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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE33CC it is the complementary color #41CC33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE33CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE33CC shade: #C333C7, #D445DA, #E557ED, #F669FF and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE33CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE33CC shade: #BE33CC, #AD21B9, #9C0FA6, #8B0093 and #7A0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE33CC shade: #BE33CC, #CC33B1, #CC3387, #CC335E and #CC3335

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE33CC shade: #BE33CC, #9533CC, #6B33CC, #4233CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE33CC shade matches the following richer shades: #BE33CC, #CF1EE1 and #E00AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE33CC shade: #BE33CC, #AD48B7, #9C5CA3, #8B718E and #7B8679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE33CC shade: #6B33CC, #9433CC, #BD33CC, #CC33B3 and #CC338A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE33CC shade: #81228A, #9F2BAB, #BE33CC, #C954D4 and #D375DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE33CC shade: #BE33CC, #CC4233 and #33CC80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE33CC shade: #BE33CC, #CCBD33 and #33CCBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE33CC shade: #BE33CC, #CC4233, #42CC33 and #33BDCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE33CC shade: #BE33CC, #CC7033, #42CC33 and #338FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

Complementary color

CMYK 68 / 0 / 75 / 20

HEX #41CC33

RGB 65 204 51

HSL 114.51, 0.6%, 0.5%

LAB 72.59, -64.22, 61.19

 

CMYK 2 / 74 / 0 / 22

HEX #C333C7

RGB 195 51 199

HSL 298.38, 0.59%, 0.49%

LAB 49.61, 72.13, -46.87

 

CMYK 3 / 68 / 0 / 15

HEX #D445DA

RGB 212 69 218

HSL 297.58, 0.67%, 0.56%

LAB 55.4, 72.9, -48.38

 

CMYK 3 / 63 / 0 / 7

HEX #E557ED

RGB 229 87 237

HSL 296.8, 0.81%, 0.64%

LAB 61.3, 73.14, -49.53

 

CMYK 4 / 59 / 0 / 0

HEX #F669FF

RGB 246 105 255

HSL 296.4, 1%, 0.71%

LAB 67.21, 72.86, -49.97

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 6 / 82 / 0 / 27

HEX #AD21B9

RGB 173 33 185

HSL 295.26, 0.7%, 0.43%

LAB 43.47, 70.45, -48.72

 

CMYK 6 / 91 / 0 / 35

HEX #9C0FA6

RGB 156 15 166

HSL 296.03, 0.83%, 0.35%

LAB 38.13, 67.8, -46.16

 

CMYK 5 / 100 / 0 / 42

HEX #8B0093

RGB 139 0 147

HSL 296.73, 1%, 0.29%

LAB 33.13, 63.83, -42.83

 

CMYK 5 / 100 / 0 / 50

HEX #7A0080

RGB 122 0 128

HSL 297.19, 1%, 0.25%

LAB 28.63, 57.91, -38.4

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 0 / 75 / 13 / 20

HEX #CC33B1

RGB 204 51 177

HSL 310.59, 0.6%, 0.5%

LAB 49.95, 70.73, -33.42

 

CMYK 0 / 75 / 34 / 20

HEX #CC3387

RGB 204 51 135

HSL 327.06, 0.6%, 0.5%

LAB 48.2, 65.42, -11.1

 

CMYK 0 / 75 / 54 / 20

HEX #CC335E

RGB 204 51 94

HSL 343.14, 0.6%, 0.5%

LAB 46.99, 61.6, 12.19

 

CMYK 0 / 75 / 74 / 20

HEX #CC3335

RGB 204 51 53

HSL 359.22, 0.6%, 0.5%

LAB 46.26, 59.21, 36

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 27 / 75 / 0 / 20

HEX #9533CC

RGB 149 51 204

HSL 278.43, 0.6%, 0.5%

LAB 42.94, 64.06, -60.85

 

CMYK 48 / 75 / 0 / 20

HEX #6B33CC

RGB 107 51 204

HSL 261.96, 0.6%, 0.5%

LAB 37.58, 56.97, -69.82

 

CMYK 68 / 75 / 0 / 20

HEX #4233CC

RGB 66 51 204

HSL 245.88, 0.6%, 0.5%

LAB 33.74, 51.7, -76.26

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 8 / 87 / 0 / 12

HEX #CF1EE1

RGB 207 30 225

HSL 294.46, 0.76%, 0.5%

LAB 51.42, 83.44, -58.75

 

