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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8466 it is the complementary color #417B99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE8466: #C38461, #D49674, #E5A887, #F6BA9A and #FFCCAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE8466: #BE8466, #AD7253, #9C6040, #8B4E2D and #7A3C1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

Complementary color

CMYK 58 / 20 / 0 / 40

HEX #417B99

RGB 65 123 153

HSL 200.45, 0.4%, 0.43%

LAB 48.99, -9.87, -21.93

 

CMYK 0 / 32 / 50 / 24

HEX #C38461

RGB 195 132 97

HSL 21.43, 0.45%, 0.57%

LAB 60.75, 20.29, 28.66

 

CMYK 0 / 29 / 45 / 17

HEX #D49674

RGB 212 150 116

HSL 21.25, 0.53%, 0.64%

LAB 67.33, 19.25, 27.2

 

CMYK 0 / 27 / 41 / 10

HEX #E5A887

RGB 229 168 135

HSL 21.06, 0.64%, 0.71%

LAB 73.81, 18.35, 25.86

 

CMYK 0 / 24 / 37 / 4

HEX #F6BA9A

RGB 246 186 154

HSL 20.87, 0.84%, 0.78%

LAB 80.2, 17.55, 24.63

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 0 / 34 / 52 / 32

HEX #AD7253

RGB 173 114 83

HSL 20.67, 0.35%, 0.5%

LAB 53.54, 19.82, 26.65

 

CMYK 0 / 38 / 59 / 39

HEX #9C6040

RGB 156 96 64

HSL 20.87, 0.42%, 0.43%

LAB 46.72, 21.09, 28.36

 

CMYK 0 / 44 / 68 / 45

HEX #8B4E2D

RGB 139 78 45

HSL 21.06, 0.51%, 0.36%

LAB 39.79, 22.59, 30.27

 

CMYK 0 / 51 / 79 / 52

HEX #7A3C1A

RGB 122 60 26

HSL 21.25, 0.65%, 0.29%

LAB 32.8, 24.35, 32.29

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 0 / 23 / 47 / 26

HEX #BD9165

RGB 189 145 101

HSL 30, 0.4%, 0.57%

LAB 63.35, 11.02, 29.7

 

CMYK 0 / 16 / 47 / 26

HEX #BD9F65

RGB 189 159 101

HSL 39.55, 0.4%, 0.57%

LAB 66.94, 3.36, 34.3

 

CMYK 0 / 8 / 47 / 26

HEX #BDAE65

RGB 189 174 101

HSL 49.77, 0.4%, 0.57%

LAB 70.89, -4.68, 39.25

 

CMYK 0 / 0 / 47 / 26

HEX #BDBD65

RGB 189 189 101

HSL 60, 0.4%, 0.57%

LAB 74.92, -12.48, 44.19

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 0 / 31 / 46 / 5

HEX #F1A781

RGB 241 167 129

HSL 20.36, 0.8%, 0.73%

LAB 74.78, 22.98, 30.6

 

CMYK 0 / 30 / 46 / 85

HEX #251A14

RGB 37 26 20

HSL 21.18, 0.3%, 0.11%

LAB 10.43, 4.38, 6.2

 

CMYK 0 / 31 / 47 / 65

HEX #583D2F

RGB 88 61 47

HSL 20.49, 0.3%, 0.26%

LAB 28.43, 9.85, 13.33

 

CMYK 0 / 30 / 46 / 45

HEX #8B614B

RGB 139 97 75

HSL 20.63, 0.3%, 0.42%

LAB 45.01, 14.22, 19.34

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 25 / 0 / 47 / 26

HEX #8EBD65

RGB 142 189 101

HSL 92.05, 0.4%, 0.57%

LAB 71.61, -30.89, 39.38

 

CMYK 47 / 43 / 0 / 26

HEX #656BBD

RGB 101 107 189

HSL 235.91, 0.4%, 0.57%

LAB 48.2, 19.7, -43.98

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 47 / 0 / 31 / 26

HEX #65BD82

RGB 101 189 130

HSL 139.77, 0.4%, 0.57%

LAB 70.02, -39.69, 21.83

 

CMYK 31 / 47 / 0 / 26

HEX #8265BD

RGB 130 101 189

HSL 259.77, 0.4%, 0.57%

LAB 49.16, 30.9, -42.31

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 25 / 0 / 47 / 26

HEX #8EBD65

RGB 142 189 101

HSL 92.05, 0.4%, 0.57%

LAB 71.61, -30.89, 39.38

 

CMYK 47 / 16 / 0 / 26

HEX #659FBD

RGB 101 159 189

HSL 200.45, 0.4%, 0.57%

LAB 62.71, -10.77, -21.38

 

CMYK 22 / 47 / 0 / 26

HEX #9465BD

RGB 148 101 189

HSL 272.05, 0.4%, 0.57%

LAB 51.01, 35.95, -39.27

 

CMYK 0 / 31 / 46 / 25

HEX #BE8466

RGB 190 132 102

HSL 20.45, 0.4%, 0.57%

LAB 60.26, 18.73, 25.12

 

CMYK 39 / 0 / 47 / 26

HEX #74BD65

RGB 116 189 101

HSL 109.77, 0.4%, 0.57%

LAB 70.21, -39.9, 37.32

 

CMYK 47 / 16 / 0 / 26

HEX #659FBD

RGB 101 159 189

HSL 200.45, 0.4%, 0.57%

LAB 62.71, -10.77, -21.38

 

CMYK 8 / 47 / 0 / 26

HEX #AE65BD

RGB 174 101 189

HSL 289.77, 0.4%, 0.57%

LAB 54.01, 43.51, -34.36

 

Description

Color code: HEX #BE8466 | qconv.com Color code: HEX #BE8466 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 132 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 132 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 46 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 46% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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