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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFAB7E it is the complementary color #005481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFAB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFAB7E shade: #FFAB79, #FFBD8C, #FFCF9F, #FFE1B2 and #FFF3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFAB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFAB7E shade: #FFAB7E, #EE996B, #DD8758, #CC7545 and #BB6332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFAB7E shade: #FFAC80, #FF8A80 and #FF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFAB7E shade: #FFAC80, #FFCE80, #FFF180, #EBFF80 and #C8FF80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFAB7E shade matches the following richer shades: #FFAC80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFAB7E shade: #FFAC80, #F5AF8A, #EAB294, #E0B59E and #D6B8A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFAB7E shade: #FF8099, #FF8880, #FFAA80, #FFCC80 and #FFEE80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFAB7E shade: #FF762D, #FF9156, #FFAC80, #FFC7A9 and #FFE2D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFAB7E shade: #FFAB7E, #BBFF80 and #8088FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFAB7E shade: #FFAB7E, #80FFAA and #AA80FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFAB7E shade: #FFAB7E, #BBFF80, #80D5FF and #C480FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFAB7E shade: #FFAB7E, #95FF80, #80D5FF and #EA80FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

Complementary color

CMYK 100 / 35 / 0 / 49

HEX #005481

RGB 0 84 129

HSL 200.93, 1%, 0.25%

LAB 33.83, -3.87, -31.31

 

CMYK 0 / 33 / 53 / 0

HEX #FFAB79

RGB 255 171 121

HSL 22.39, 1%, 0.74%

LAB 77.14, 25.66, 38.19

 

CMYK 0 / 26 / 45 / 0

HEX #FFBD8C

RGB 255 189 140

HSL 25.57, 1%, 0.77%

LAB 81.59, 17.98, 34.02

 

CMYK 0 / 19 / 38 / 0

HEX #FFCF9F

RGB 255 207 159

HSL 30, 1%, 0.81%

LAB 86.2, 10.61, 30.25

 

CMYK 0 / 12 / 30 / 0

HEX #FFE1B2

RGB 255 225 178

HSL 36.62, 1%, 0.85%

LAB 90.93, 3.6, 26.81

 

CMYK 0 / 5 / 23 / 0

HEX #FFF3C5

RGB 255 243 197

HSL 47.59, 1%, 0.89%

LAB 95.74, -3.04, 23.67

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

CMYK 0 / 36 / 55 / 7

HEX #EE996B

RGB 238 153 107

HSL 21.07, 0.79%, 0.68%

LAB 70.89, 27.24, 37.22

 

CMYK 0 / 39 / 60 / 13

HEX #DD8758

RGB 221 135 88

HSL 21.2, 0.66%, 0.61%

LAB 64.49, 28.53, 38.9

 

CMYK 0 / 43 / 66 / 20

HEX #CC7545

RGB 204 117 69

HSL 21.33, 0.57%, 0.54%

LAB 58.03, 29.97, 40.7

 

CMYK 0 / 47 / 73 / 27

HEX #BB6332

RGB 187 99 50

HSL 21.46, 0.58%, 0.46%

LAB 51.52, 31.59, 42.58

 

CMYK 0 / 33 / 50 / 0

HEX #FFAC80

RGB 255 172 128

HSL 20.79, 1%, 0.75%

LAB 77.47, 25.75, 34.95

 

CMYK 0 / 46 / 50 / 0

HEX #FF8A80

RGB 255 138 128

HSL 4.72, 1%, 0.75%

LAB 70.17, 43.26, 25.33

 

CMYK 0 / 50 / 50 / 0

HEX #FF8080

RGB 255 128 128

HSL 0, 1%, 0.75%

LAB 68.21, 48.2, 22.69

 

CMYK 0 / 33 / 50 / 0

HEX #FFAC80

RGB 255 172 128

HSL 20.79, 1%, 0.75%

LAB 77.47, 25.75, 34.95

 

CMYK 0 / 19 / 50 / 0

HEX #FFCE80

RGB 255 206 128

HSL 36.85, 1%, 0.75%

LAB 85.48, 8.02, 45.11

 

CMYK 0 / 5 / 50 / 0

HEX #FFF180

RGB 255 241 128

HSL 53.39, 1%, 0.75%

LAB 94.2, -9.7, 55.74

 

CMYK 8 / 0 / 50 / 0

HEX #EBFF80

RGB 235 255 128

HSL 69.45, 1%, 0.75%

LAB 96.3, -24.26, 57.89

 

CMYK 22 / 0 / 50 / 0

HEX #C8FF80

RGB 200 255 128

HSL 85.98, 1%, 0.75%

LAB 94.04, -37.25, 54.63

 

CMYK 0 / 33 / 50 / 0

HEX #FFAC80

RGB 255 172 128

HSL 20.79, 1%, 0.75%

LAB 77.47, 25.75, 34.95

 

CMYK 0 / 33 / 50 / 0

HEX #FFAC80

RGB 255 172 128

HSL 20.79, 1%, 0.75%

LAB 77.47, 25.75, 34.95

 

