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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF174 it is the complementary color #420E8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF174 shade: #C2F16F, #D3FF82, #E4FF95, #F5FFA8 and #FFFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF174 shade: #BDF174, #ACDF61, #9BCD4E, #8ABB3B and #79A928

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF174 shade: #BDF174, #DFF174, #F1E274, #F1C074 and #F19E74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF174 shade: #BDF174, #9BF174, #79F174, #74F190 and #74F1B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF174 shade matches the following richer shades: #BDF174 and #BFFE67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF174 shade: #BDF174, #BBE580, #B9D88D, #B7CC99 and #B5C0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF174 shade: #F1E174, #E1F174, #BFF174, #9EF174 and #7CF174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF174 shade: #99EA29, #ABEE4E, #BDF174, #CFF599 and #E1F9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF174 shade: #BDF174, #74F1BF and #F174F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF174 shade: #BDF174, #74BFF1 and #F174BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF174 shade: #BDF174, #74F1BF, #A674F1 and #F174A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF174 shade: #BDF174, #74F1E5, #A674F1 and #F17480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

Complementary color

CMYK 53 / 90 / 0 / 45

HEX #420E8B

RGB 66 14 139

HSL 264.96, 0.82%, 0.3%

LAB 21.34, 49.26, -57.59

 

CMYK 20 / 0 / 54 / 5

HEX #C2F16F

RGB 194 241 111

HSL 81.69, 0.82%, 0.69%

LAB 89.64, -34.75, 57.05

 

CMYK 17 / 0 / 49 / 0

HEX #D3FF82

RGB 211 255 130

HSL 81.12, 1%, 0.75%

LAB 94.73, -33.07, 54.7

 

CMYK 11 / 0 / 42 / 0

HEX #E4FF95

RGB 228 255 149

HSL 75.28, 1%, 0.79%

LAB 96.07, -24.8, 47.66

 

CMYK 4 / 0 / 34 / 0

HEX #F5FFA8

RGB 245 255 168

HSL 66.9, 1%, 0.83%

LAB 97.54, -16.34, 40.53

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 23 / 0 / 57 / 13

HEX #ACDF61

RGB 172 223 97

HSL 84.29, 0.66%, 0.63%

LAB 83.13, -35.98, 55.45

 

CMYK 24 / 0 / 62 / 20

HEX #9BCD4E

RGB 155 205 78

HSL 83.62, 0.56%, 0.55%

LAB 76.79, -35.78, 56.34

 

CMYK 26 / 0 / 68 / 27

HEX #8ABB3B

RGB 138 187 59

HSL 82.97, 0.52%, 0.48%

LAB 70.36, -35.47, 56.97

 

CMYK 28 / 0 / 76 / 34

HEX #79A928

RGB 121 169 40

HSL 82.33, 0.62%, 0.41%

LAB 63.83, -35, 57.08

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 7 / 0 / 52 / 5

HEX #DFF174

RGB 223 241 116

HSL 68.64, 0.82%, 0.7%

LAB 91.62, -23.28, 57.6

 

CMYK 0 / 6 / 52 / 5

HEX #F1E274

RGB 241 226 116

HSL 52.8, 0.82%, 0.7%

LAB 89.09, -8.82, 54.98

 

CMYK 0 / 20 / 52 / 5

HEX #F1C074

RGB 241 192 116

HSL 36.48, 0.82%, 0.7%

LAB 80.55, 8.61, 44.69

 

CMYK 0 / 34 / 52 / 5

HEX #F19E74

RGB 241 158 116

HSL 20.16, 0.82%, 0.7%

LAB 72.51, 26.54, 34.58

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 36 / 0 / 52 / 5

HEX #9BF174

RGB 155 241 116

HSL 101.28, 0.82%, 0.7%

LAB 87.55, -47.83, 51.79

 

CMYK 50 / 0 / 52 / 5

HEX #79F174

RGB 121 241 116

HSL 117.6, 0.82%, 0.7%

LAB 86.12, -57.87, 49.73

 

CMYK 52 / 0 / 40 / 5

HEX #74F190

RGB 116 241 144

HSL 133.44, 0.82%, 0.7%

LAB 86.32, -55.17, 36.44

 

CMYK 52 / 0 / 26 / 5

HEX #74F1B2

RGB 116 241 178

HSL 149.76, 0.82%, 0.7%

LAB 86.92, -49.08, 19.98

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 25 / 0 / 59 / 0

HEX #BFFE67

RGB 191 254 103

HSL 85.03, 0.99%, 0.7%

LAB 92.99, -42.35, 64.29

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 18 / 0 / 44 / 10

HEX #BBE580

RGB 187 229 128

HSL 84.95, 0.66%, 0.7%

LAB 86.09, -30.02, 44.7

 

