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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC040 it is the complementary color #433FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC040 shade: #C1C03B, #D2D24E, #E3E461, #F4F674 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC040 shade: #BCC040, #ABAE2D, #9A9C1A, #898A07 and #787800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC040 shade: #BBBF40, #BFA140, #BF7E40, #BF5C40 and #BF4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC040 shade: #BBBF40, #99BF40, #76BF40, #54BF40 and #40BF4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC040 shade matches the following richer shades: #BBBF40, #CFD42B, #E2E916 and #F5FD02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC040 shade: #BBBF40, #A8AB54, #959669, #81817E and #6E6D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC040 shade: #BF7D40, #BF9F40, #BDBF40, #9BBF40 and #79BF40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC040 shade: #7F812B, #9DA035, #BBBF40, #C6CA5F and #D1D47E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC040 shade: #BCC040, #40BF5B and #8E40BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC040 shade: #BCC040, #40BDBF and #BF40BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC040 shade: #BCC040, #40BF5B, #4240BF and #BF40A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC040 shade: #BCC040, #40BF82, #4240BF and #BF407D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 67 / 25

HEX #BCC040

RGB 188 192 64

HSL 61.88, 0.5%, 0.5%

LAB 75.3, -17.25, 61.19

 

Complementary color

CMYK 65 / 67 / 0 / 25

HEX #433FBF

RGB 67 63 191

HSL 241.88, 0.5%, 0.5%

LAB 35.02, 40.93, -66.56

 

CMYK 0 / 1 / 69 / 24

HEX #C1C03B

RGB 193 192 59

HSL 59.55, 0.53%, 0.49%

LAB 75.67, -15.41, 63.6

 

CMYK 0 / 0 / 63 / 18

HEX #D2D24E

RGB 210 210 78

HSL 60, 0.59%, 0.56%

LAB 82.03, -16.22, 63.1

 

CMYK 0 / 0 / 57 / 11

HEX #E3E461

RGB 227 228 97

HSL 60.46, 0.71%, 0.64%

LAB 88.3, -16.9, 62.3

 

CMYK 1 / 0 / 53 / 4

HEX #F4F674

RGB 244 246 116

HSL 60.92, 0.88%, 0.71%

LAB 94.49, -17.47, 61.32

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 2 / 0 / 67 / 25

HEX #BCC040

RGB 188 192 64

HSL 61.88, 0.5%, 0.5%

LAB 75.3, -17.25, 61.19

 

CMYK 2 / 0 / 74 / 32

HEX #ABAE2D

RGB 171 174 45

HSL 61.4, 0.59%, 0.43%

LAB 68.84, -16.39, 61.38

 

CMYK 1 / 0 / 83 / 39

HEX #9A9C1A

RGB 154 156 26

HSL 60.92, 0.71%, 0.36%

LAB 62.27, -15.31, 60.71

 

CMYK 1 / 0 / 95 / 46

HEX #898A07

RGB 137 138 7

HSL 60.46, 0.9%, 0.28%

LAB 55.59, -13.99, 58.58

 

CMYK 0 / 0 / 100 / 53

HEX #787800

RGB 120 120 0

HSL 60, 1%, 0.24%

LAB 48.79, -12.34, 54.11

 

CMYK 2 / 0 / 66 / 25

HEX #BBBF40

RGB 187 191 64

HSL 61.89, 0.5%, 0.5%

LAB 74.95, -17.17, 60.81

 

CMYK 0 / 16 / 66 / 25

HEX #BFA140

RGB 191 161 64

HSL 45.83, 0.5%, 0.5%

LAB 67.23, 0.17, 52.88

 

CMYK 0 / 34 / 66 / 25

HEX #BF7E40

RGB 191 126 64

HSL 29.29, 0.5%, 0.5%

LAB 58.38, 19.32, 43.23

 

CMYK 0 / 52 / 66 / 25

HEX #BF5C40

RGB 191 92 64

HSL 13.23, 0.5%, 0.5%

LAB 50.8, 37.61, 34.48

 

CMYK 0 / 66 / 66 / 25

HEX #BF4040

RGB 191 64 64

HSL 0, 0.5%, 0.5%

LAB 45.79, 50.77, 28.41

 

