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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD8185 it is the complementary color #427E7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD8185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD8185: #C28180, #D39393, #E4A5A6, #F5B7B9 and #FFC9CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD8185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD8185: #BD8185, #AC6F72, #9B5D5F, #8A4B4C and #793939

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

Complementary color

CMYK 48 / 0 / 3 / 51

HEX #427E7A

RGB 66 126 122

HSL 176, 0.31%, 0.38%

LAB 48.87, -20.53, -3.88

 

CMYK 0 / 34 / 34 / 24

HEX #C28180

RGB 194 129 128

HSL 0.91, 0.35%, 0.63%

LAB 60.54, 25, 10.86

 

CMYK 0 / 30 / 30 / 17

HEX #D39393

RGB 211 147 147

HSL 0, 0.42%, 0.7%

LAB 67.14, 24.16, 9.73

 

CMYK 0 / 28 / 27 / 11

HEX #E4A5A6

RGB 228 165 166

HSL 359.05, 0.54%, 0.77%

LAB 73.65, 23.4, 8.71

 

CMYK 0 / 25 / 24 / 4

HEX #F5B7B9

RGB 245 183 185

HSL 358.06, 0.76%, 0.84%

LAB 80.06, 22.71, 7.78

 

CMYK 0 / 21 / 20 / 0

HEX #FFC9CC

RGB 255 201 204

HSL 356.67, 1%, 0.89%

LAB 85.7, 19.58, 5.84

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 0 / 35 / 34 / 33

HEX #AC6F72

RGB 172 111 114

HSL 357.05, 0.27%, 0.55%

LAB 53.34, 24.61, 8.4

 

CMYK 0 / 40 / 39 / 39

HEX #9B5D5F

RGB 155 93 95

HSL 358.06, 0.25%, 0.49%

LAB 46.48, 25.59, 9.71

 

CMYK 0 / 46 / 45 / 46

HEX #8A4B4C

RGB 138 75 76

HSL 359.05, 0.3%, 0.42%

LAB 39.51, 26.68, 11.25

 

CMYK 0 / 53 / 53 / 53

HEX #793939

RGB 121 57 57

HSL 0, 0.36%, 0.35%

LAB 32.45, 27.88, 13.15

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 0 / 29 / 32 / 26

HEX #BC8680

RGB 188 134 128

HSL 6, 0.31%, 0.62%

LAB 61.05, 19.9, 11.47

 

CMYK 0 / 23 / 32 / 26

HEX #BC9080

RGB 188 144 128

HSL 16, 0.31%, 0.62%

LAB 63.5, 14.35, 14.92

 

CMYK 0 / 18 / 32 / 26

HEX #BC9A80

RGB 188 154 128

HSL 26, 0.31%, 0.62%

LAB 66.03, 8.83, 18.41

 

CMYK 0 / 13 / 32 / 26

HEX #BCA480

RGB 188 164 128

HSL 36, 0.31%, 0.62%

LAB 68.61, 3.37, 21.93

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 0 / 32 / 30 / 6

HEX #F0A4A9

RGB 240 164 169

HSL 356.05, 0.72%, 0.79%

LAB 74.79, 28.77, 8.87

 

CMYK 0 / 31 / 31 / 86

HEX #241919

RGB 36 25 25

HSL 0, 0.18%, 0.12%

LAB 10.11, 5.49, 2.13

 

CMYK 0 / 32 / 30 / 66

HEX #573B3D

RGB 87 59 61

HSL 355.71, 0.19%, 0.29%

LAB 28.09, 12.7, 3.73

 

CMYK 0 / 32 / 30 / 46

HEX #8A5E61

RGB 138 94 97

HSL 355.91, 0.19%, 0.45%

LAB 44.62, 18.43, 5.57

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 4 / 0 / 32 / 26

HEX #B4BC80

RGB 180 188 128

HSL 68, 0.31%, 0.62%

LAB 74.34, -12.5, 29.49

 

CMYK 32 / 17 / 0 / 26

HEX #809CBC

RGB 128 156 188

HSL 212, 0.31%, 0.62%

LAB 63.34, -2.05, -19.72

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 30 / 0 / 32 / 26

HEX #84BC80

RGB 132 188 128

HSL 116, 0.31%, 0.62%

LAB 71.17, -30.09, 24.7

 

CMYK 32 / 30 / 0 / 26

HEX #8084BC

RGB 128 132 188

HSL 236, 0.31%, 0.62%

LAB 56.8, 11.72, -29.76

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 4 / 0 / 32 / 26

HEX #B4BC80

RGB 180 188 128

HSL 68, 0.31%, 0.62%

LAB 74.34, -12.5, 29.49

 

CMYK 32 / 0 / 2 / 26

HEX #80BCB8

RGB 128 188 184

HSL 176, 0.31%, 0.62%

LAB 72.24, -20.14, -4.16

 

CMYK 28 / 32 / 0 / 26

HEX #8880BC

RGB 136 128 188

HSL 248, 0.31%, 0.62%

LAB 56.39, 16.45, -30.36

 

CMYK 0 / 32 / 30 / 26

HEX #BD8185

RGB 189 129 133

HSL 356, 0.31%, 0.62%

LAB 60.08, 23.74, 7.26

 

CMYK 14 / 0 / 32 / 26

HEX #A2BC80

RGB 162 188 128

HSL 86, 0.31%, 0.62%

LAB 73.03, -19.38, 27.52

 

CMYK 32 / 0 / 2 / 26

HEX #80BCB8

RGB 128 188 184

HSL 176, 0.31%, 0.62%

LAB 72.24, -20.14, -4.16

 

CMYK 18 / 32 / 0 / 26

HEX #9A80BC

RGB 154 128 188

HSL 266, 0.31%, 0.62%

LAB 57.98, 22.02, -27.77

 

Description

Color code: HEX #BD8185 | qconv.com Color code: HEX #BD8185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 129 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 129 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 30 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 30% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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