / 25

HEX #BEB482

RGB 190 180 130

HSL 50, 0.32%, 0.63%

LAB 73.02, -4.14, 26.84

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 0 / 26 / 32 / 5

HEX #F1B2A4

RGB 241 178 164

HSL 10.91, 0.73%, 0.79%

LAB 78.01, 21.08, 16.16

 

CMYK 0 / 27 / 32 / 85

HEX #251B19

RGB 37 27 25

HSL 10, 0.19%, 0.12%

LAB 10.9, 4.54, 3.27

 

CMYK 0 / 26 / 32 / 65

HEX #58413C

RGB 88 65 60

HSL 10.71, 0.19%, 0.29%

LAB 29.87, 9.16, 6.92

 

CMYK 0 / 27 / 32 / 45

HEX #8B665E

RGB 139 102 94

HSL 10.67, 0.19%, 0.46%

LAB 46.71, 13.7, 10.35

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 12 / 0 / 32 / 25

HEX #A8BE82

RGB 168 190 130

HSL 82, 0.32%, 0.63%

LAB 74.04, -17.85, 27.89

 

CMYK 32 / 24 / 0 / 25

HEX #8290BE

RGB 130 144 190

HSL 226, 0.32%, 0.63%

LAB 60.26, 5.86, -25.55

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 32 / 0 / 26 / 25

HEX #82BE8C

RGB 130 190 140

HSL 130, 0.32%, 0.63%

LAB 71.87, -29.64, 19.23

 

CMYK 26 / 32 / 0 / 25

HEX #8C82BE

RGB 140 130 190

HSL 250, 0.32%, 0.63%

LAB 57.33, 17, -30.02

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 12 / 0 / 32 / 25

HEX #A8BE82

RGB 168 190 130

HSL 82, 0.32%, 0.63%

LAB 74.04, -17.85, 27.89

 

CMYK 32 / 5 / 0 / 25

HEX #82B4BE

RGB 130 180 190

HSL 190, 0.32%, 0.63%

LAB 70.25, -14, -10.39

 

CMYK 20 / 32 / 0 / 25

HEX #9882BE

RGB 152 130 190

HSL 262, 0.32%, 0.63%

LAB 58.38, 20.7, -28.31

 

CMYK 0 / 26 / 32 / 25

HEX #BE8C81

RGB 190 140 129

HSL 10.82, 0.32%, 0.63%

LAB 62.75, 17.49, 13.33

 

CMYK 21 / 0 / 32 / 25

HEX #96BE82

RGB 150 190 130

HSL 100, 0.32%, 0.63%

LAB 72.84, -24.48, 26.08

 

CMYK 32 / 5 / 0 / 25

HEX #82B4BE

RGB 130 180 190

HSL 190, 0.32%, 0.63%

LAB 70.25, -14, -10.39

 

CMYK 11 / 32 / 0 / 25

HEX #AA82BE

RGB 170 130 190

HSL 280, 0.32%, 0.63%

LAB 60.1, 26.43, -25.51

 

Description

Color code: HEX #BE8C81 | qconv.com Color code: HEX #BE8C81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 140 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 140 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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