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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDEDF3 it is the complementary color #42120C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDEDF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BDEDF3: #C2EDEE, #D3FFFF, #E4FFFF, #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDEDF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BDEDF3: #BDEDF3, #ACDBE0, #9BC9CD, #8AB7BA and #79A5A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

Complementary color

CMYK 0 / 73 / 82 / 74

HEX #42120C

RGB 66 18 12

HSL 6.67, 0.69%, 0.15%

LAB 13.34, 22.83, 15.46

 

CMYK 18 / 0 / 0 / 7

HEX #C2EDEE

RGB 194 237 238

HSL 181.36, 0.56%, 0.85%

LAB 90.88, -13.56, -5.08

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 23 / 2 / 0 / 12

HEX #ACDBE0

RGB 172 219 224

HSL 185.77, 0.46%, 0.78%

LAB 84.39, -14.04, -7.46

 

CMYK 24 / 2 / 0 / 20

HEX #9BC9CD

RGB 155 201 205

HSL 184.8, 0.33%, 0.71%

LAB 77.96, -14.1, -6.93

 

CMYK 26 / 2 / 0 / 27

HEX #8AB7BA

RGB 138 183 186

HSL 183.75, 0.26%, 0.64%

LAB 71.43, -14.16, -6.39

 

CMYK 28 / 1 / 0 / 35

HEX #79A5A7

RGB 121 165 167

HSL 182.61, 0.21%, 0.56%

LAB 64.78, -14.23, -5.84

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 22 / 6 / 0 / 5

HEX #BEE5F3

RGB 190 229 243

HSL 195.85, 0.69%, 0.85%

LAB 88.67, -9.65, -11

 

CMYK 22 / 9 / 0 / 5

HEX #BEDCF3

RGB 190 220 243

HSL 206.04, 0.69%, 0.85%

LAB 86.31, -5.02, -14.53

 

CMYK 22 / 13 / 0 / 5

HEX #BED3F3

RGB 190 211 243

HSL 216.23, 0.69%, 0.85%

LAB 83.97, -0.31, -18.04

 

CMYK 22 / 17 / 0 / 5

HEX #BECAF3

RGB 190 202 243

HSL 226.42, 0.69%, 0.85%

LAB 81.65, 4.48, -21.55

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 23 / 3 / 0 / 85

HEX #1E2627

RGB 30 38 39

HSL 186.67, 0.13%, 0.14%

LAB 14.45, -3.25, -1.85

 

CMYK 22 / 2 / 0 / 65

HEX #46585A

RGB 70 88 90

HSL 186, 0.13%, 0.31%

LAB 36.02, -6.39, -3.45

 

CMYK 22 / 2 / 0 / 45

HEX #6E8A8D

RGB 110 138 141

HSL 185.81, 0.12%, 0.49%

LAB 55.5, -9.17, -4.88

 

CMYK 22 / 3 / 0 / 25

HEX #95BBC0

RGB 149 187 192

HSL 186.98, 0.25%, 0.67%

LAB 73.37, -11.54, -6.72

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 15 / 22 / 0 / 5

HEX #CEBEF3

RGB 206 190 243

HSL 258.11, 0.69%, 0.85%

LAB 79.85, 15.87, -24.17

 

CMYK 0 / 7 / 22 / 5

HEX #F3E3BE

RGB 243 227 190

HSL 41.89, 0.69%, 0.85%

LAB 90.65, -0.28, 20.06

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 0 / 22 / 2 / 5

HEX #F3BEED

RGB 243 190 237

HSL 306.79, 0.69%, 0.85%

LAB 82.91, 26.61, -16.02

 

CMYK 2 / 0 / 22 / 5

HEX #EDF3BE

RGB 237 243 190

HSL 66.79, 0.69%, 0.85%

LAB 94.24, -10.53, 24.95

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 15 / 22 / 0 / 5

HEX #CEBEF3

RGB 206 190 243

HSL 258.11, 0.69%, 0.85%

LAB 79.85, 15.87, -24.17

 

CMYK 0 / 20 / 22 / 5

HEX #F3C3BE

RGB 243 195 190

HSL 5.66, 0.69%, 0.85%

LAB 82.81, 16.35, 9

 

CMYK 7 / 0 / 22 / 5

HEX #E3F3BE

RGB 227 243 190

HSL 78.11, 0.69%, 0.85%

LAB 93.52, -14.11, 23.85

 

CMYK 22 / 2 / 0 / 5

HEX #BDEDF3

RGB 189 237 243

HSL 186.67, 0.69%, 0.85%

LAB 90.72, -14, -7.96

 

CMYK 9 / 22 / 0 / 5

HEX #DEBEF3

RGB 222 190 243

HSL 276.23, 0.69%, 0.85%

LAB 81.2, 20.92, -22

 

CMYK 0 / 20 / 22 / 5

HEX #F3C3BE

RGB 243 195 190

HSL 5.66, 0.69%, 0.85%

LAB 82.81, 16.35, 9

 

CMYK 13 / 0 / 22 / 5

HEX #D3F3BE

RGB 211 243 190

HSL 96.23, 0.69%, 0.85%

LAB 92.43, -19.71, 22.18

 

Description

Color code: HEX #BDEDF3 | qconv.com Color code: HEX #BDEDF3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 237 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 237 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 2 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 2% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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