CMYK 9 / 96 / 0 / 4

HEX #E00AF5

RGB 224 10 245

HSL 294.64, 0.92%, 0.5%

LAB 54.72, 91.5, -64.56

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 5 / 61 / 0 / 28

HEX #AD48B7

RGB 173 72 183

HSL 294.59, 0.44%, 0.5%

LAB 48.18, 56.44, -40.05

 

CMYK 4 / 44 / 0 / 36

HEX #9C5CA3

RGB 156 92 163

HSL 294.08, 0.28%, 0.5%

LAB 48.72, 37.72, -27.64

 

CMYK 2 / 20 / 0 / 44

HEX #8B718E

RGB 139 113 142

HSL 293.79, 0.11%, 0.5%

LAB 50.98, 15.63, -11.97

 

CMYK 8 / 0 / 10 / 47

HEX #7B8679

RGB 123 134 121

HSL 110.77, 0.05%, 0.5%

LAB 54.7, -6.64, 5.62

 

CMYK 48 / 75 / 0 / 20

HEX #6B33CC

RGB 107 51 204

HSL 261.96, 0.6%, 0.5%

LAB 37.58, 56.97, -69.82

 

CMYK 27 / 75 / 0 / 20

HEX #9433CC

RGB 148 51 204

HSL 278.04, 0.6%, 0.5%

LAB 42.8, 63.88, -61.08

 

CMYK 7 / 75 / 0 / 20

HEX #BD33CC

RGB 189 51 204

HSL 294.12, 0.6%, 0.5%

LAB 48.94, 71.75, -50.87

 

CMYK 0 / 75 / 12 / 20

HEX #CC33B3

RGB 204 51 179

HSL 309.8, 0.6%, 0.5%

LAB 50.05, 71.01, -34.44

 

CMYK 0 / 75 / 32 / 20

HEX #CC338A

RGB 204 51 138

HSL 325.88, 0.6%, 0.5%

LAB 48.31, 65.76, -12.75

 

CMYK 7 / 75 / 0 / 46

HEX #81228A

RGB 129 34 138

HSL 294.81, 0.6%, 0.34%

LAB 33.23, 53.17, -37.21

 

CMYK 7 / 75 / 0 / 33

HEX #9F2BAB

RGB 159 43 171

HSL 294.38, 0.6%, 0.42%

LAB 41.28, 62.47, -44.08

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 5 / 60 / 0 / 17

HEX #C954D4

RGB 201 84 212

HSL 294.84, 0.6%, 0.58%

LAB 55.6, 63.39, -44.76

 

CMYK 5 / 47 / 0 / 13

HEX #D375DD

RGB 211 117 221

HSL 294.23, 0.6%, 0.66%

LAB 63.17, 52.1, -37.83

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 0 / 68 / 75 / 20

HEX #CC4233

RGB 204 66 51

HSL 5.88, 0.6%, 0.5%

LAB 48.23, 53.66, 39.3

 

CMYK 75 / 0 / 37 / 20

HEX #33CC80

RGB 51 204 128

HSL 150.2, 0.6%, 0.5%

LAB 73.19, -56.33, 26.92

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 0 / 7 / 75 / 20

HEX #CCBD33

RGB 204 189 51

HSL 54.12, 0.6%, 0.5%

LAB 75.74, -9.55, 66.82

 

CMYK 75 / 0 / 7 / 20

HEX #33CCBD

RGB 51 204 189

HSL 174.12, 0.6%, 0.5%

LAB 74.55, -41.94, -3.77

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 0 / 68 / 75 / 20

HEX #CC4233

RGB 204 66 51

HSL 5.88, 0.6%, 0.5%

LAB 48.23, 53.66, 39.3

 

CMYK 68 / 0 / 75 / 20

HEX #42CC33

RGB 66 204 51

HSL 114.12, 0.6%, 0.5%

LAB 72.62, -64.03, 61.22

 

CMYK 75 / 7 / 0 / 20

HEX #33BDCC

RGB 51 189 204

HSL 185.88, 0.6%, 0.5%

LAB 70.5, -30.66, -17.99

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 0 / 45 / 75 / 20

HEX #CC7033

RGB 204 112 51

HSL 23.92, 0.6%, 0.5%

LAB 56.75, 31.69, 48.3

 

CMYK 68 / 0 / 75 / 20

HEX #42CC33

RGB 66 204 51

HSL 114.12, 0.6%, 0.5%

LAB 72.62, -64.03, 61.22

 

CMYK 75 / 30 / 0 / 20

HEX #338FCC

RGB 51 143 204

HSL 203.92, 0.6%, 0.5%

LAB 56.79, -6.35, -39.13

 

Description

Color code: HEX #BE33CC | qconv.com Color code: HEX #BE33CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 51 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 51 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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