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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE7251 it is the complementary color #418DAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE7251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE7251 shade: #C3724C, #D4845F, #E59672, #F6A885 and #FFBA98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE7251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE7251 shade: #BE7251, #AD603E, #9C4E2B, #8B3C18 and #7A2A05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE7251 shade: #BE7150, #BE5450 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE7251 shade: #BE7150, #BE8F50, #BEAD50, #B2BE50 and #94BE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE7251 shade matches the following richer shades: #BE7150, #D26A3D, #E56229 and #F85A16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE7251 shade: #BE7150, #AB7963, #978177, #84888A and #71909E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE7251 shade: #BE506A, #BE5450, #BE7150, #BE8F50 and #BEAC50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE7251 shade: #894D33, #A75E3E, #BE7150, #C98A6E and #D5A28C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE7251 shade: #BE7251, #87BE50 and #505BBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE7251 shade: #BE7251, #50BE71 and #7150BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE7251 shade: #BE7251, #87BE50, #509DBE and #8750BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE7251 shade: #BE7251, #66BE50, #509DBE and #A850BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 57 / 25

HEX #BE7251

RGB 190 114 81

HSL 18.17, 0.46%, 0.53%

LAB 55.66, 26.71, 30.91

 

Complementary color

CMYK 63 / 19 / 0 / 32

HEX #418DAE

RGB 65 141 174

HSL 198.17, 0.46%, 0.47%

LAB 55.31, -13.25, -24.37

 

CMYK 0 / 42 / 61 / 24

HEX #C3724C

RGB 195 114 76

HSL 19.16, 0.5%, 0.53%

LAB 56.25, 28.37, 34.54

 

CMYK 0 / 38 / 55 / 17

HEX #D4845F

RGB 212 132 95

HSL 18.97, 0.58%, 0.6%

LAB 62.78, 27.04, 32.77

 

CMYK 0 / 34 / 50 / 10

HEX #E59672

RGB 229 150 114

HSL 18.78, 0.69%, 0.67%

LAB 69.25, 25.86, 31.16

 

CMYK 0 / 32 / 46 / 4

HEX #F6A885

RGB 246 168 133

HSL 18.58, 0.86%, 0.74%

LAB 75.63, 24.8, 29.69

 

CMYK 0 / 27 / 40 / 0

HEX #FFBA98

RGB 255 186 152

HSL 19.81, 1%, 0.8%

LAB 81.1, 20.79, 27.06

 

CMYK 0 / 40 / 57 / 25

HEX #BE7251

RGB 190 114 81

HSL 18.17, 0.46%, 0.53%

LAB 55.66, 26.71, 30.91

 

CMYK 0 / 45 / 64 / 32

HEX #AD603E

RGB 173 96 62

HSL 18.38, 0.47%, 0.46%

LAB 49, 28.13, 32.81

 

CMYK 0 / 50 / 72 / 39

HEX #9C4E2B

RGB 156 78 43

HSL 18.58, 0.57%, 0.39%

LAB 42.29, 29.73, 34.89

 

CMYK 0 / 57 / 83 / 45

HEX #8B3C18

RGB 139 60 24

HSL 18.78, 0.71%, 0.32%

LAB 35.57, 31.5, 36.99

 

CMYK 0 / 66 / 96 / 52

HEX #7A2A05

RGB 122 42 5

HSL 18.97, 0.92%, 0.25%

LAB 28.91, 33.3, 38.47

 

CMYK 0 / 41 / 58 / 25

HEX #BE7150

RGB 190 113 80

HSL 18, 0.46%, 0.53%

LAB 55.42, 27.17, 31.17

 

CMYK 0 / 56 / 58 / 25

HEX #BE5450

RGB 190 84 80

HSL 2.18, 0.46%, 0.53%

LAB 49.33, 42.35, 23.4

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 41 / 58 / 25

HEX #BE7150

RGB 190 113 80

HSL 18, 0.46%, 0.53%

LAB 55.42, 27.17, 31.17

 

CMYK 0 / 25 / 58 / 25

HEX #BE8F50

RGB 190 143 80

HSL 34.36, 0.46%, 0.53%

LAB 62.65, 10.64, 40

 

CMYK 0 / 9 / 58 / 25

HEX #BEAD50

RGB 190 173 80

HSL 50.73, 0.46%, 0.53%

LAB 70.46, -5.56, 49.1

 

CMYK 6 / 0 / 58 / 25

HEX #B2BE50

RGB 178 190 80

HSL 66.55, 0.46%, 0.53%

LAB 74.11, -19.34, 52.94

 

CMYK 22 / 0 / 58 / 25

HEX #94BE50

RGB 148 190 80

HSL 82.91, 0.46%, 0.53%

LAB 72.03, -31.33, 50.03

 

CMYK 0 / 41 / 58 / 25

HEX #BE7150

RGB 190 113 80

HSL 18, 0.46%, 0.53%

LAB 55.42, 27.17, 31.17

 

CMYK 0 / 50 / 71 / 18

HEX #D26A3D

RGB 210 106 61

HSL 18.12, 0.62%, 0.53%

LAB 56.43, 37.69, 43.28

 

CMYK 0 / 57 / 82 / 10

HEX #E56229

RGB 229 98 41

HSL 18.19, 0.78%, 0.53%

LAB 57.61, 48.06, 54.94

 

CMYK 0 / 64 / 91 / 3

HEX #F85A16

RGB 248 90 22

HSL 18.05, 0.94%, 0.53%

LAB 59.28, 57.92, 64.47

 

CMYK 0 / 41 / 58 / 25

HEX #BE7150

RGB 190 113 80

HSL 18, 0.46%, 0.53%

LAB 55.42, 27.17, 31.17

 

