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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD8E8 it is the complementary color #432717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD8E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BCD8E8: #C1D8E3, #D2EAF6, #E3FCFF, #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD8E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BCD8E8: #BCD8E8, #ABC6D5, #9AB4C2, #89A2AF and #78909C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

Complementary color

CMYK 0 / 42 / 66 / 74

HEX #432717

RGB 67 39 23

HSL 21.82, 0.49%, 0.18%

LAB 18.83, 11.25, 15.98

 

CMYK 15 / 5 / 0 / 11

HEX #C1D8E3

RGB 193 216 227

HSL 199.41, 0.38%, 0.82%

LAB 84.99, -5.42, -8

 

CMYK 15 / 5 / 0 / 4

HEX #D2EAF6

RGB 210 234 246

HSL 200, 0.67%, 0.89%

LAB 91.33, -5.48, -8.48

 

CMYK 11 / 1 / 0 / 0

HEX #E3FCFF

RGB 227 252 255

HSL 186.43, 1%, 0.95%

LAB 97.3, -7.5, -4.2

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 20 / 7 / 0 / 16

HEX #ABC6D5

RGB 171 198 213

HSL 201.43, 0.33%, 0.75%

LAB 78.37, -5.87, -10.52

 

CMYK 21 / 7 / 0 / 24

HEX #9AB4C2

RGB 154 180 194

HSL 201, 0.25%, 0.68%

LAB 71.83, -5.82, -10.08

 

CMYK 22 / 7 / 0 / 31

HEX #89A2AF

RGB 137 162 175

HSL 200.53, 0.19%, 0.61%

LAB 65.16, -5.76, -9.63

 

CMYK 23 / 8 / 0 / 39

HEX #78909C

RGB 120 144 156

HSL 200, 0.15%, 0.54%

LAB 58.36, -5.72, -9.17

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 19 / 10 / 0 / 9

HEX #BAD0E7

RGB 186 208 231

HSL 210.67, 0.48%, 0.82%

LAB 82.55, -2.58, -13.82

 

CMYK 19 / 13 / 0 / 9

HEX #BAC8E7

RGB 186 200 231

HSL 221.33, 0.48%, 0.82%

LAB 80.47, 1.67, -16.95

 

CMYK 19 / 16 / 0 / 9

HEX #BAC1E7

RGB 186 193 231

HSL 230.67, 0.48%, 0.82%

LAB 78.66, 5.42, -19.67

 

CMYK 19 / 19 / 0 / 9

HEX #BBBAE7

RGB 187 186 231

HSL 241.33, 0.48%, 0.82%

LAB 76.95, 9.53, -22.27

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 18 / 7 / 0 / 89

HEX #171A1C

RGB 23 26 28

HSL 204, 0.1%, 0.1%

LAB 9.03, -0.86, -1.88

 

CMYK 19 / 6 / 0 / 69

HEX #404A4F

RGB 64 74 79

HSL 200, 0.1%, 0.28%

LAB 30.76, -2.77, -4.33

 

CMYK 19 / 7 / 0 / 49

HEX #697982

RGB 105 121 130

HSL 201.6, 0.11%, 0.46%

LAB 49.85, -3.81, -6.9

 

CMYK 19 / 7 / 0 / 29

HEX #93A9B5

RGB 147 169 181

HSL 201.18, 0.19%, 0.64%

LAB 67.96, -5.01, -8.73

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 9 / 19 / 0 / 9

HEX #D3BAE7

RGB 211 186 231

HSL 273.33, 0.48%, 0.82%

LAB 78.89, 17.15, -19.14

 

CMYK 0 / 1 / 19 / 9

HEX #E7E5BA

RGB 231 229 186

HSL 57.33, 0.48%, 0.82%

LAB 90.12, -6.25, 21.26

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 0 / 19 / 7 / 9

HEX #E7BAD7

RGB 231 186 215

HSL 321.33, 0.48%, 0.82%

LAB 80.19, 20.84, -8.39

 

CMYK 7 / 0 / 19 / 9

HEX #D7E7BA

RGB 215 231 186

HSL 81.33, 0.48%, 0.82%

LAB 89.46, -13.01, 20.16

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 9 / 19 / 0 / 9

HEX #D3BAE7

RGB 211 186 231

HSL 273.33, 0.48%, 0.82%

LAB 78.89, 17.15, -19.14

 

CMYK 0 / 13 / 19 / 9

HEX #E7CABA

RGB 231 202 186

HSL 21.33, 0.48%, 0.82%

LAB 83.32, 7.69, 11.72

 

CMYK 11 / 0 / 19 / 9

HEX #CEE7BA

RGB 206 231 186

HSL 93.33, 0.48%, 0.82%

LAB 88.84, -16.18, 19.2

 

CMYK 19 / 7 / 0 / 9

HEX #BCD8E8

RGB 188 216 232

HSL 201.82, 0.49%, 0.82%

LAB 84.81, -5.93, -10.97

 

CMYK 3 / 19 / 0 / 9

HEX #E0BAE7

RGB 224 186 231

HSL 290.67, 0.48%, 0.82%

LAB 80.03, 21.39, -17.31

 

CMYK 0 / 13 / 19 / 9

HEX #E7CABA

RGB 231 202 186

HSL 21.33, 0.48%, 0.82%

LAB 83.32, 7.69, 11.72

 

CMYK 16 / 0 / 19 / 9

HEX #C1E7BA

RGB 193 231 186

HSL 110.67, 0.48%, 0.82%

LAB 87.99, -20.65, 17.88

 

Description

Color code: HEX #BCD8E8 | qconv.com Color code: HEX #BCD8E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 216 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 216 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 7 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 7% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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