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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC3C2 it is the complementary color #433C3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC3C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC3C2 shade: #C1C3BD, #D2D5D0, #E3E7E3, #F4F9F6 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC3C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC3C2 shade: #BCC3C2, #ABB1AF, #9A9F9C, #898D89 and #787B76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC3C2 shade: #BBC3C2, #BBC3C0, #BBC3BE, #BBC3BC and #BDC3BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC3C2 shade: #BBC3C2, #BBC2C3, #BBC0C3, #BBBEC3 and #BBBCC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC3C2 shade matches the following richer shades: #BBC3C2, #B1CDC9, #A7D8D1, #9CE2D8 and #92ECDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC3C2 shade: #BBC3C2, #C6B9BB, #D0AEB3, #DAA4AC and #E59AA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC3C2 shade: #BBC3BE, #BBC3C0, #BBC3C2, #BBC2C3 and #BBC0C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC3C2 shade: #909C9A, #A6B0AE, #BBC3C2, #D1D6D6 and #E7EAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC3C2 shade: #BCC3C2, #BCBBC3 and #C3BFBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC3C2 shade: #BCC3C2, #C2BBC3 and #C3C2BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC3C2 shade: #BCC3C2, #BCBBC3, #C3BBBD and #C3C3BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC3C2 shade: #BCC3C2, #BEBBC3, #C3BBBD and #C0C3BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 1 / 24

HEX #BCC3C2

RGB 188 195 194

HSL 171.43, 0.06%, 0.75%

LAB 78.24, -2.59, -0.35

 

Complementary color

CMYK 0 / 10 / 9 / 74

HEX #433C3D

RGB 67 60 61

HSL 351.43, 0.06%, 0.25%

LAB 26.05, 3.24, 0.48

 

CMYK 1 / 0 / 3 / 24

HEX #C1C3BD

RGB 193 195 189

HSL 80, 0.05%, 0.75%

LAB 78.49, -1.78, 2.76

 

CMYK 1 / 0 / 2 / 16

HEX #D2D5D0

RGB 210 213 208

HSL 96, 0.06%, 0.83%

LAB 84.92, -1.92, 2.1

 

CMYK 2 / 0 / 2 / 9

HEX #E3E7E3

RGB 227 231 227

HSL 120, 0.08%, 0.9%

LAB 91.25, -2.05, 1.46

 

CMYK 2 / 0 / 1 / 2

HEX #F4F9F6

RGB 244 249 246

HSL 144, 0.29%, 0.97%

LAB 97.49, -2.18, 0.85

 

CMYK 4 / 0 / 1 / 24

HEX #BCC3C2

RGB 188 195 194

HSL 171.43, 0.06%, 0.75%

LAB 78.24, -2.59, -0.35

 

CMYK 3 / 0 / 1 / 31

HEX #ABB1AF

RGB 171 177 175

HSL 160, 0.04%, 0.68%

LAB 71.69, -2.48, 0.28

 

CMYK 3 / 0 / 2 / 38

HEX #9A9F9C

RGB 154 159 156

HSL 144, 0.03%, 0.61%

LAB 65.02, -2.37, 0.93

 

CMYK 3 / 0 / 3 / 45

HEX #898D89

RGB 137 141 137

HSL 120, 0.02%, 0.55%

LAB 58.2, -2.25, 1.61

 

CMYK 2 / 0 / 4 / 52

HEX #787B76

RGB 120 123 118

HSL 96, 0.02%, 0.47%

LAB 51.23, -2.13, 2.33

 

CMYK 4 / 0 / 1 / 24

HEX #BBC3C2

RGB 187 195 194

HSL 172.5, 0.06%, 0.75%

LAB 78.16, -2.93, -0.46

 

CMYK 4 / 0 / 2 / 24

HEX #BBC3C0

RGB 187 195 192

HSL 157.5, 0.06%, 0.75%

LAB 78.11, -3.31, 0.54

 

CMYK 4 / 0 / 3 / 24

HEX #BBC3BE

RGB 187 195 190

HSL 142.5, 0.06%, 0.75%

LAB 78.06, -3.69, 1.54

 

