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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD1899 it is the complementary color #42E766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD1899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BD1899: #C21894, #D32AA7, #E43CBA, #F54ECD and #FF60E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD1899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BD1899: #BD1899, #AC0686, #9B0073, #8A0060 and #79004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

Complementary color

CMYK 71 / 0 / 56 / 9

HEX #42E766

RGB 66 231 102

HSL 133.09, 0.77%, 0.58%

LAB 81.44, -67.79, 50.18

 

CMYK 0 / 88 / 24 / 24

HEX #C21894

RGB 194 24 148

HSL 316.24, 0.78%, 0.43%

LAB 44.6, 71.15, -24.63

 

CMYK 0 / 80 / 21 / 17

HEX #D32AA7

RGB 211 42 167

HSL 315.62, 0.67%, 0.5%

LAB 49.85, 73.4, -27.6

 

CMYK 0 / 74 / 18 / 11

HEX #E43CBA

RGB 228 60 186

HSL 315, 0.76%, 0.56%

LAB 55.35, 74.72, -29.94

 

CMYK 0 / 68 / 16 / 4

HEX #F54ECD

RGB 245 78 205

HSL 314.37, 0.89%, 0.63%

LAB 61.02, 75.38, -31.81

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 0 / 97 / 22 / 33

HEX #AC0686

RGB 172 6 134

HSL 313.73, 0.93%, 0.35%

LAB 38.94, 67.29, -25.21

 

CMYK 0 / 100 / 26 / 39

HEX #9B0073

RGB 155 0 115

HSL 315.48, 1%, 0.3%

LAB 34.41, 62.27, -20.63

 

CMYK 0 / 100 / 30 / 46

HEX #8A0060

RGB 138 0 96

HSL 318.26, 1%, 0.27%

LAB 30.03, 56.49, -15.47

 

CMYK 0 / 100 / 36 / 53

HEX #79004D

RGB 121 0 77

HSL 321.82, 1%, 0.24%

LAB 25.57, 50.62, -10.04

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 0 / 87 / 33 / 26

HEX #BD187E

RGB 189 24 126

HSL 322.91, 0.77%, 0.42%

LAB 42.73, 67.55, -14.15

 

CMYK 0 / 87 / 48 / 26

HEX #BD1862

RGB 189 24 98

HSL 333.09, 0.77%, 0.42%

LAB 41.77, 64.87, 1.89

 

CMYK 0 / 87 / 62 / 26

HEX #BD1847

RGB 189 24 71

HSL 342.91, 0.77%, 0.42%

LAB 41.1, 62.95, 18.02

 

CMYK 0 / 87 / 77 / 26

HEX #BD182B

RGB 189 24 43

HSL 353.09, 0.77%, 0.42%

LAB 40.65, 61.65, 34.77

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 0 / 88 / 19 / 6

HEX #F01EC2

RGB 240 30 194

HSL 313.14, 0.88%, 0.53%

LAB 55.43, 85.07, -34.28

 

CMYK 0 / 86 / 19 / 86

HEX #24051D

RGB 36 5 29

HSL 313.55, 0.76%, 0.08%

LAB 5.17, 18.44, -8.25

 

CMYK 0 / 87 / 20 / 66

HEX #570B46

RGB 87 11 70

HSL 313.42, 0.78%, 0.19%

LAB 18.83, 39.13, -16.24

 

CMYK 0 / 87 / 19 / 46

HEX #8A1270

RGB 138 18 112

HSL 313, 0.77%, 0.31%

LAB 31.82, 55.54, -23.01

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 0 / 51 / 87 / 26

HEX #BD5D18

RGB 189 93 24

HSL 25.09, 0.77%, 0.42%

LAB 50.35, 34.65, 52.97

 

CMYK 87 / 0 / 16 / 26

HEX #18BD9F

RGB 24 189 159

HSL 169.09, 0.77%, 0.42%

LAB 68.82, -45.95, 4.16

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 19 / 0 / 87 / 26

HEX #99BD18

RGB 153 189 24

HSL 73.09, 0.77%, 0.42%

LAB 71.71, -32.06, 69.07

 

CMYK 87 / 19 / 0 / 26

HEX #1899BD

RGB 24 153 189

HSL 193.09, 0.77%, 0.42%

LAB 58.65, -19.72, -27.81

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 0 / 51 / 87 / 26

HEX #BD5D18

RGB 189 93 24

HSL 25.09, 0.77%, 0.42%

LAB 50.35, 34.65, 52.97

 

CMYK 87 / 0 / 68 / 26

HEX #18BD3C

RGB 24 189 60

HSL 133.09, 0.77%, 0.42%

LAB 67.21, -64.34, 52.11

 

CMYK 87 / 37 / 0 / 26

HEX #1878BD

RGB 24 120 189

HSL 205.09, 0.77%, 0.42%

LAB 48.64, -0.94, -43.5

 

CMYK 0 / 87 / 19 / 26

HEX #BD1899

RGB 189 24 153

HSL 313.09, 0.77%, 0.42%

LAB 43.9, 70.73, -28.81

 

CMYK 0 / 25 / 87 / 26

HEX #BD8E18

RGB 189 142 24

HSL 42.91, 0.77%, 0.42%

LAB 61.85, 7.95, 62.25

 

CMYK 87 / 0 / 68 / 26

HEX #18BD3C

RGB 24 189 60

HSL 133.09, 0.77%, 0.42%

LAB 67.21, -64.34, 52.11

 

CMYK 87 / 62 / 0 / 26

HEX #1847BD

RGB 24 71 189

HSL 222.91, 0.77%, 0.42%

LAB 34.75, 30.78, -65.91

 

Description

Color code: HEX #BD1899 | qconv.com Color code: HEX #BD1899 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 24 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 24 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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