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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCF175 it is the complementary color #430E8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCF175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCF175 shade: #C1F170, #D2FF83, #E3FF96, #F4FFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCF175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCF175 shade: #BCF175, #ABDF62, #9ACD4F, #89BB3C and #78A929

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCF175 shade: #BCF174, #DDF174, #F1E374, #F1C174 and #F1A074

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCF175 shade: #BCF174, #9AF174, #78F174, #74F191 and #74F1B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCF175 shade matches the following richer shades: #BCF174 and #BDFE67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCF175 shade: #BCF174, #BAE580, #B8D88D, #B6CC99 and #B4C0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCF175 shade: #F1E374, #DEF174, #BDF174, #9BF174 and #7AF174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCF175 shade: #97EA29, #A9EE4E, #BCF174, #CEF599 and #E0F9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCF175 shade: #BCF175, #74F1C1 and #F174EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCF175 shade: #BCF175, #74BDF1 and #F174BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCF175 shade: #BCF175, #74F1C1, #A874F1 and #F174A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCF175 shade: #BCF175, #74F1E7, #A874F1 and #F1747E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 51 / 5

HEX #BCF175

RGB 188 241 117

HSL 85.65, 0.82%, 0.7%

LAB 89.34, -36.37, 53.89

 

Complementary color

CMYK 51 / 90 / 0 / 46

HEX #430E8A

RGB 67 14 138

HSL 265.65, 0.82%, 0.3%

LAB 21.37, 49.11, -56.92

 

CMYK 20 / 0 / 54 / 5

HEX #C1F170

RGB 193 241 112

HSL 82.33, 0.82%, 0.69%

LAB 89.59, -35.03, 56.53

 

CMYK 18 / 0 / 49 / 0

HEX #D2FF83

RGB 210 255 131

HSL 81.77, 1%, 0.76%

LAB 94.68, -33.33, 54.17

 

CMYK 11 / 0 / 41 / 0

HEX #E3FF96

RGB 227 255 150

HSL 76, 1%, 0.79%

LAB 96.02, -25.06, 47.1

 

CMYK 4 / 0 / 34 / 0

HEX #F4FFA9

RGB 244 255 169

HSL 67.67, 1%, 0.83%

LAB 97.48, -16.59, 39.95

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 22 / 0 / 51 / 5

HEX #BCF175

RGB 188 241 117

HSL 85.65, 0.82%, 0.7%

LAB 89.34, -36.37, 53.89

 

CMYK 23 / 0 / 56 / 13

HEX #ABDF62

RGB 171 223 98

HSL 84.96, 0.66%, 0.63%

LAB 83.08, -36.26, 54.93

 

CMYK 25 / 0 / 61 / 20

HEX #9ACD4F

RGB 154 205 79

HSL 84.29, 0.56%, 0.56%

LAB 76.74, -36.07, 55.84

 

CMYK 27 / 0 / 68 / 27

HEX #89BB3C

RGB 137 187 60

HSL 83.62, 0.51%, 0.48%

LAB 70.31, -35.78, 56.51

 

CMYK 29 / 0 / 76 / 34

HEX #78A929

RGB 120 169 41

HSL 82.97, 0.61%, 0.41%

LAB 63.78, -35.33, 56.67

 

CMYK 22 / 0 / 52 / 5

HEX #BCF174

RGB 188 241 116

HSL 85.44, 0.82%, 0.7%

LAB 89.33, -36.47, 54.33

 

CMYK 8 / 0 / 52 / 5

HEX #DDF174

RGB 221 241 116

HSL 69.6, 0.82%, 0.7%

LAB 91.48, -24.06, 57.4

 

CMYK 0 / 6 / 52 / 5

HEX #F1E374

RGB 241 227 116

HSL 53.28, 0.82%, 0.7%

LAB 89.35, -9.32, 55.28

 

CMYK 0 / 20 / 52 / 5

HEX #F1C174

RGB 241 193 116

HSL 36.96, 0.82%, 0.7%

LAB 80.8, 8.09, 44.99

 

CMYK 0 / 34 / 52 / 5

HEX #F1A074

RGB 241 160 116

HSL 21.12, 0.82%, 0.7%

LAB 72.96, 25.49, 35.16

 

CMYK 22 / 0 / 52 / 5

HEX #BCF174

RGB 188 241 116

HSL 85.44, 0.82%, 0.7%

LAB 89.33, -36.47, 54.33

 

CMYK 36 / 0 / 52 / 5

HEX #9AF174

RGB 154 241 116

HSL 101.76, 0.82%, 0.7%

LAB 87.51, -48.15, 51.72

 

CMYK 50 / 0 / 52 / 5

HEX #78F174

RGB 120 241 116

HSL 118.08, 0.82%, 0.7%

LAB 86.09, -58.13, 49.67

 

CMYK 52 / 0 / 40 / 5

HEX #74F191

RGB 116 241 145

HSL 133.92, 0.82%, 0.7%

LAB 86.34, -55.01, 35.96

 

CMYK 52 / 0 / 26 / 5

HEX #74F1B3

RGB 116 241 179

HSL 150.24, 0.82%, 0.7%

LAB 86.94, -48.88, 19.49

 

CMYK 22 / 0 / 52 / 5

HEX #BCF174

RGB 188 241 116

HSL 85.44, 0.82%, 0.7%

LAB 89.33, -36.47, 54.33

 

CMYK 26 / 0 / 59 / 0

HEX #BDFE67

RGB 189 254 103

HSL 85.83, 0.99%, 0.7%

LAB 92.87, -43.07, 64.13

 

