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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5F30 it is the complementary color #42A0CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD5F30: #C25F2B, #D3713E, #E48351, #F59564 and #FFA777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD5F30: #BD5F30, #AC4D1D, #9B3B0A, #8A2900 and #791700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

Complementary color

CMYK 68 / 23 / 0 / 19

HEX #42A0CF

RGB 66 160 207

HSL 200, 0.59%, 0.54%

LAB 62.34, -12.78, -32.11

 

CMYK 0 / 51 / 78 / 24

HEX #C25F2B

RGB 194 95 43

HSL 20.66, 0.64%, 0.46%

LAB 51.64, 36.21, 46.46

 

CMYK 0 / 46 / 71 / 17

HEX #D3713E

RGB 211 113 62

HSL 20.54, 0.63%, 0.54%

LAB 58.04, 34.52, 44.58

 

CMYK 0 / 43 / 64 / 11

HEX #E48351

RGB 228 131 81

HSL 20.41, 0.73%, 0.61%

LAB 64.42, 32.98, 42.7

 

CMYK 0 / 39 / 59 / 4

HEX #F59564

RGB 245 149 100

HSL 20.28, 0.88%, 0.68%

LAB 70.75, 31.58, 40.92

 

CMYK 0 / 35 / 53 / 0

HEX #FFA777

RGB 255 167 119

HSL 21.18, 1%, 0.73%

LAB 76.21, 27.59, 38.05

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 0 / 55 / 83 / 33

HEX #AC4D1D

RGB 172 77 29

HSL 20.14, 0.71%, 0.39%

LAB 44.47, 36.19, 44.89

 

CMYK 0 / 62 / 94 / 39

HEX #9B3B0A

RGB 155 59 10

HSL 20.28, 0.88%, 0.32%

LAB 38.05, 38.03, 45.87

 

CMYK 0 / 70 / 100 / 46

HEX #8A2900

RGB 138 41 0

HSL 17.83, 1%, 0.27%

LAB 31.78, 39.71, 44

 

CMYK 0 / 81 / 100 / 53

HEX #791700

RGB 121 23 0

HSL 11.4, 1%, 0.24%

LAB 25.8, 40.7, 37.74

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 0 / 37 / 74 / 27

HEX #BA7530

RGB 186 117 48

HSL 30, 0.59%, 0.46%

LAB 55.46, 21.27, 47.62

 

CMYK 0 / 25 / 74 / 27

HEX #BA8C30

RGB 186 140 48

HSL 40, 0.59%, 0.46%

LAB 61.14, 8.54, 53.33

 

CMYK 0 / 12 / 74 / 27

HEX #BAA330

RGB 186 163 48

HSL 50, 0.59%, 0.46%

LAB 67.16, -3.94, 59.19

 

CMYK 0 / 0 / 74 / 27

HEX #BABA30

RGB 186 186 48

HSL 60, 0.59%, 0.46%

LAB 73.4, -15.88, 65.08

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 0 / 50 / 75 / 6

HEX #F0793D

RGB 240 121 61

HSL 20.11, 0.86%, 0.59%

LAB 63.78, 41.76, 52.43

 

CMYK 0 / 50 / 75 / 86

HEX #241209

RGB 36 18 9

HSL 20, 0.6%, 0.09%

LAB 7.47, 8.13, 7.65

 

CMYK 0 / 49 / 75 / 66

HEX #572C16

RGB 87 44 22

HSL 20.31, 0.6%, 0.21%

LAB 23.29, 17.7, 22.66

 

CMYK 0 / 50 / 75 / 46

HEX #8A4523

RGB 138 69 35

HSL 19.81, 0.6%, 0.34%

LAB 37.45, 26.67, 33.13

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 40 / 0 / 74 / 27

HEX #70BA30

RGB 112 186 48

HSL 92.17, 0.59%, 0.46%

LAB 68.59, -45.21, 58.8

 

CMYK 74 / 69 / 0 / 27

HEX #3039BA

RGB 48 57 186

HSL 236.09, 0.59%, 0.46%

LAB 32.03, 40.58, -68.57

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 74 / 0 / 49 / 27

HEX #30BA5E

RGB 48 186 94

HSL 140, 0.59%, 0.46%

LAB 66.94, -56.21, 36.27

 

CMYK 49 / 74 / 0 / 27

HEX #5E30BA

RGB 94 48 186

HSL 260, 0.59%, 0.46%

LAB 34.06, 51.6, -65.09

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 40 / 0 / 74 / 27

HEX #70BA30

RGB 112 186 48

HSL 92.17, 0.59%, 0.46%

LAB 68.59, -45.21, 58.8

 

CMYK 74 / 25 / 0 / 27

HEX #308CBA

RGB 48 140 186

HSL 200, 0.59%, 0.46%

LAB 55, -11.34, -31.74

 

CMYK 35 / 74 / 0 / 27

HEX #7930BA

RGB 121 48 186

HSL 271.74, 0.59%, 0.46%

LAB 37.34, 56.17, -59.6

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F30

RGB 189 95 48

HSL 20, 0.59%, 0.46%

LAB 50.94, 34.42, 43.06

 

CMYK 62 / 0 / 74 / 27

HEX #47BA30

RGB 71 186 48

HSL 110, 0.59%, 0.46%

LAB 67.03, -57.1, 56.74

 

CMYK 74 / 25 / 0 / 27

HEX #308CBA

RGB 48 140 186

HSL 200, 0.59%, 0.46%

LAB 55, -11.34, -31.74

 

CMYK 12 / 74 / 0 / 27

HEX #A330BA

RGB 163 48 186

HSL 290, 0.59%, 0.46%

LAB 43.43, 64.31, -49.47

 

Description

Color code: HEX #BD5F30 | qconv.com Color code: HEX #BD5F30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 95 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 95 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 75 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 75% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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