CMYK 4 / 0 / 4 / 24

HEX #BBC3BC

RGB 187 195 188

HSL 127.5, 0.06%, 0.75%

LAB 78.01, -4.06, 2.55

 

CMYK 3 / 0 / 4 / 24

HEX #BDC3BB

RGB 189 195 187

HSL 105, 0.06%, 0.75%

LAB 78.13, -3.54, 3.29

 

CMYK 4 / 0 / 1 / 24

HEX #BBC3C2

RGB 187 195 194

HSL 172.5, 0.06%, 0.75%

LAB 78.16, -2.93, -0.46

 

CMYK 4 / 1 / 0 / 24

HEX #BBC2C3

RGB 187 194 195

HSL 187.5, 0.06%, 0.75%

LAB 77.93, -2.21, -1.35

 

CMYK 4 / 2 / 0 / 24

HEX #BBC0C3

RGB 187 192 195

HSL 202.5, 0.06%, 0.75%

LAB 77.4, -1.15, -2.12

 

CMYK 4 / 3 / 0 / 24

HEX #BBBEC3

RGB 187 190 195

HSL 217.5, 0.06%, 0.75%

LAB 76.88, -0.09, -2.89

 

CMYK 4 / 4 / 0 / 24

HEX #BBBCC3

RGB 187 188 195

HSL 232.5, 0.06%, 0.75%

LAB 76.36, 0.98, -3.65

 

CMYK 4 / 0 / 1 / 24

HEX #BBC3C2

RGB 187 195 194

HSL 172.5, 0.06%, 0.75%

LAB 78.16, -2.93, -0.46

 

CMYK 14 / 0 / 2 / 20

HEX #B1CDC9

RGB 177 205 201

HSL 171.43, 0.22%, 0.75%

LAB 80.31, -10.13, -1.17

 

CMYK 23 / 0 / 3 / 15

HEX #A7D8D1

RGB 167 216 209

HSL 171.43, 0.39%, 0.75%

LAB 82.88, -17.25, -1.75

 

CMYK 31 / 0 / 4 / 11

HEX #9CE2D8

RGB 156 226 216

HSL 171.43, 0.55%, 0.75%

LAB 85.21, -23.93, -2.11

 

CMYK 38 / 0 / 6 / 7

HEX #92ECDF

RGB 146 236 223

HSL 171.33, 0.7%, 0.75%

LAB 87.69, -29.87, -2.21

 

CMYK 4 / 0 / 1 / 24

HEX #BBC3C2

RGB 187 195 194

HSL 172.5, 0.06%, 0.75%

LAB 78.16, -2.93, -0.46

 

CMYK 0 / 7 / 6 / 22

HEX #C6B9BB

RGB 198 185 187

HSL 350.77, 0.1%, 0.75%

LAB 76.25, 4.95, 0.63

 

CMYK 0 / 16 / 14 / 18

HEX #D0AEB3

RGB 208 174 179

HSL 351.18, 0.27%, 0.75%

LAB 74.15, 13.12, 2.05

 

CMYK 0 / 25 / 21 / 15

HEX #DAA4AC

RGB 218 164 172

HSL 351.11, 0.42%, 0.75%

LAB 72.52, 21.1, 3.65

 

CMYK 0 / 33 / 28 / 10

HEX #E59AA5

RGB 229 154 165

HSL 351.2, 0.59%, 0.75%

LAB 71.2, 29.51, 5.78

 

CMYK 4 / 0 / 3 / 24

HEX #BBC3BE

RGB 187 195 190

HSL 142.5, 0.06%, 0.75%

LAB 78.06, -3.69, 1.54

 

CMYK 4 / 0 / 2 / 24

HEX #BBC3C0

RGB 187 195 192

HSL 157.5, 0.06%, 0.75%

LAB 78.11, -3.31, 0.54

 

CMYK 4 / 0 / 1 / 24

HEX #BBC3C2

RGB 187 195 194

HSL 172.5, 0.06%, 0.75%

LAB 78.16, -2.93, -0.46

 

CMYK 4 / 1 / 0 / 24

HEX #BBC2C3

RGB 187 194 195

HSL 187.5, 0.06%, 0.75%

LAB 77.93, -2.21, -1.35

 