CMYK 22 / 0 / 52 / 5

HEX #BCF174

RGB 188 241 116

HSL 85.44, 0.82%, 0.7%

LAB 89.33, -36.47, 54.33

 

CMYK 19 / 0 / 44 / 10

HEX #BAE580

RGB 186 229 128

HSL 85.54, 0.66%, 0.7%

LAB 86.02, -30.39, 44.61

 

CMYK 15 / 0 / 35 / 15

HEX #B8D88D

RGB 184 216 141

HSL 85.6, 0.49%, 0.7%

LAB 82.5, -23.29, 33.57

 

CMYK 11 / 0 / 25 / 20

HEX #B6CC99

RGB 182 204 153

HSL 85.88, 0.33%, 0.7%

LAB 79.29, -16.37, 23.01

 

CMYK 6 / 0 / 14 / 25

HEX #B4C0A5

RGB 180 192 165

HSL 86.67, 0.18%, 0.7%

LAB 76.14, -9.02, 12.21

 

CMYK 0 / 6 / 52 / 5

HEX #F1E374

RGB 241 227 116

HSL 53.28, 0.82%, 0.7%

LAB 89.35, -9.32, 55.28

 

CMYK 8 / 0 / 52 / 5

HEX #DEF174

RGB 222 241 116

HSL 69.12, 0.82%, 0.7%

LAB 91.55, -23.67, 57.5

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 36 / 0 / 52 / 5

HEX #9BF174

RGB 155 241 116

HSL 101.28, 0.82%, 0.7%

LAB 87.55, -47.83, 51.79

 

CMYK 49 / 0 / 52 / 5

HEX #7AF174

RGB 122 241 116

HSL 117.12, 0.82%, 0.7%

LAB 86.16, -57.6, 49.78

 

CMYK 35 / 0 / 82 / 8

HEX #97EA29

RGB 151 234 41

HSL 85.8, 0.82%, 0.54%

LAB 84.78, -51.82, 76.53

 

CMYK 29 / 0 / 67 / 7

HEX #A9EE4E

RGB 169 238 78

HSL 85.88, 0.82%, 0.62%

LAB 87.06, -45.2, 67.53

 

CMYK 22 / 0 / 52 / 5

HEX #BCF174

RGB 188 241 116

HSL 85.44, 0.82%, 0.7%

LAB 89.33, -36.47, 54.33

 

CMYK 16 / 0 / 38 / 4

HEX #CEF599

RGB 206 245 153

HSL 85.43, 0.82%, 0.78%

LAB 92.01, -27.64, 40.23

 

CMYK 10 / 0 / 23 / 2

HEX #E0F9BF

RGB 224 249 191

HSL 85.86, 0.83%, 0.86%

LAB 94.89, -17.96, 25.2

 

CMYK 22 / 0 / 51 / 5

HEX #BCF175

RGB 188 241 117

HSL 85.65, 0.82%, 0.7%

LAB 89.34, -36.37, 53.89

 

CMYK 52 / 0 / 20 / 5

HEX #74F1C1

RGB 116 241 193

HSL 156.96, 0.82%, 0.7%

LAB 87.23, -46, 12.65

 

CMYK 0 / 52 / 1 / 5

HEX #F174EF

RGB 241 116 239

HSL 300.96, 0.82%, 0.7%

LAB 67.59, 64.03, -40.62

 

CMYK 22 / 0 / 51 / 5

HEX #BCF175

RGB 188 241 117

HSL 85.65, 0.82%, 0.7%

LAB 89.34, -36.37, 53.89

 

CMYK 52 / 22 / 0 / 5

HEX #74BDF1

RGB 116 189 241

HSL 204.96, 0.82%, 0.7%

LAB 73.84, -8.61, -32.8

 

CMYK 0 / 52 / 22 / 5

HEX #F174BD

RGB 241 116 189

HSL 324.96, 0.82%, 0.7%

LAB 65.64, 56.25, -15.71

 

CMYK 22 / 0 / 51 / 5

HEX #BCF175

RGB 188 241 117

HSL 85.65, 0.82%, 0.7%

LAB 89.34, -36.37, 53.89

 

CMYK 52 / 0 / 20 / 5

HEX #74F1C1

RGB 116 241 193

HSL 156.96, 0.82%, 0.7%

LAB 87.23, -46, 12.65

 

CMYK 30 / 52 / 0 / 5

HEX #A874F1

RGB 168 116 241

HSL 264.96, 0.82%, 0.7%

LAB 59.13, 45.39, -55.66

 

CMYK 0 / 52 / 32 / 5

HEX #F174A4

RGB 241 116 164

HSL 336.96, 0.82%, 0.7%

LAB 64.86, 52.98, -2.7

 

CMYK 22 / 0 / 51 / 5

HEX #BCF175

RGB 188 241 117

HSL 85.65, 0.82%, 0.7%

LAB 89.34, -36.37, 53.89

 

CMYK 52 / 0 / 4 / 5

HEX #74F1E7

RGB 116 241 231

HSL 175.2, 0.82%, 0.7%

LAB 88.16, -37.2, -5.85

 

CMYK 30 / 52 / 0 / 5

HEX #A874F1

RGB 168 116 241

HSL 264.96, 0.82%, 0.7%

LAB 59.13, 45.39, -55.66

 

CMYK 0 / 52 / 48 / 5

HEX #F1747E

RGB 241 116 126

HSL 355.2, 0.82%, 0.7%

LAB 63.92, 48.91, 17.63

 

Description

Color code: HEX #BCF175 | qconv.com Color code: HEX #BCF175 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 241 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 241 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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