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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD4C5F it is the complementary color #42B3A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD4C5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD4C5F: #C24C5A, #D35E6D, #E47080, #F58293 and #FF94A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD4C5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD4C5F: #BD4C5F, #AC3A4C, #9B2839, #8A1626 and #790413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

Complementary color

CMYK 63 / 0 / 11 / 30

HEX #42B3A0

RGB 66 179 160

HSL 169.91, 0.46%, 0.48%

LAB 66.47, -36.36, 0.29

 

CMYK 0 / 61 / 54 / 24

HEX #C24C5A

RGB 194 76 90

HSL 352.88, 0.49%, 0.53%

LAB 48.73, 48.36, 16.74

 

CMYK 0 / 55 / 48 / 17

HEX #D35E6D

RGB 211 94 109

HSL 352.31, 0.57%, 0.6%

LAB 55.03, 47.47, 14.5

 

CMYK 0 / 51 / 44 / 11

HEX #E47080

RGB 228 112 128

HSL 351.72, 0.68%, 0.67%

LAB 61.34, 46.51, 12.63

 

CMYK 0 / 47 / 40 / 4

HEX #F58293

RGB 245 130 147

HSL 351.13, 0.85%, 0.74%

LAB 67.64, 45.54, 11.02

 

CMYK 0 / 42 / 35 / 0

HEX #FF94A6

RGB 255 148 166

HSL 349.91, 1%, 0.79%

LAB 73.02, 42.13, 8.23

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 0 / 66 / 56 / 33

HEX #AC3A4C

RGB 172 58 76

HSL 350.53, 0.5%, 0.45%

LAB 41.72, 47.77, 15.16

 

CMYK 0 / 74 / 63 / 39

HEX #9B2839

RGB 155 40 57

HSL 351.13, 0.59%, 0.38%

LAB 35.56, 48.05, 18.37

 

CMYK 0 / 84 / 72 / 46

HEX #8A1626

RGB 138 22 38

HSL 351.72, 0.73%, 0.31%

LAB 29.71, 47.52, 22.51

 

CMYK 0 / 97 / 84 / 53

HEX #790413

RGB 121 4 19

HSL 352.31, 0.94%, 0.25%

LAB 24.32, 45.76, 27.6

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 0 / 60 / 59 / 26

HEX #BC4C4E

RGB 188 76 78

HSL 358.93, 0.46%, 0.52%

LAB 47.51, 45.32, 22.14

 

CMYK 0 / 51 / 60 / 26

HEX #BC5D4C

RGB 188 93 76

HSL 9.11, 0.46%, 0.52%

LAB 50.74, 36.74, 27.48

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 31 / 60 / 26

HEX #BC824C

RGB 188 130 76

HSL 28.93, 0.46%, 0.52%

LAB 59.14, 16.66, 37.83

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 0 / 60 / 50 / 6

HEX #F06179

RGB 240 97 121

HSL 349.93, 0.83%, 0.66%

LAB 60.3, 56.92, 15.48

 

CMYK 0 / 61 / 50 / 86

HEX #240E12

RGB 36 14 18

HSL 349.09, 0.44%, 0.1%

LAB 6.62, 11.84, 1.95

 

CMYK 0 / 60 / 49 / 66

HEX #57232C

RGB 87 35 44

HSL 349.62, 0.43%, 0.24%

LAB 21.62, 25.03, 5.98

 

CMYK 0 / 60 / 50 / 46

HEX #8A3745

RGB 138 55 69

HSL 349.88, 0.43%, 0.38%

LAB 35.13, 36.69, 9.59

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 1 / 0 / 60 / 26

HEX #BBBC4C

RGB 187 188 76

HSL 60.54, 0.46%, 0.52%

LAB 74.22, -14.89, 55.04

 

CMYK 60 / 25 / 0 / 26

HEX #4C8DBC

RGB 76 141 188

HSL 205.18, 0.46%, 0.52%

LAB 56.3, -6.62, -30.77

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 49 / 0 / 60 / 26

HEX #60BC4C

RGB 96 188 76

HSL 109.29, 0.46%, 0.52%

LAB 68.73, -48.71, 47.38

 

CMYK 60 / 49 / 0 / 26

HEX #4C60BC

RGB 76 96 188

HSL 229.29, 0.46%, 0.52%

LAB 43.56, 20.75, -50.93

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 1 / 0 / 60 / 26

HEX #BBBC4C

RGB 187 188 76

HSL 60.54, 0.46%, 0.52%

LAB 74.22, -14.89, 55.04

 

CMYK 60 / 0 / 11 / 26

HEX #4CBCA8

RGB 76 188 168

HSL 169.29, 0.46%, 0.52%

LAB 69.7, -36.6, 0.63

 

CMYK 59 / 60 / 0 / 26

HEX #4E4CBC

RGB 78 76 188

HSL 241.07, 0.46%, 0.52%

LAB 38.58, 33.74, -58.95

 

CMYK 0 / 60 / 50 / 26

HEX #BD4C5F

RGB 189 76 95

HSL 349.91, 0.46%, 0.52%

LAB 48.02, 47.09, 12.62

SW® 6586

CMYK 19 / 0 / 60 / 26

HEX #99BC4C

RGB 153 188 76

HSL 78.75, 0.46%, 0.52%

LAB 71.73, -28.79, 51.58

 

CMYK 60 / 0 / 11 / 26

HEX #4CBCA8

RGB 76 188 168

HSL 169.29, 0.46%, 0.52%

LAB 69.7, -36.6, 0.63

 

CMYK 41 / 60 / 0 / 26

HEX #6F4CBC

RGB 111 76 188

HSL 258.75, 0.46%, 0.52%

LAB 41.5, 40.44, -54.09

 

Description

Color code: HEX #BD4C5F | qconv.com Color code: HEX #BD4C5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 76 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 76 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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