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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD18C3 it is the complementary color #42E73C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD18C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD18C3: #C218BE, #D32AD1, #E43CE4, #F54EF7 and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD18C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD18C3: #BD18C3, #AC06B0, #9B009D, #8A008A and #790077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

Complementary color

CMYK 71 / 0 / 74 / 9

HEX #42E73C

RGB 66 231 60

HSL 117.89, 0.78%, 0.57%

LAB 81.09, -71.98, 66.63

 

CMYK 0 / 88 / 2 / 24

HEX #C218BE

RGB 194 24 190

HSL 301.41, 0.78%, 0.43%

LAB 46.76, 76.82, -46.18

 

CMYK 0 / 80 / 1 / 17

HEX #D32AD1

RGB 211 42 209

HSL 300.71, 0.67%, 0.5%

LAB 51.96, 79.25, -48.72

 

CMYK 0 / 74 / 0 / 11

HEX #E43CE4

RGB 228 60 228

HSL 300, 0.76%, 0.56%

LAB 57.39, 80.75, -50.7

 

CMYK 1 / 68 / 0 / 3

HEX #F54EF7

RGB 245 78 247

HSL 299.29, 0.91%, 0.64%

LAB 62.99, 81.58, -52.25

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 2 / 97 / 0 / 31

HEX #AC06B0

RGB 172 6 176

HSL 298.59, 0.93%, 0.36%

LAB 41.27, 73.13, -46.94

 

CMYK 1 / 100 / 0 / 38

HEX #9B009D

RGB 155 0 157

HSL 299.24, 1%, 0.31%

LAB 36.75, 68.05, -42.96

 

CMYK 0 / 100 / 0 / 46

HEX #8A008A

RGB 138 0 138

HSL 300, 1%, 0.27%

LAB 32.34, 62.24, -38.54

 

CMYK 0 / 100 / 2 / 53

HEX #790077

RGB 121 0 119

HSL 300.99, 1%, 0.24%

LAB 27.84, 56.29, -33.99

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 0 / 88 / 10 / 24

HEX #C318AF

RGB 195 24 175

HSL 307.02, 0.78%, 0.43%

LAB 46.11, 74.86, -38.4

 

CMYK 0 / 88 / 25 / 24

HEX #C31892

RGB 195 24 146

HSL 317.19, 0.78%, 0.43%

LAB 44.7, 71.12, -23.25

 

CMYK 0 / 88 / 39 / 24

HEX #C31876

RGB 195 24 118

HSL 327.02, 0.78%, 0.43%

LAB 43.6, 68.1, -7.78

 

CMYK 0 / 88 / 54 / 24

HEX #C31859

RGB 195 24 89

HSL 337.19, 0.78%, 0.43%

LAB 42.73, 65.66, 9.08

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 3 / 88 / 0 / 4

HEX #EE1EF6

RGB 238 30 246

HSL 297.78, 0.92%, 0.54%

LAB 57.81, 91.74, -60.02

 

CMYK 2 / 88 / 0 / 84

HEX #29052A

RGB 41 5 42

HSL 298.38, 0.79%, 0.09%

LAB 6.75, 24.12, -15.76

 

CMYK 3 / 88 / 0 / 64

HEX #5A0B5D

RGB 90 11 93

HSL 297.8, 0.79%, 0.2%

LAB 20.84, 43.68, -28.61

 

CMYK 3 / 88 / 0 / 44

HEX #8C1290

RGB 140 18 144

HSL 298.1, 0.78%, 0.32%

LAB 34.03, 60.82, -39.53

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 0 / 75 / 88 / 24

HEX #C33118

RGB 195 49 24

HSL 8.77, 0.78%, 0.43%

LAB 44.04, 56.23, 48.33

 

CMYK 88 / 0 / 39 / 24

HEX #18C376

RGB 24 195 118

HSL 152.98, 0.78%, 0.43%

LAB 69.85, -57.72, 27.63

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 0 / 5 / 88 / 24

HEX #C3BA18

RGB 195 186 24

HSL 56.84, 0.78%, 0.43%

LAB 74.05, -12.75, 72.29

 

CMYK 88 / 0 / 5 / 24

HEX #18C3BA

RGB 24 195 186

HSL 176.84, 0.78%, 0.43%

LAB 71.4, -41.06, -6.83

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 0 / 75 / 88 / 24

HEX #C33118

RGB 195 49 24

HSL 8.77, 0.78%, 0.43%

LAB 44.04, 56.23, 48.33

 

CMYK 84 / 0 / 88 / 24

HEX #20C318

RGB 32 195 24

HSL 117.19, 0.78%, 0.43%

LAB 69.04, -67.81, 65

 

CMYK 88 / 13 / 0 / 24

HEX #18A9C3

RGB 24 169 195

HSL 189.12, 0.78%, 0.43%

LAB 63.76, -25.96, -23.31

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 0 / 48 / 88 / 24

HEX #C36518

RGB 195 101 24

HSL 27.02, 0.78%, 0.43%

LAB 52.92, 32.91, 55.41

 

CMYK 84 / 0 / 88 / 24

HEX #20C318

RGB 32 195 24

HSL 117.19, 0.78%, 0.43%

LAB 69.04, -67.81, 65

 

CMYK 88 / 39 / 0 / 24

HEX #1876C3

RGB 24 118 195

HSL 207.02, 0.78%, 0.43%

LAB 48.37, 2.6, -47.37

 

Description

Color code: HEX #BD18C3 | qconv.com Color code: HEX #BD18C3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 24 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 24 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 88 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 88% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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