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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD4D9C it is the complementary color #42B263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD4D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD4D9C shade: #C24D97, #D35FAA, #E471BD, #F583D0 and #FF95E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD4D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD4D9C shade: #BD4D9C, #AC3B89, #9B2976, #8A1763 and #790550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD4D9C shade: #BD4C9C, #BD4C7D, #BD4C5F and #BD4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD4D9C shade: #BD4C9C, #BD4CBA, #A14CBD, #834CBD and #654CBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD4D9C shade matches the following richer shades: #BD4C9C, #D138A4, #E525AC and #F811B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD4D9C shade: #BD4C9C, #A96094, #95748B, #818883 and #6E9C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD4D9C shade: #A14CBD, #BD4CBB, #BD4C9D, #BD4C7F and #BD4C61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD4D9C shade: #85316D, #A33C85, #BD4C9C, #C86AAC and #D389BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD4D9C shade: #BD4D9C, #BD834C and #4CBDB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD4D9C shade: #BD4D9C, #9DBD4C and #4C9DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD4D9C shade: #BD4D9C, #BD834C, #4CBD6C and #4C86BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD4D9C shade: #BD4D9C, #BDA54C, #4CBD6C and #4C65BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 17 / 26

HEX #BD4D9C

RGB 189 77 156

HSL 317.68, 0.46%, 0.52%

LAB 50.13, 54.03, -20.96

 

Complementary color

CMYK 63 / 0 / 44 / 30

HEX #42B263

RGB 66 178 99

HSL 137.68, 0.46%, 0.48%

LAB 64.88, -49.17, 31.19

 

CMYK 0 / 60 / 22 / 24

HEX #C24D97

RGB 194 77 151

HSL 322.05, 0.49%, 0.53%

LAB 50.7, 54.77, -17.05

 

CMYK 0 / 55 / 19 / 17

HEX #D35FAA

RGB 211 95 170

HSL 321.21, 0.57%, 0.6%

LAB 57.01, 54.32, -18.34

 

CMYK 0 / 50 / 17 / 11

HEX #E471BD

RGB 228 113 189

HSL 320.35, 0.68%, 0.67%

LAB 63.32, 53.71, -19.4

 

CMYK 0 / 47 / 15 / 4

HEX #F583D0

RGB 245 131 208

HSL 319.47, 0.85%, 0.74%

LAB 69.61, 53.02, -20.3

 

CMYK 0 / 42 / 11 / 0

HEX #FF95E3

RGB 255 149 227

HSL 315.85, 1%, 0.79%

LAB 75.01, 50.13, -22.43

 

CMYK 0 / 59 / 17 / 26

HEX #BD4D9C

RGB 189 77 156

HSL 317.68, 0.46%, 0.52%

LAB 50.13, 54.03, -20.96

 

CMYK 0 / 66 / 20 / 33

HEX #AC3B89

RGB 172 59 137

HSL 318.58, 0.49%, 0.45%

LAB 43.81, 54.21, -19.51

 

CMYK 0 / 74 / 24 / 39

HEX #9B2976

RGB 155 41 118

HSL 319.47, 0.58%, 0.38%

LAB 37.59, 53.87, -17.6

 

CMYK 0 / 83 / 28 / 46

HEX #8A1763

RGB 138 23 99

HSL 320.35, 0.71%, 0.32%

LAB 31.62, 52.63, -14.98

 

CMYK 0 / 96 / 34 / 53

HEX #790550

RGB 121 5 80

HSL 321.21, 0.92%, 0.25%

LAB 26.02, 50.01, -11.36

 

CMYK 0 / 60 / 17 / 26

HEX #BD4C9C

RGB 189 76 156

HSL 317.52, 0.46%, 0.52%

LAB 49.96, 54.48, -21.21

 

