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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9AA1 it is the complementary color #43655E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9AA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9AA1 shade: #C19A9C, #D2ACAF, #E3BEC2, #F4D0D5 and #FFE2E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9AA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9AA1 shade: #BC9AA1, #AB888E, #9A767B, #896468 and #785255

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9AA1 shade: #BC9AA1 and #BC9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9AA1 shade: #BC9AA1, #BC9AAA, #BC9AB3, #BB9ABC and #B29ABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9AA1 shade matches the following richer shades: #BC9AA1, #C98C99, #D77F91, #E57189 and #F26481

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9AA1 shade: #BC9AA1, #AEA8A9, #A0B5B1, #93C3B9 and #85D0C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9AA1 shade: #BC9AB3, #BC9AAA, #BC9AA1, #BC9C9A and #BCA59A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9AA1 shade: #9B6973, #AB818A, #BC9AA1, #CCB3B8 and #DDCCCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9AA1 shade: #BC9AA1, #BCBB9A and #9AAFBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9AA1 shade: #BC9AA1, #A1BC9A and #9AA1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9AA1 shade: #BC9AA1, #BCBB9A, #9ABCB4 and #9A9BBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9AA1 shade: #BC9AA1, #B2BC9A, #9ABCB4 and #A49ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

Complementary color

CMYK 34 / 0 / 7 / 60

HEX #43655E

RGB 67 101 94

HSL 167.65, 0.2%, 0.33%

LAB 40.1, -13.99, 0.04

 

CMYK 0 / 20 / 19 / 24

HEX #C19A9C

RGB 193 154 156

HSL 356.92, 0.24%, 0.68%

LAB 67.16, 14.82, 4.48

 

CMYK 0 / 18 / 17 / 18

HEX #D2ACAF

RGB 210 172 175

HSL 355.26, 0.3%, 0.75%

LAB 73.74, 14.29, 3.67

 

CMYK 0 / 16 / 15 / 11

HEX #E3BEC2

RGB 227 190 194

HSL 353.51, 0.4%, 0.82%

LAB 80.21, 13.82, 2.92

 

CMYK 0 / 15 / 13 / 4

HEX #F4D0D5

RGB 244 208 213

HSL 351.67, 0.62%, 0.89%

LAB 86.58, 13.38, 2.21

 

CMYK 0 / 11 / 9 / 0

HEX #FFE2E8

RGB 255 226 232

HSL 347.59, 1%, 0.94%

LAB 92.34, 10.92, 0.72

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 20 / 17 / 33

HEX #AB888E

RGB 171 136 142

HSL 349.71, 0.17%, 0.6%

LAB 60.09, 14.28, 1.87

 

CMYK 0 / 23 / 20 / 40

HEX #9A767B

RGB 154 118 123

HSL 351.67, 0.15%, 0.53%

LAB 53.23, 14.88, 2.7

 

CMYK 0 / 27 / 24 / 46

HEX #896468

RGB 137 100 104

HSL 353.51, 0.16%, 0.46%

LAB 46.22, 15.56, 3.62

 

CMYK 0 / 32 / 29 / 53

HEX #785255

RGB 120 82 85

HSL 355.26, 0.19%, 0.4%

LAB 39.04, 16.36, 4.66

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 18 / 18 / 26

HEX #BC9A9A

RGB 188 154 154

HSL 0, 0.2%, 0.67%

LAB 66.62, 12.62, 4.75

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 18 / 10 / 26

HEX #BC9AAA

RGB 188 154 170

HSL 331.76, 0.2%, 0.67%

LAB 67.06, 15.29, -3.57

 

CMYK 0 / 18 / 5 / 26

HEX #BC9AB3

RGB 188 154 179

HSL 315.88, 0.2%, 0.67%

LAB 67.32, 16.9, -8.21

 

CMYK 1 / 18 / 0 / 26

HEX #BB9ABC

RGB 187 154 188

HSL 298.24, 0.2%, 0.67%

LAB 67.51, 18.24, -12.96

 

CMYK 5 / 18 / 0 / 26

HEX #B29ABC

RGB 178 154 188

HSL 282.35, 0.2%, 0.67%

LAB 66.68, 15.15, -14.29

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 30 / 24 / 21

HEX #C98C99

RGB 201 140 153

HSL 347.21, 0.36%, 0.67%

LAB 64.54, 25.06, 2.48

 

CMYK 0 / 41 / 33 / 16

HEX #D77F91

RGB 215 127 145

HSL 347.73, 0.52%, 0.67%

LAB 63.07, 36.13, 5.1

 

CMYK 0 / 51 / 40 / 10

HEX #E57189

RGB 229 113 137

HSL 347.59, 0.69%, 0.67%

LAB 61.89, 47.31, 8.24

 

