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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA69B it is the complementary color #425964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA69B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA69B shade: #C2A696, #D3B8A9, #E4CABC, #F5DCCF and #FFEEE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA69B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA69B shade: #BDA69B, #AC9488, #9B8275, #8A7062 and #795E4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA69B shade: #BCA59A, #BC9C9A and #BC9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA69B shade: #BCA59A, #BCAE9A, #BCB79A, #B7BC9A and #AEBC9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA69B shade matches the following richer shades: #BCA59A, #C9A08C, #D79B7F, #E59671 and #F29264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA69B shade: #BCA59A, #AEAAA8, #A0AFB5, #93B3C3 and #85B8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA69B shade: #BC9AA1, #BC9C9A, #BCA59A, #BCAE9A and #BCB79A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA69B shade: #9B7969, #AB8F81, #BCA59A, #CCBBB3 and #DDD1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA69B shade: #BDA69B, #AABC9A and #9A9DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA69B shade: #BDA69B, #9ABCA5 and #A59ABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA69B shade: #BDA69B, #AABC9A, #9AB1BC and #AB9ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA69B shade: #BDA69B, #A0BC9A, #9AB1BC and #B69ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 18 / 26

HEX #BDA69B

RGB 189 166 155

HSL 19.41, 0.2%, 0.67%

LAB 69.79, 6.57, 8.76

 

Complementary color

CMYK 34 / 11 / 0 / 61

HEX #425964

RGB 66 89 100

HSL 199.41, 0.2%, 0.33%

LAB 36.41, -5.7, -9.14

 

CMYK 0 / 14 / 23 / 24

HEX #C2A696

RGB 194 166 150

HSL 21.82, 0.27%, 0.67%

LAB 70.14, 7.71, 12.06

 

CMYK 0 / 13 / 20 / 17

HEX #D3B8A9

RGB 211 184 169

HSL 21.43, 0.32%, 0.75%

LAB 76.68, 7.28, 11.16

 

CMYK 0 / 11 / 18 / 11

HEX #E4CABC

RGB 228 202 188

HSL 21, 0.43%, 0.82%

LAB 83.11, 6.89, 10.31

 

CMYK 0 / 10 / 16 / 4

HEX #F5DCCF

RGB 245 220 207

HSL 20.53, 0.66%, 0.89%

LAB 89.44, 6.54, 9.51

 

CMYK 0 / 7 / 11 / 0

HEX #FFEEE2

RGB 255 238 226

HSL 24.83, 1%, 0.94%

LAB 95.12, 3.78, 7.86

 

CMYK 0 / 12 / 18 / 26

HEX #BDA69B

RGB 189 166 155

HSL 19.41, 0.2%, 0.67%

LAB 69.79, 6.57, 8.76

 

CMYK 0 / 14 / 21 / 33

HEX #AC9488

RGB 172 148 136

HSL 20, 0.18%, 0.6%

LAB 63.12, 6.98, 9.64

 

CMYK 0 / 16 / 25 / 39

HEX #9B8275

RGB 155 130 117

HSL 20.53, 0.16%, 0.53%

LAB 56.31, 7.46, 10.59

 

CMYK 0 / 19 / 29 / 46

HEX #8A7062

RGB 138 112 98

HSL 21, 0.17%, 0.46%

LAB 49.34, 8.01, 11.64

 

CMYK 0 / 22 / 35 / 53

HEX #795E4F

RGB 121 94 79

HSL 21.43, 0.21%, 0.39%

LAB 42.21, 8.68, 12.8

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 17 / 18 / 26

HEX #BC9C9A

RGB 188 156 154

HSL 3.53, 0.2%, 0.67%

LAB 67.13, 11.51, 5.48

 

CMYK 0 / 18 / 18 / 26

HEX #BC9A9A

RGB 188 154 154

HSL 0, 0.2%, 0.67%

LAB 66.62, 12.62, 4.75

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 7 / 18 / 26

HEX #BCAE9A

RGB 188 174 154

HSL 35.29, 0.2%, 0.67%

LAB 71.76, 1.7, 12.08

 

CMYK 0 / 3 / 18 / 26

HEX #BCB79A

RGB 188 183 154

HSL 51.18, 0.2%, 0.67%

LAB 74.12, -3.12, 15.4

 

CMYK 3 / 0 / 18 / 26

HEX #B7BC9A

RGB 183 188 154

HSL 68.82, 0.2%, 0.67%

LAB 75.06, -7.62, 16.65

 

CMYK 7 / 0 / 18 / 26

HEX #AEBC9A

RGB 174 188 154

HSL 84.71, 0.2%, 0.67%

LAB 74.38, -10.95, 15.6

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 20 / 30 / 21

HEX #C9A08C

RGB 201 160 140

HSL 19.67, 0.36%, 0.67%

LAB 69.08, 12.28, 16.19

 

CMYK 0 / 28 / 41 / 16

HEX #D79B7F

RGB 215 155 127

HSL 19.09, 0.52%, 0.67%

LAB 69.06, 18.92, 23.54

 

CMYK 0 / 34 / 51 / 10

HEX #E59671

RGB 229 150 113

HSL 19.14, 0.69%, 0.67%

LAB 69.23, 25.77, 31.68

 