CMYK 0 / 60 / 34 / 26

HEX #BD4C7D

RGB 189 76 125

HSL 333.98, 0.46%, 0.52%

LAB 48.84, 50.28, -4.37

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

HEX #BD4C5F

CMYK 0 / 60 / 60 / 26

HEX #BD4C4C

RGB 189 76 76

HSL 0, 0.46%, 0.52%

LAB 47.64, 45.53, 23.53

HEX #BD4C4C

CMYK 0 / 60 / 17 / 26

HEX #BD4C9C

RGB 189 76 156

HSL 317.52, 0.46%, 0.52%

LAB 49.96, 54.48, -21.21

 

CMYK 0 / 60 / 2 / 26

HEX #BD4CBA

RGB 189 76 186

HSL 301.59, 0.46%, 0.52%

LAB 51.3, 59.29, -36.71

 

CMYK 15 / 60 / 0 / 26

HEX #A14CBD

RGB 161 76 189

HSL 285.13, 0.46%, 0.52%

LAB 47.52, 52.71, -44.7

 

CMYK 31 / 60 / 0 / 26

HEX #834CBD

RGB 131 76 189

HSL 269.2, 0.46%, 0.52%

LAB 43.75, 45.34, -50.94

 

CMYK 47 / 60 / 0 / 26

HEX #654CBD

RGB 101 76 189

HSL 253.27, 0.46%, 0.52%

LAB 40.59, 38.55, -56.2

 

CMYK 0 / 60 / 17 / 26

HEX #BD4C9C

RGB 189 76 156

HSL 317.52, 0.46%, 0.52%

LAB 49.96, 54.48, -21.21

 

CMYK 0 / 73 / 22 / 18

HEX #D138A4

RGB 209 56 164

HSL 317.65, 0.62%, 0.52%

LAB 50.76, 68.59, -24.44

 

CMYK 0 / 84 / 25 / 10

HEX #E525AC

RGB 229 37 172

HSL 317.81, 0.79%, 0.52%

LAB 52.91, 79, -25.56

 

CMYK 0 / 93 / 27 / 3

HEX #F811B4

RGB 248 17 180

HSL 317.66, 0.94%, 0.52%

LAB 55.74, 86.59, -25.58

 

CMYK 0 / 60 / 17 / 26

HEX #BD4C9C

RGB 189 76 156

HSL 317.52, 0.46%, 0.52%

LAB 49.96, 54.48, -21.21

 

CMYK 0 / 43 / 12 / 34

HEX #A96094

RGB 169 96 148

HSL 317.26, 0.3%, 0.52%

LAB 50.62, 36.98, -15.73

 

CMYK 0 / 22 / 7 / 42

HEX #95748B

RGB 149 116 139

HSL 318.18, 0.13%, 0.52%

LAB 52.67, 16.94, -7.57

 

CMYK 5 / 0 / 4 / 47

HEX #818883

RGB 129 136 131

HSL 137.14, 0.03%, 0.52%

LAB 56, -3.57, 1.78

 

CMYK 29 / 0 / 21 / 39

HEX #6E9C7B

RGB 110 156 123

HSL 136.96, 0.19%, 0.52%

LAB 60.36, -22.63, 12.38

 

CMYK 15 / 60 / 0 / 26

HEX #A14CBD

RGB 161 76 189

HSL 285.13, 0.46%, 0.52%

LAB 47.52, 52.71, -44.7

 

CMYK 0 / 60 / 1 / 26

HEX #BD4CBB

RGB 189 76 187

HSL 301.06, 0.46%, 0.52%

LAB 51.35, 59.46, -37.22

 

CMYK 0 / 60 / 17 / 26

HEX #BD4C9D

RGB 189 76 157

HSL 316.99, 0.46%, 0.52%

LAB 50, 54.63, -21.74

 

CMYK 0 / 60 / 33 / 26

HEX #BD4C7F

RGB 189 76 127

HSL 332.92, 0.46%, 0.52%

LAB 48.91, 50.53, -5.48

 

CMYK 0 / 60 / 49 / 26

HEX #BD4C61

RGB 189 76 97

HSL 348.85, 0.46%, 0.52%

LAB 48.07, 47.27, 11.47

 

