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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6337 it is the complementary color #419CC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6337. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6337 shade: #C36332, #D47545, #E58758, #F6996B and #FFAB7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6337. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6337 shade: #BE6337, #AD5124, #9C3F11, #8B2D00 and #7A1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6337 shade: #BE6337, #BE3F37 and #BE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6337 shade: #BE6337, #BE8737, #BEAC37, #ACBE37 and #87BE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6337 shade matches the following richer shades: #BE6337, #D25C23 and #E5550F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6337 shade: #BE6337, #AA6A4B, #96715F, #827872 and #6F7F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6337 shade: #BE3754, #BE3E37, #BE6237, #BE8637 and #BEAA37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6337 shade: #7E4225, #9E522E, #BE6337, #CD7A51 and #D69271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6337 shade: #BE6337, #78BE37 and #3742BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6337 shade: #BE6337, #37BE62 and #6237BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6337 shade: #BE6337, #78BE37, #3793BE and #7D37BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6337 shade: #BE6337, #50BE37, #3793BE and #A537BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

Complementary color

CMYK 68 / 22 / 0 / 22

HEX #419CC8

RGB 65 156 200

HSL 199.56, 0.55%, 0.52%

LAB 60.84, -13.04, -30.53

 

CMYK 0 / 49 / 74 / 24

HEX #C36332

RGB 195 99 50

HSL 20.28, 0.59%, 0.48%

LAB 52.68, 34.83, 44.16

 

CMYK 0 / 45 / 67 / 17

HEX #D47545

RGB 212 117 69

HSL 20.14, 0.62%, 0.55%

LAB 59.11, 33.21, 42.23

 

CMYK 0 / 41 / 62 / 10

HEX #E58758

RGB 229 135 88

HSL 20, 0.73%, 0.62%

LAB 65.51, 31.73, 40.37

 

CMYK 0 / 38 / 57 / 4

HEX #F6996B

RGB 246 153 107

HSL 19.86, 0.89%, 0.69%

LAB 71.85, 30.41, 38.63

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 0 / 53 / 79 / 32

HEX #AD5124

RGB 173 81 36

HSL 19.71, 0.66%, 0.41%

LAB 45.49, 34.77, 42.65

 

CMYK 0 / 60 / 89 / 39

HEX #9C3F11

RGB 156 63 17

HSL 19.86, 0.8%, 0.34%

LAB 39.01, 36.59, 44.21

 

CMYK 0 / 68 / 100 / 45

HEX #8B2D00

RGB 139 45 0

HSL 19.42, 1%, 0.27%

LAB 32.63, 38.32, 44.65

 

CMYK 0 / 78 / 100 / 52

HEX #7A1B00

RGB 122 27 0

HSL 13.28, 1%, 0.24%

LAB 26.51, 39.64, 38.47

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 0 / 67 / 71 / 25

HEX #BE3F37

RGB 190 63 55

HSL 3.56, 0.55%, 0.48%

LAB 45.33, 50.37, 33.09

 

CMYK 0 / 71 / 71 / 25

HEX #BE3737

RGB 190 55 55

HSL 0, 0.55%, 0.48%

LAB 44.17, 53.54, 31.74

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 0 / 29 / 71 / 25

HEX #BE8737

RGB 190 135 55

HSL 35.56, 0.55%, 0.48%

LAB 60.38, 13.41, 49.66

 

CMYK 0 / 9 / 71 / 25

HEX #BEAC37

RGB 190 172 55

HSL 52, 0.55%, 0.48%

LAB 69.98, -6.61, 59.41

 

CMYK 9 / 0 / 71 / 25

HEX #ACBE37

RGB 172 190 55

HSL 68, 0.55%, 0.48%

LAB 73.46, -23.47, 62.34

 

CMYK 29 / 0 / 71 / 25

HEX #87BE37

RGB 135 190 55

HSL 84.44, 0.55%, 0.48%

LAB 71.05, -38.22, 59.14

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 0 / 56 / 83 / 18

HEX #D25C23

RGB 210 92 35

HSL 19.54, 0.71%, 0.48%

LAB 53.47, 43.66, 52.64

 

CMYK 0 / 63 / 93 / 10

HEX #E5550F

RGB 229 85 15

HSL 19.63, 0.88%, 0.48%

LAB 55.27, 53.39, 62.14

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 0 / 38 / 56 / 33

HEX #AA6A4B

RGB 170 106 75

HSL 19.58, 0.39%, 0.48%

LAB 51.11, 22.33, 28

 