CMYK 0 / 59 / 47 / 5

HEX #F26481

RGB 242 100 129

HSL 347.75, 0.85%, 0.67%

LAB 61.29, 56.96, 12.28

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 3 / 3 / 32

HEX #AEA8A9

RGB 174 168 169

HSL 350, 0.04%, 0.67%

LAB 69.38, 2.33, 0.24

 

CMYK 12 / 0 / 2 / 29

HEX #A0B5B1

RGB 160 181 177

HSL 168.57, 0.12%, 0.67%

LAB 72.02, -8.01, -0.42

 

CMYK 25 / 0 / 5 / 24

HEX #93C3B9

RGB 147 195 185

HSL 167.5, 0.29%, 0.67%

LAB 75.29, -17.83, -0.11

 

CMYK 36 / 0 / 7 / 18

HEX #85D0C1

RGB 133 208 193

HSL 168, 0.44%, 0.67%

LAB 78.43, -26.64, 0.08

 

CMYK 0 / 18 / 5 / 26

HEX #BC9AB3

RGB 188 154 179

HSL 315.88, 0.2%, 0.67%

LAB 67.32, 16.9, -8.21

 

CMYK 0 / 18 / 10 / 26

HEX #BC9AAA

RGB 188 154 170

HSL 331.76, 0.2%, 0.67%

LAB 67.06, 15.29, -3.57

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 17 / 18 / 26

HEX #BC9C9A

RGB 188 156 154

HSL 3.53, 0.2%, 0.67%

LAB 67.13, 11.51, 5.48

 

CMYK 0 / 12 / 18 / 26

HEX #BCA59A

RGB 188 165 154

HSL 19.41, 0.2%, 0.67%

LAB 69.42, 6.58, 8.77

 

CMYK 0 / 32 / 26 / 39

HEX #9B6973

RGB 155 105 115

HSL 348, 0.2%, 0.51%

LAB 49.87, 21.5, 2.57

 

CMYK 0 / 25 / 19 / 33

HEX #AB818A

RGB 171 129 138

HSL 347.14, 0.2%, 0.59%

LAB 58.22, 17.59, 1.45

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 12 / 10 / 20

HEX #CCB3B8

RGB 204 179 184

HSL 348, 0.2%, 0.75%

LAB 75.16, 9.8, 0.75

 

CMYK 0 / 8 / 6 / 13

HEX #DDCCCF

RGB 221 204 207

HSL 349.41, 0.2%, 0.83%

LAB 83.48, 6.42, 0.64

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 1 / 18 / 26

HEX #BCBB9A

RGB 188 187 154

HSL 58.24, 0.2%, 0.67%

LAB 75.18, -5.23, 16.88

 

CMYK 18 / 7 / 0 / 26

HEX #9AAFBC

RGB 154 175 188

HSL 202.94, 0.2%, 0.67%

LAB 70.29, -4.45, -9.08

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 14 / 0 / 18 / 26

HEX #A1BC9A

RGB 161 188 154

HSL 107.65, 0.2%, 0.67%

LAB 73.47, -15.63, 14.19

 

CMYK 18 / 14 / 0 / 26

HEX #9AA1BC

RGB 154 161 188

HSL 227.65, 0.2%, 0.67%

LAB 66.51, 3.23, -14.74

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 0 / 1 / 18 / 26

HEX #BCBB9A

RGB 188 187 154

HSL 58.24, 0.2%, 0.67%

LAB 75.18, -5.23, 16.88

 

CMYK 18 / 0 / 4 / 26

HEX #9ABCB4

RGB 154 188 180

HSL 165.88, 0.2%, 0.67%

LAB 73.63, -13.06, 0.24

 

CMYK 18 / 18 / 0 / 26

HEX #9A9BBC

RGB 154 155 188

HSL 238.24, 0.2%, 0.67%

LAB 64.92, 6.59, -17.15

 

CMYK 0 / 18 / 14 / 26

HEX #BC9AA1

RGB 188 154 161

HSL 347.65, 0.2%, 0.67%

LAB 66.81, 13.76, 1.1

 

CMYK 5 / 0 / 18 / 26

HEX #B2BC9A

RGB 178 188 154

HSL 77.65, 0.2%, 0.67%

LAB 74.68, -9.48, 16.06

 

CMYK 18 / 0 / 4 / 26

HEX #9ABCB4

RGB 154 188 180

HSL 165.88, 0.2%, 0.67%

LAB 73.63, -13.06, 0.24

 

CMYK 13 / 18 / 0 / 26

HEX #A49ABC

RGB 164 154 188

HSL 257.65, 0.2%, 0.67%

LAB 65.46, 10.44, -16.24

 

Description

Color code: HEX #BC9AA1 | qconv.com Color code: HEX #BC9AA1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 154 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 154 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 14 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 14% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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