CMYK 14 / 0 / 35 / 15

HEX #B9D88D

RGB 185 216 141

HSL 84.8, 0.49%, 0.7%

LAB 82.57, -22.93, 33.67

 

CMYK 10 / 0 / 25 / 20

HEX #B7CC99

RGB 183 204 153

HSL 84.71, 0.33%, 0.7%

LAB 79.36, -16, 23.12

 

CMYK 6 / 0 / 14 / 25

HEX #B5C0A5

RGB 181 192 165

HSL 84.44, 0.18%, 0.7%

LAB 76.22, -8.66, 12.33

 

CMYK 0 / 7 / 52 / 5

HEX #F1E174

RGB 241 225 116

HSL 52.32, 0.82%, 0.7%

LAB 88.83, -8.32, 54.68

 

CMYK 7 / 0 / 52 / 5

HEX #E1F174

RGB 225 241 116

HSL 67.68, 0.82%, 0.7%

LAB 91.77, -22.51, 57.81

 

CMYK 21 / 0 / 52 / 5

HEX #BFF174

RGB 191 241 116

HSL 84, 0.82%, 0.7%

LAB 89.51, -35.38, 54.59

 

CMYK 34 / 0 / 52 / 5

HEX #9EF174

RGB 158 241 116

HSL 99.84, 0.82%, 0.7%

LAB 87.7, -46.86, 51.99

 

CMYK 49 / 0 / 52 / 5

HEX #7CF174

RGB 124 241 116

HSL 116.16, 0.82%, 0.7%

LAB 86.23, -57.07, 49.88

 

CMYK 35 / 0 / 82 / 8

HEX #99EA29

RGB 153 234 41

HSL 85.18, 0.82%, 0.54%

LAB 84.88, -51.12, 76.66

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 16 / 0 / 38 / 4

HEX #CFF599

RGB 207 245 153

HSL 84.78, 0.82%, 0.78%

LAB 92.07, -27.28, 40.32

 

CMYK 10 / 0 / 23 / 2

HEX #E1F9BF

RGB 225 249 191

HSL 84.83, 0.83%, 0.86%

LAB 94.96, -17.61, 25.3

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 52 / 0 / 21 / 5

HEX #74F1BF

RGB 116 241 191

HSL 156, 0.82%, 0.7%

LAB 87.19, -46.42, 13.63

 

CMYK 0 / 52 / 0 / 5

HEX #F174F1

RGB 241 116 241

HSL 300, 0.82%, 0.7%

LAB 67.68, 64.37, -41.58

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 52 / 21 / 0 / 5

HEX #74BFF1

RGB 116 191 241

HSL 204, 0.82%, 0.7%

LAB 74.4, -9.68, -31.95

 

CMYK 0 / 52 / 21 / 5

HEX #F174BF

RGB 241 116 191

HSL 324, 0.82%, 0.7%

LAB 65.71, 56.53, -16.74

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 52 / 0 / 21 / 5

HEX #74F1BF

RGB 116 241 191

HSL 156, 0.82%, 0.7%

LAB 87.19, -46.42, 13.63

 

CMYK 31 / 52 / 0 / 5

HEX #A674F1

RGB 166 116 241

HSL 264, 0.82%, 0.7%

LAB 58.93, 44.89, -55.99

 

CMYK 0 / 52 / 31 / 5

HEX #F174A6

RGB 241 116 166

HSL 336, 0.82%, 0.7%

LAB 64.92, 53.23, -3.75

 

CMYK 22 / 0 / 52 / 5

HEX #BDF174

RGB 189 241 116

HSL 84.96, 0.82%, 0.7%

LAB 89.39, -36.11, 54.42

 

CMYK 52 / 0 / 5 / 5

HEX #74F1E5

RGB 116 241 229

HSL 174.24, 0.82%, 0.7%

LAB 88.1, -37.7, -4.88

 

CMYK 31 / 52 / 0 / 5

HEX #A674F1

RGB 166 116 241

HSL 264, 0.82%, 0.7%

LAB 58.93, 44.89, -55.99

 

CMYK 0 / 52 / 47 / 5

HEX #F17480

RGB 241 116 128

HSL 354.24, 0.82%, 0.7%

LAB 63.96, 49.1, 16.55

 

Description

Color code: HEX #BDF174 | qconv.com Color code: HEX #BDF174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 241 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 241 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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