CMYK 0 / 63 / 18 / 48

HEX #85316D

RGB 133 49 109

HSL 317.14, 0.46%, 0.36%

LAB 34.57, 43.09, -16.9

 

CMYK 0 / 63 / 18 / 36

HEX #A33C85

RGB 163 60 133

HSL 317.48, 0.46%, 0.44%

LAB 42.33, 50.65, -19.47

 

CMYK 0 / 60 / 17 / 26

HEX #BD4C9C

RGB 189 76 156

HSL 317.52, 0.46%, 0.52%

LAB 49.96, 54.48, -21.21

 

CMYK 0 / 47 / 14 / 22

HEX #C86AAC

RGB 200 106 172

HSL 317.87, 0.46%, 0.6%

LAB 57.62, 45.82, -18.7

 

CMYK 0 / 35 / 10 / 17

HEX #D389BD

RGB 211 137 189

HSL 317.84, 0.46%, 0.68%

LAB 66.07, 35.93, -15.44

 

CMYK 0 / 59 / 17 / 26

HEX #BD4D9C

RGB 189 77 156

HSL 317.68, 0.46%, 0.52%

LAB 50.13, 54.03, -20.96

 

CMYK 0 / 31 / 60 / 26

HEX #BD834C

RGB 189 131 76

HSL 29.2, 0.46%, 0.52%

LAB 59.5, 16.53, 38.29

 

CMYK 60 / 0 / 7 / 26

HEX #4CBDB0

RGB 76 189 176

HSL 173.1, 0.46%, 0.52%

LAB 70.22, -34.98, -3

 

CMYK 0 / 59 / 17 / 26

HEX #BD4D9C

RGB 189 77 156

HSL 317.68, 0.46%, 0.52%

LAB 50.13, 54.03, -20.96

 

CMYK 17 / 0 / 60 / 26

HEX #9DBD4C

RGB 157 189 76

HSL 76.99, 0.46%, 0.52%

LAB 72.29, -27.68, 52.28

 

CMYK 60 / 17 / 0 / 26

HEX #4C9DBD

RGB 76 157 189

HSL 196.99, 0.46%, 0.52%

LAB 61.07, -15.18, -23.98

 

CMYK 0 / 59 / 17 / 26

HEX #BD4D9C

RGB 189 77 156

HSL 317.68, 0.46%, 0.52%

LAB 50.13, 54.03, -20.96

 

CMYK 0 / 31 / 60 / 26

HEX #BD834C

RGB 189 131 76

HSL 29.2, 0.46%, 0.52%

LAB 59.5, 16.53, 38.29

 

CMYK 60 / 0 / 43 / 26

HEX #4CBD6C

RGB 76 189 108

HSL 136.99, 0.46%, 0.52%

LAB 68.76, -49.83, 31.59

 

CMYK 60 / 29 / 0 / 26

HEX #4C86BD

RGB 76 134 189

HSL 209.2, 0.46%, 0.52%

LAB 54.3, -2.25, -34.47

 

CMYK 0 / 59 / 17 / 26

HEX #BD4D9C

RGB 189 77 156

HSL 317.68, 0.46%, 0.52%

LAB 50.13, 54.03, -20.96

 

CMYK 0 / 13 / 60 / 26

HEX #BDA54C

RGB 189 165 76

HSL 47.26, 0.46%, 0.52%

LAB 68.21, -2.04, 48.4

 

CMYK 60 / 0 / 43 / 26

HEX #4CBD6C

RGB 76 189 108

HSL 136.99, 0.46%, 0.52%

LAB 68.76, -49.83, 31.59

 

CMYK 60 / 47 / 0 / 26

HEX #4C65BD

RGB 76 101 189

HSL 226.73, 0.46%, 0.52%

LAB 44.97, 17.92, -49.25

 

Description

Color code: HEX #BD4D9C | qconv.com Color code: HEX #BD4D9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 77 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 77 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 17 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 17% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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