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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7D84 it is the complementary color #42827B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7D84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD7D84: #C27D7F, #D38F92, #E4A1A5, #F5B3B8 and #FFC5CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7D84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD7D84: #BD7D84, #AC6B71, #9B595E, #8A474B and #793538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

Complementary color

CMYK 49 / 0 / 5 / 49

HEX #42827B

RGB 66 130 123

HSL 173.44, 0.33%, 0.38%

LAB 50.16, -22.35, -2.56

 

CMYK 0 / 36 / 35 / 24

HEX #C27D7F

RGB 194 125 127

HSL 358.26, 0.36%, 0.63%

LAB 59.59, 27.07, 10.09

 

CMYK 0 / 32 / 31 / 17

HEX #D38F92

RGB 211 143 146

HSL 357.35, 0.44%, 0.69%

LAB 66.19, 26.19, 8.94

 

CMYK 0 / 29 / 28 / 11

HEX #E4A1A5

RGB 228 161 165

HSL 356.42, 0.55%, 0.76%

LAB 72.69, 25.4, 7.9

 

CMYK 0 / 27 / 25 / 4

HEX #F5B3B8

RGB 245 179 184

HSL 355.45, 0.77%, 0.83%

LAB 79.11, 24.69, 6.95

 

CMYK 0 / 23 / 20 / 0

HEX #FFC5CB

RGB 255 197 203

HSL 353.79, 1%, 0.89%

LAB 84.74, 21.53, 4.99

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 0 / 38 / 34 / 33

HEX #AC6B71

RGB 172 107 113

HSL 354.46, 0.28%, 0.55%

LAB 52.37, 26.72, 7.62

 

CMYK 0 / 43 / 39 / 39

HEX #9B595E

RGB 155 89 94

HSL 355.45, 0.27%, 0.48%

LAB 45.53, 27.72, 8.97

 

CMYK 0 / 49 / 46 / 46

HEX #8A474B

RGB 138 71 75

HSL 356.42, 0.32%, 0.41%

LAB 38.58, 28.82, 10.59

 

CMYK 0 / 56 / 54 / 53

HEX #793538

RGB 121 53 56

HSL 357.35, 0.39%, 0.34%

LAB 31.57, 29.99, 12.6

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 0 / 32 / 34 / 25

HEX #BE817E

RGB 190 129 126

HSL 2.81, 0.33%, 0.62%

LAB 60.03, 23.19, 11.21

 

CMYK 0 / 27 / 34 / 25

HEX #BE8B7E

RGB 190 139 126

HSL 12.19, 0.33%, 0.62%

LAB 62.44, 17.65, 14.59

 

CMYK 0 / 21 / 34 / 25

HEX #BE967E

RGB 190 150 126

HSL 22.5, 0.33%, 0.62%

LAB 65.17, 11.57, 18.37

 

CMYK 0 / 15 / 34 / 25

HEX #BEA17E

RGB 190 161 126

HSL 32.81, 0.33%, 0.62%

LAB 67.98, 5.54, 22.2

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 0 / 34 / 30 / 6

HEX #F09FA8

RGB 240 159 168

HSL 353.33, 0.73%, 0.78%

LAB 73.64, 31.28, 7.78

 

CMYK 0 / 33 / 31 / 86

HEX #241819

RGB 36 24 25

HSL 355, 0.2%, 0.12%

LAB 9.79, 6.23, 1.66

 

CMYK 0 / 33 / 30 / 66

HEX #573A3D

RGB 87 58 61

HSL 353.79, 0.2%, 0.28%

LAB 27.82, 13.34, 3.34

 

CMYK 0 / 34 / 30 / 46

HEX #8A5B60

RGB 138 91 96

HSL 353.62, 0.21%, 0.45%

LAB 43.84, 20.04, 5.06

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 3 / 0 / 34 / 25

HEX #B8BE7E

RGB 184 190 126

HSL 65.63, 0.33%, 0.62%

LAB 75.15, -12.23, 31.68

 

CMYK 34 / 16 / 0 / 25

HEX #7E9FBE

RGB 126 159 190

HSL 209.06, 0.33%, 0.62%

LAB 64.12, -3.79, -19.66

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 30 / 0 / 34 / 25

HEX #85BE7E

RGB 133 190 126

HSL 113.44, 0.33%, 0.62%

LAB 71.77, -31.03, 26.58

 

CMYK 34 / 30 / 0 / 25

HEX #7E85BE

RGB 126 133 190

HSL 233.44, 0.33%, 0.62%

LAB 57.01, 11.08, -30.6

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 3 / 0 / 34 / 25

HEX #B8BE7E

RGB 184 190 126

HSL 65.63, 0.33%, 0.62%

LAB 75.15, -12.23, 31.68

 

CMYK 34 / 0 / 4 / 25

HEX #7EBEB6

RGB 126 190 182

HSL 172.5, 0.33%, 0.62%

LAB 72.65, -22.18, -2.47

 

CMYK 31 / 34 / 0 / 25

HEX #837EBE

RGB 131 126 190

HSL 244.69, 0.33%, 0.62%

LAB 55.55, 16.66, -32.84

 

CMYK 0 / 34 / 30 / 26

HEX #BD7D84

RGB 189 125 132

HSL 353.44, 0.33%, 0.62%

LAB 59.11, 25.81, 6.46

 

CMYK 13 / 0 / 34 / 25

HEX #A5BE7E

RGB 165 190 126

HSL 83.44, 0.33%, 0.62%

LAB 73.76, -19.54, 29.58

 

CMYK 34 / 0 / 4 / 25

HEX #7EBEB6

RGB 126 190 182

HSL 172.5, 0.33%, 0.62%

LAB 72.65, -22.18, -2.47

 

CMYK 21 / 34 / 0 / 25

HEX #967EBE

RGB 150 126 190

HSL 262.5, 0.33%, 0.62%

LAB 57.2, 22.39, -30.15

 

Description

Color code: HEX #BD7D84 | qconv.com Color code: HEX #BD7D84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 125 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 125 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 30 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 30% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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