CMYK 0 / 29 / 42 / 33

HEX #AB7963

RGB 171 121 99

HSL 18.33, 0.3%, 0.53%

LAB 55.31, 16.71, 19.83

 

CMYK 0 / 15 / 21 / 41

HEX #978177

RGB 151 129 119

HSL 18.75, 0.13%, 0.53%

LAB 55.7, 6.74, 8.53

 

CMYK 4 / 1 / 0 / 46

HEX #84888A

RGB 132 136 138

HSL 200, 0.02%, 0.53%

LAB 56.44, -1.06, -1.59

 

CMYK 28 / 9 / 0 / 38

HEX #71909E

RGB 113 144 158

HSL 198.67, 0.19%, 0.53%

LAB 57.97, -7.45, -10.95

 

CMYK 0 / 58 / 44 / 25

HEX #BE506A

RGB 190 80 106

HSL 345.82, 0.46%, 0.53%

LAB 49.16, 46.62, 7.58

 

CMYK 0 / 56 / 58 / 25

HEX #BE5450

RGB 190 84 80

HSL 2.18, 0.46%, 0.53%

LAB 49.33, 42.35, 23.4

 

CMYK 0 / 41 / 58 / 25

HEX #BE7150

RGB 190 113 80

HSL 18, 0.46%, 0.53%

LAB 55.42, 27.17, 31.17

 

CMYK 0 / 25 / 58 / 25

HEX #BE8F50

RGB 190 143 80

HSL 34.36, 0.46%, 0.53%

LAB 62.65, 10.64, 40

 

CMYK 0 / 9 / 58 / 25

HEX #BEAC50

RGB 190 172 80

HSL 50.18, 0.46%, 0.53%

LAB 70.2, -5.03, 48.8

 

CMYK 0 / 44 / 63 / 46

HEX #894D33

RGB 137 77 51

HSL 18.14, 0.46%, 0.37%

LAB 39.35, 22.73, 26.22

 

CMYK 0 / 44 / 63 / 35

HEX #A75E3E

RGB 167 94 62

HSL 18.29, 0.46%, 0.45%

LAB 47.71, 26.73, 31.05

 

CMYK 0 / 41 / 58 / 25

HEX #BE7150

RGB 190 113 80

HSL 18, 0.46%, 0.53%

LAB 55.42, 27.17, 31.17

 

CMYK 0 / 31 / 45 / 21

HEX #C98A6E

RGB 201 138 110

HSL 18.46, 0.46%, 0.61%

LAB 63.11, 20.74, 24.68

 

CMYK 0 / 24 / 34 / 16

HEX #D5A28C

RGB 213 162 140

HSL 18.08, 0.46%, 0.69%

LAB 70.79, 15.88, 18.75

 

CMYK 0 / 40 / 57 / 25

HEX #BE7251

RGB 190 114 81

HSL 18.17, 0.46%, 0.53%

LAB 55.66, 26.71, 30.91

 

CMYK 29 / 0 / 58 / 25

HEX #87BE50

RGB 135 190 80

HSL 90, 0.46%, 0.53%

LAB 71.25, -36.22, 48.94

 

CMYK 58 / 52 / 0 / 25

HEX #505BBE

RGB 80 91 190

HSL 234, 0.46%, 0.53%

LAB 42.62, 25.37, -53.58

 

CMYK 0 / 40 / 57 / 25

HEX #BE7251

RGB 190 114 81

HSL 18.17, 0.46%, 0.53%

LAB 55.66, 26.71, 30.91

 

CMYK 58 / 0 / 41 / 25

HEX #50BE71

RGB 80 190 113

HSL 138, 0.46%, 0.53%

LAB 69.27, -48.47, 29.68

 

CMYK 41 / 58 / 0 / 25

HEX #7150BE

RGB 113 80 190

HSL 258, 0.46%, 0.53%

LAB 42.71, 39.15, -53.3

 

CMYK 0 / 40 / 57 / 25

HEX #BE7251

RGB 190 114 81

HSL 18.17, 0.46%, 0.53%

LAB 55.66, 26.71, 30.91

 

CMYK 29 / 0 / 58 / 25

HEX #87BE50

RGB 135 190 80

HSL 90, 0.46%, 0.53%

LAB 71.25, -36.22, 48.94

 

CMYK 58 / 17 / 0 / 25

HEX #509DBE

RGB 80 157 190

HSL 198, 0.46%, 0.53%

LAB 61.25, -14.09, -24.25

 

CMYK 29 / 58 / 0 / 25

HEX #8750BE

RGB 135 80 190

HSL 270, 0.46%, 0.53%

LAB 45.09, 44.4, -49.35

 

CMYK 0 / 40 / 57 / 25

HEX #BE7251

RGB 190 114 81

HSL 18.17, 0.46%, 0.53%

LAB 55.66, 26.71, 30.91

 

CMYK 46 / 0 / 58 / 25

HEX #66BE50

RGB 102 190 80

HSL 108, 0.46%, 0.53%

LAB 69.63, -47.3, 46.65

 

CMYK 58 / 17 / 0 / 25

HEX #509DBE

RGB 80 157 190

HSL 198, 0.46%, 0.53%

LAB 61.25, -14.09, -24.25

 

CMYK 12 / 58 / 0 / 25

HEX #A850BE

RGB 168 80 190

HSL 288, 0.46%, 0.53%

LAB 49.23, 52.77, -42.51

 

Description

Color code: HEX #BE7251 | qconv.com Color code: HEX #BE7251 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 114 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 114 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 57 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 57% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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