CMYK 0 / 29 / 44 / 4

HEX #F5AF8A

RGB 245 175 138

HSL 20.75, 0.84%, 0.75%

LAB 77.23, 21.22, 29.12

 

CMYK 0 / 24 / 37 / 8

HEX #EAB294

RGB 234 178 148

HSL 20.93, 0.67%, 0.75%

LAB 76.96, 16.45, 23.22

 

CMYK 0 / 19 / 29 / 12

HEX #E0B59E

RGB 224 181 158

HSL 20.91, 0.52%, 0.75%

LAB 76.9, 12.24, 17.6

 

CMYK 0 / 14 / 21 / 16

HEX #D6B8A9

RGB 214 184 169

HSL 20, 0.35%, 0.75%

LAB 76.95, 8.4, 11.58

 

CMYK 0 / 50 / 40 / 0

HEX #FF8099

RGB 255 128 153

HSL 348.19, 1%, 0.75%

LAB 68.75, 50.62, 9.4

 

CMYK 0 / 47 / 50 / 0

HEX #FF8880

RGB 255 136 128

HSL 3.78, 1%, 0.75%

LAB 69.77, 44.25, 24.79

 

CMYK 0 / 33 / 50 / 0

HEX #FFAA80

RGB 255 170 128

HSL 19.84, 1%, 0.75%

LAB 77.02, 26.79, 34.36

 

CMYK 0 / 20 / 50 / 0

HEX #FFCC80

RGB 255 204 128

HSL 35.91, 1%, 0.75%

LAB 85, 9.05, 44.51

 

CMYK 0 / 7 / 50 / 0

HEX #FFEE80

RGB 255 238 128

HSL 51.97, 1%, 0.75%

LAB 93.44, -8.22, 54.83

 

CMYK 0 / 54 / 82 / 0

HEX #FF762D

RGB 255 118 45

HSL 20.86, 1%, 0.59%

LAB 65.28, 48.34, 61.65

 

CMYK 0 / 43 / 66 / 0

HEX #FF9156

RGB 255 145 86

HSL 20.95, 1%, 0.67%

LAB 71, 36.67, 48.69

 

CMYK 0 / 33 / 50 / 0

HEX #FFAC80

RGB 255 172 128

HSL 20.79, 1%, 0.75%

LAB 77.47, 25.75, 34.95

 

CMYK 0 / 22 / 34 / 0

HEX #FFC7A9

RGB 255 199 169

HSL 20.93, 1%, 0.83%

LAB 84.47, 15.94, 22.66

 

CMYK 0 / 11 / 18 / 0

HEX #FFE2D2

RGB 255 226 210

HSL 21.33, 1%, 0.91%

LAB 91.82, 7.47, 11.45

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

CMYK 27 / 0 / 50 / 0

HEX #BBFF80

RGB 187 255 128

HSL 92.13, 1%, 0.75%

LAB 93.3, -41.83, 53.56

 

CMYK 50 / 47 / 0 / 0

HEX #8088FF

RGB 128 136 255

HSL 236.22, 1%, 0.75%

LAB 61.15, 28.41, -60.35

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

CMYK 50 / 0 / 33 / 0

HEX #80FFAA

RGB 128 255 170

HSL 139.84, 1%, 0.75%

LAB 91.24, -53.52, 30.04

 

CMYK 33 / 50 / 0 / 0

HEX #AA80FF

RGB 170 128 255

HSL 259.84, 1%, 0.75%

LAB 62.68, 42.75, -57.71

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

CMYK 27 / 0 / 50 / 0

HEX #BBFF80

RGB 187 255 128

HSL 92.13, 1%, 0.75%

LAB 93.3, -41.83, 53.56

 

CMYK 50 / 16 / 0 / 0

HEX #80D5FF

RGB 128 213 255

HSL 199.84, 1%, 0.75%

LAB 81.51, -14.67, -28.46

 

CMYK 23 / 50 / 0 / 0

HEX #C480FF

RGB 196 128 255

HSL 272.13, 1%, 0.75%

LAB 65.27, 49.32, -53.42

 

CMYK 0 / 33 / 51 / 0

HEX #FFAB7E

RGB 255 171 126

HSL 20.93, 1%, 0.75%

LAB 77.22, 26.09, 35.67

 

CMYK 42 / 0 / 50 / 0

HEX #95FF80

RGB 149 255 128

HSL 110.08, 1%, 0.75%

LAB 91.45, -54.06, 50.88

 

CMYK 50 / 16 / 0 / 0

HEX #80D5FF

RGB 128 213 255

HSL 199.84, 1%, 0.75%

LAB 81.51, -14.67, -28.46

 

CMYK 8 / 50 / 0 / 0

HEX #EA80FF

RGB 234 128 255

HSL 290.08, 1%, 0.75%

LAB 69.58, 59.34, -46.35

 

Description

Color code: HEX #FFAB7E | qconv.com Color code: HEX #FFAB7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 171 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 171 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 51 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 51% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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