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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE7009 it is the complementary color #418FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE7009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE7009: #C37004, #D48217, #E5942A, #F6A63D and #FFB850

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE7009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE7009: #BE7009, #AD5E00, #9C4C00, #8B3A00 and #7A2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

Complementary color

CMYK 74 / 42 / 0 / 4

HEX #418FF6

RGB 65 143 246

HSL 214.14, 0.91%, 0.61%

LAB 59.36, 10.35, -58.43

 

CMYK 0 / 43 / 98 / 24

HEX #C37004

RGB 195 112 4

HSL 33.93, 0.96%, 0.39%

LAB 55.28, 26.73, 61.82

 

CMYK 0 / 39 / 89 / 17

HEX #D48217

RGB 212 130 23

HSL 33.97, 0.8%, 0.46%

LAB 61.68, 24.56, 63.54

 

CMYK 0 / 35 / 82 / 10

HEX #E5942A

RGB 229 148 42

HSL 34.01, 0.78%, 0.53%

LAB 68.02, 22.62, 63.83

 

CMYK 0 / 33 / 75 / 4

HEX #F6A63D

RGB 246 166 61

HSL 34.05, 0.91%, 0.6%

LAB 74.32, 20.9, 63.26

 

CMYK 0 / 28 / 69 / 0

HEX #FFB850

RGB 255 184 80

HSL 35.66, 1%, 0.66%

LAB 79.68, 16.09, 61.06

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 0 / 46 / 100 / 32

HEX #AD5E00

RGB 173 94 0

HSL 32.6, 1%, 0.34%

LAB 48.12, 27.02, 56.57

 

CMYK 0 / 51 / 100 / 39

HEX #9C4C00

RGB 156 76 0

HSL 29.23, 1%, 0.31%

LAB 41.59, 29.53, 51.32

 

CMYK 0 / 58 / 100 / 45

HEX #8B3A00

RGB 139 58 0

HSL 25.04, 1%, 0.27%

LAB 35.03, 31.97, 46.07

 

CMYK 0 / 67 / 100 / 52

HEX #7A2800

RGB 122 40 0

HSL 19.67, 1%, 0.24%

LAB 28.53, 34.15, 40.19

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 0 / 25 / 96 / 26

HEX #BD8D08

RGB 189 141 8

HSL 44.09, 0.92%, 0.39%

LAB 61.56, 8.23, 65.15

 

CMYK 0 / 10 / 96 / 26

HEX #BDAB08

RGB 189 171 8

HSL 54.03, 0.92%, 0.39%

LAB 69.44, -7.89, 70.92

 

CMYK 6 / 0 / 96 / 26

HEX #B1BD08

RGB 177 189 8

HSL 63.98, 0.92%, 0.39%

LAB 73.39, -22.29, 73.45

 

CMYK 22 / 0 / 96 / 26

HEX #93BD08

RGB 147 189 8

HSL 73.92, 0.92%, 0.39%

LAB 71.29, -34.8, 70.92

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 0 / 41 / 95 / 5

HEX #F18E0B

RGB 241 142 11

HSL 34.17, 0.91%, 0.49%

LAB 68.07, 30.21, 72.2

 

CMYK 0 / 41 / 95 / 85

HEX #251602

RGB 37 22 2

HSL 34.29, 0.9%, 0.08%

LAB 8.75, 5.05, 12.39

 

CMYK 0 / 41 / 95 / 65

HEX #583404

RGB 88 52 4

HSL 34.29, 0.91%, 0.18%

LAB 25.38, 12.35, 33.56

 

CMYK 0 / 41 / 95 / 45

HEX #8B5207

RGB 139 82 7

HSL 34.09, 0.9%, 0.29%

LAB 40.47, 18.76, 47.32

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 73 / 0 / 96 / 26

HEX #33BD08

RGB 51 189 8

HSL 105.75, 0.92%, 0.39%

LAB 67.36, -63.9, 66.13

 

CMYK 79 / 96 / 0 / 26

HEX #2708BD

RGB 39 8 189

HSL 250.28, 0.92%, 0.39%

LAB 24.57, 62.01, -82.72

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 96 / 0 / 41 / 26

HEX #08BD6F

RGB 8 189 111

HSL 154.14, 0.92%, 0.39%

LAB 67.72, -57.79, 28.46

 

CMYK 41 / 96 / 0 / 26

HEX #6F08BD

RGB 111 8 189

HSL 274.14, 0.92%, 0.39%

LAB 32.32, 66.81, -69.65

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 73 / 0 / 96 / 26

HEX #33BD08

RGB 51 189 8

HSL 105.75, 0.92%, 0.39%

LAB 67.36, -63.9, 66.13

 

CMYK 96 / 54 / 0 / 26

HEX #0857BD

RGB 8 87 189

HSL 213.81, 0.92%, 0.39%

LAB 38.8, 19.38, -59.31

 

CMYK 22 / 96 / 0 / 26

HEX #9308BD

RGB 147 8 189

HSL 286.08, 0.92%, 0.39%

LAB 37.93, 71.25, -60.24

 

CMYK 0 / 41 / 95 / 25

HEX #BE7009

RGB 190 112 9

HSL 34.14, 0.91%, 0.39%

LAB 54.61, 24.64, 60.12

 

CMYK 96 / 0 / 89 / 26

HEX #08BD15

RGB 8 189 21

HSL 124.31, 0.92%, 0.39%

LAB 66.9, -67.92, 63.65

 

CMYK 96 / 54 / 0 / 26

HEX #0857BD

RGB 8 87 189

HSL 213.81, 0.92%, 0.39%

LAB 38.8, 19.38, -59.31

 

CMYK 0 / 96 / 6 / 26

HEX #BD08B1

RGB 189 8 177

HSL 303.98, 0.92%, 0.39%

LAB 44.47, 75.99, -42.25

 

Description

Color code: HEX #BE7009 | qconv.com Color code: HEX #BE7009 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 112 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 112 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 95 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 95% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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