CMYK 4 / 2 / 0 / 24

HEX #BBC0C3

RGB 187 192 195

HSL 202.5, 0.06%, 0.75%

LAB 77.4, -1.15, -2.12

 

CMYK 8 / 0 / 1 / 39

HEX #909C9A

RGB 144 156 154

HSL 170, 0.06%, 0.59%

LAB 63.38, -4.67, -0.43

 

CMYK 6 / 0 / 1 / 31

HEX #A6B0AE

RGB 166 176 174

HSL 168, 0.06%, 0.67%

LAB 71.02, -3.88, -0.19

 

CMYK 4 / 0 / 1 / 24

HEX #BBC3C2

RGB 187 195 194

HSL 172.5, 0.06%, 0.75%

LAB 78.16, -2.93, -0.46

 

CMYK 2 / 0 / 0 / 16

HEX #D1D6D6

RGB 209 214 214

HSL 180, 0.06%, 0.83%

LAB 85.25, -1.69, -0.6

 

CMYK 1 / 0 / 0 / 8

HEX #E7EAE9

RGB 231 234 233

HSL 160, 0.07%, 0.91%

LAB 92.45, -1.18, 0.12

 

CMYK 4 / 0 / 1 / 24

HEX #BCC3C2

RGB 188 195 194

HSL 171.43, 0.06%, 0.75%

LAB 78.24, -2.59, -0.35

 

CMYK 4 / 4 / 0 / 24

HEX #BCBBC3

RGB 188 187 195

HSL 247.5, 0.06%, 0.75%

LAB 76.17, 1.86, -3.91

 

CMYK 0 / 2 / 4 / 24

HEX #C3BFBB

RGB 195 191 187

HSL 30, 0.06%, 0.75%

LAB 77.55, 0.68, 2.5

 

CMYK 4 / 0 / 1 / 24

HEX #BCC3C2

RGB 188 195 194

HSL 171.43, 0.06%, 0.75%

LAB 78.24, -2.59, -0.35

 

CMYK 1 / 4 / 0 / 24

HEX #C2BBC3

RGB 194 187 195

HSL 292.5, 0.06%, 0.75%

LAB 76.65, 3.93, -3.16

 

CMYK 0 / 1 / 4 / 24

HEX #C3C2BB

RGB 195 194 187

HSL 52.5, 0.06%, 0.75%

LAB 78.33, -0.91, 3.63

 

CMYK 4 / 0 / 1 / 24

HEX #BCC3C2

RGB 188 195 194

HSL 171.43, 0.06%, 0.75%

LAB 78.24, -2.59, -0.35

 

CMYK 4 / 4 / 0 / 24

HEX #BCBBC3

RGB 188 187 195

HSL 247.5, 0.06%, 0.75%

LAB 76.17, 1.86, -3.91

 

CMYK 0 / 4 / 3 / 24

HEX #C3BBBD

RGB 195 187 189

HSL 345, 0.06%, 0.75%

LAB 76.57, 3.17, -0.01

 

CMYK 0 / 0 / 4 / 24

HEX #C3C3BB

RGB 195 195 187

HSL 60, 0.06%, 0.75%

LAB 78.59, -1.44, 4.01

 

CMYK 4 / 0 / 1 / 24

HEX #BCC3C2

RGB 188 195 194

HSL 171.43, 0.06%, 0.75%

LAB 78.24, -2.59, -0.35

 

CMYK 3 / 4 / 0 / 24

HEX #BEBBC3

RGB 190 187 195

HSL 262.5, 0.06%, 0.75%

LAB 76.33, 2.55, -3.67

 

CMYK 0 / 4 / 3 / 24

HEX #C3BBBD

RGB 195 187 189

HSL 345, 0.06%, 0.75%

LAB 76.57, 3.17, -0.01

 

CMYK 2 / 0 / 4 / 24

HEX #C0C3BB

RGB 192 195 187

HSL 82.5, 0.06%, 0.75%

LAB 78.36, -2.49, 3.64

 

Description

Color code: HEX #BCC3C2 | qconv.com Color code: HEX #BCC3C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 195 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 195 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 1 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 1% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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