CMYK 0 / 40 / 59 / 5

HEX #F29264

RGB 242 146 100

HSL 19.44, 0.85%, 0.67%

LAB 69.72, 31.96, 39.57

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 2 / 3 / 32

HEX #AEAAA8

RGB 174 170 168

HSL 20, 0.04%, 0.67%

LAB 69.88, 1.06, 1.53

 

CMYK 12 / 3 / 0 / 29

HEX #A0AFB5

RGB 160 175 181

HSL 197.14, 0.12%, 0.67%

LAB 70.5, -3.98, -4.86

 

CMYK 25 / 8 / 0 / 24

HEX #93B3C3

RGB 147 179 195

HSL 200, 0.29%, 0.67%

LAB 71.13, -7.23, -11.71

 

CMYK 36 / 12 / 0 / 18

HEX #85B8D0

RGB 133 184 208

HSL 199.2, 0.44%, 0.67%

LAB 72.11, -10.8, -17.45

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 17 / 18 / 26

HEX #BC9C9A

RGB 188 156 154

HSL 3.53, 0.2%, 0.67%

LAB 67.13, 11.51, 5.48

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 7 / 18 / 26

HEX #BCAE9A

RGB 188 174 154

HSL 35.29, 0.2%, 0.67%

LAB 71.76, 1.7, 12.08

 

CMYK 0 / 3 / 18 / 26

HEX #BCB79A

RGB 188 183 154

HSL 51.18, 0.2%, 0.67%

LAB 74.12, -3.12, 15.4

 

CMYK 0 / 22 / 32 / 39

HEX #9B7969

RGB 155 121 105

HSL 19.2, 0.2%, 0.51%

LAB 53.67, 10.85, 13.84

 

CMYK 0 / 16 / 25 / 33

HEX #AB8F81

RGB 171 143 129

HSL 20, 0.2%, 0.59%

LAB 61.56, 8.31, 11.37

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 8 / 12 / 20

HEX #CCBBB3

RGB 204 187 179

HSL 19.2, 0.2%, 0.75%

LAB 77.06, 4.67, 6.22

 

CMYK 0 / 5 / 8 / 13

HEX #DDD1CC

RGB 221 209 204

HSL 17.65, 0.2%, 0.83%

LAB 84.65, 3.29, 3.95

 

CMYK 0 / 12 / 18 / 26

HEX #BDA69B

RGB 189 166 155

HSL 19.41, 0.2%, 0.67%

LAB 69.79, 6.57, 8.76

 

CMYK 10 / 0 / 18 / 26

HEX #AABC9A

RGB 170 188 154

HSL 91.76, 0.2%, 0.67%

LAB 74.09, -12.4, 15.16

 

CMYK 18 / 16 / 0 / 26

HEX #9A9DBC

RGB 154 157 188

HSL 234.71, 0.2%, 0.67%

LAB 65.45, 5.46, -16.35

 

CMYK 0 / 12 / 18 / 26

HEX #BDA69B

RGB 189 166 155

HSL 19.41, 0.2%, 0.67%

LAB 69.79, 6.57, 8.76

 

CMYK 18 / 0 / 12 / 26

HEX #9ABCA5

RGB 154 188 165

HSL 139.41, 0.2%, 0.67%

LAB 73.25, -16.05, 7.86

 

CMYK 12 / 18 / 0 / 26

HEX #A59ABC

RGB 165 154 188

HSL 259.41, 0.2%, 0.67%

LAB 65.55, 10.77, -16.11

 

CMYK 0 / 12 / 18 / 26

HEX #BDA69B

RGB 189 166 155

HSL 19.41, 0.2%, 0.67%

LAB 69.79, 6.57, 8.76

 

CMYK 10 / 0 / 18 / 26

HEX #AABC9A

RGB 170 188 154

HSL 91.76, 0.2%, 0.67%

LAB 74.09, -12.4, 15.16

 

CMYK 18 / 6 / 0 / 26

HEX #9AB1BC

RGB 154 177 188

HSL 199.41, 0.2%, 0.67%

LAB 70.83, -5.53, -8.27

 

CMYK 9 / 18 / 0 / 26

HEX #AB9ABC

RGB 171 154 188

HSL 270, 0.2%, 0.67%

LAB 66.06, 12.78, -15.29

 

CMYK 0 / 12 / 18 / 26

HEX #BDA69B

RGB 189 166 155

HSL 19.41, 0.2%, 0.67%

LAB 69.79, 6.57, 8.76

 

CMYK 15 / 0 / 18 / 26

HEX #A0BC9A

RGB 160 188 154

HSL 109.41, 0.2%, 0.67%

LAB 73.4, -15.99, 14.08

 

CMYK 18 / 6 / 0 / 26

HEX #9AB1BC

RGB 154 177 188

HSL 199.41, 0.2%, 0.67%

LAB 70.83, -5.53, -8.27

 

CMYK 3 / 18 / 0 / 26

HEX #B69ABC

RGB 182 154 188

HSL 289.41, 0.2%, 0.67%

LAB 67.04, 16.52, -13.71

 

Description

Color code: HEX #BDA69B | qconv.com Color code: HEX #BDA69B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 166 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 166 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 18 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 18% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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