CMYK 0 / 25 / 37 / 41

HEX #96715F

RGB 150 113 95

HSL 19.64, 0.22%, 0.48%

LAB 50.83, 12.04, 15.65

 

CMYK 0 / 8 / 12 / 49

HEX #827872

RGB 130 120 114

HSL 22.5, 0.07%, 0.48%

LAB 51.14, 2.73, 4.67

 

CMYK 17 / 5 / 0 / 47

HEX #6F7F86

RGB 111 127 134

HSL 198.26, 0.09%, 0.48%

LAB 52.15, -4.26, -5.77

 

CMYK 0 / 71 / 56 / 25

HEX #BE3754

RGB 190 55 84

HSL 347.11, 0.55%, 0.48%

LAB 44.69, 55.33, 14.77

 

CMYK 0 / 67 / 71 / 25

HEX #BE3E37

RGB 190 62 55

HSL 3.11, 0.55%, 0.48%

LAB 45.18, 50.78, 32.92

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 29 / 71 / 25

HEX #BE8637

RGB 190 134 55

HSL 35.11, 0.55%, 0.48%

LAB 60.13, 13.96, 49.4

 

CMYK 0 / 11 / 71 / 25

HEX #BEAA37

RGB 190 170 55

HSL 51.11, 0.55%, 0.48%

LAB 69.45, -5.55, 58.88

 

CMYK 0 / 48 / 71 / 51

HEX #7E4225

RGB 126 66 37

HSL 19.55, 0.55%, 0.32%

LAB 34.93, 23.28, 28.71

 

CMYK 0 / 48 / 71 / 38

HEX #9E522E

RGB 158 82 46

HSL 19.29, 0.55%, 0.4%

LAB 43.51, 28.55, 34.69

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 0 / 40 / 60 / 20

HEX #CD7A51

RGB 205 122 81

HSL 19.84, 0.55%, 0.56%

LAB 59.43, 28.5, 36.01

 

CMYK 0 / 32 / 47 / 16

HEX #D69271

RGB 214 146 113

HSL 19.6, 0.55%, 0.64%

LAB 66.56, 21.92, 27.86

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 37 / 0 / 71 / 25

HEX #78BE37

RGB 120 190 55

HSL 91.11, 0.55%, 0.48%

LAB 70.24, -43.67, 58.07

 

CMYK 71 / 65 / 0 / 25

HEX #3742BE

RGB 55 66 190

HSL 235.11, 0.55%, 0.48%

LAB 34.86, 37.2, -66.27

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 71 / 0 / 48 / 25

HEX #37BE62

RGB 55 190 98

HSL 139.11, 0.55%, 0.48%

LAB 68.4, -55.91, 36.12

 

CMYK 48 / 71 / 0 / 25

HEX #6237BE

RGB 98 55 190

HSL 259.11, 0.55%, 0.48%

LAB 36.07, 49.87, -64.14

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 37 / 0 / 71 / 25

HEX #78BE37

RGB 120 190 55

HSL 91.11, 0.55%, 0.48%

LAB 70.24, -43.67, 58.07

 

CMYK 71 / 23 / 0 / 25

HEX #3793BE

RGB 55 147 190

HSL 199.11, 0.55%, 0.48%

LAB 57.46, -12.92, -30.17

 

CMYK 34 / 71 / 0 / 25

HEX #7D37BE

RGB 125 55 190

HSL 271.11, 0.55%, 0.48%

LAB 39.26, 54.77, -58.81

 

CMYK 0 / 48 / 71 / 25

HEX #BE6337

RGB 190 99 55

HSL 19.56, 0.55%, 0.48%

LAB 52, 33.06, 40.67

 

CMYK 58 / 0 / 71 / 25

HEX #50BE37

RGB 80 190 55

HSL 108.89, 0.55%, 0.48%

LAB 68.61, -55.81, 55.88

 

CMYK 71 / 23 / 0 / 25

HEX #3793BE

RGB 55 147 190

HSL 199.11, 0.55%, 0.48%

LAB 57.46, -12.92, -30.17

 

CMYK 13 / 71 / 0 / 25

HEX #A537BE

RGB 165 55 190

HSL 288.89, 0.55%, 0.48%

LAB 44.87, 62.94, -49.48

 

Description

Color code: HEX #BE6337 | qconv.com Color code: HEX #BE6337 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 99 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 99 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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