CMYK 2 / 0 / 66 / 25

HEX #BBBF40

RGB 187 191 64

HSL 61.89, 0.5%, 0.5%

LAB 74.95, -17.17, 60.81

 

CMYK 20 / 0 / 66 / 25

HEX #99BF40

RGB 153 191 64

HSL 77.95, 0.5%, 0.5%

LAB 72.5, -31.13, 57.5

 

CMYK 38 / 0 / 66 / 25

HEX #76BF40

RGB 118 191 64

HSL 94.49, 0.5%, 0.5%

LAB 70.51, -44.11, 54.81

 

CMYK 56 / 0 / 66 / 25

HEX #54BF40

RGB 84 191 64

HSL 110.55, 0.5%, 0.5%

LAB 69.12, -54.38, 52.9

 

CMYK 66 / 0 / 59 / 25

HEX #40BF4E

RGB 64 191 78

HSL 126.61, 0.5%, 0.5%

LAB 68.68, -57.45, 46.15

 

CMYK 2 / 0 / 66 / 25

HEX #BBBF40

RGB 187 191 64

HSL 61.89, 0.5%, 0.5%

LAB 74.95, -17.17, 60.81

 

CMYK 2 / 0 / 80 / 17

HEX #CFD42B

RGB 207 212 43

HSL 61.78, 0.66%, 0.5%

LAB 82.12, -20.1, 75.06

 

CMYK 3 / 0 / 91 / 9

HEX #E2E916

RGB 226 233 22

HSL 61.99, 0.83%, 0.5%

LAB 89.16, -22.82, 85.57

 

CMYK 3 / 0 / 99 / 1

HEX #F5FD02

RGB 245 253 2

HSL 61.91, 0.98%, 0.5%

LAB 95.86, -24.69, 93.06

 

CMYK 2 / 0 / 66 / 25

HEX #BBBF40

RGB 187 191 64

HSL 61.89, 0.5%, 0.5%

LAB 74.95, -17.17, 60.81

 

CMYK 2 / 0 / 51 / 33

HEX #A8AB54

RGB 168 171 84

HSL 62.07, 0.34%, 0.5%

LAB 68.09, -13.49, 43.94

 

CMYK 1 / 0 / 30 / 41

HEX #959669

RGB 149 150 105

HSL 61.33, 0.18%, 0.5%

LAB 60.98, -7.85, 23.68

 

CMYK 0 / 0 / 2 / 49

HEX #81817E

RGB 129 129 126

HSL 60, 0.01%, 0.5%

LAB 53.89, -0.59, 1.62

 

CMYK 25 / 25 / 0 / 43

HEX #6E6D92

RGB 110 109 146

HSL 241.62, 0.15%, 0.5%

LAB 47.4, 8.91, -20.02

 

CMYK 0 / 35 / 66 / 25

HEX #BF7D40

RGB 191 125 64

HSL 28.82, 0.5%, 0.5%

LAB 58.14, 19.87, 42.96

 

CMYK 0 / 17 / 66 / 25

HEX #BF9F40

RGB 191 159 64

HSL 44.88, 0.5%, 0.5%

LAB 66.71, 1.24, 52.33

 

CMYK 1 / 0 / 66 / 25

HEX #BDBF40

RGB 189 191 64

HSL 60.94, 0.5%, 0.5%

LAB 75.11, -16.33, 61.02

 

CMYK 19 / 0 / 66 / 25

HEX #9BBF40

RGB 155 191 64

HSL 77.01, 0.5%, 0.5%

LAB 72.63, -30.33, 57.68

 

CMYK 37 / 0 / 66 / 25

HEX #79BF40

RGB 121 191 64

HSL 93.07, 0.5%, 0.5%

LAB 70.66, -43.07, 55.01

 

CMYK 2 / 0 / 67 / 49

HEX #7F812B

RGB 127 129 43

HSL 61.4, 0.5%, 0.34%

LAB 52.27, -12.35, 44.58

 

CMYK 2 / 0 / 67 / 37

HEX #9DA035

RGB 157 160 53

HSL 61.68, 0.5%, 0.42%

LAB 63.81, -14.84, 53.06

 

CMYK 2 / 0 / 66 / 25

HEX #BBBF40

RGB 187 191 64

HSL 61.89, 0.5%, 0.5%

LAB 74.95, -17.17, 60.81

 

CMYK 2 / 0 / 53 / 21

HEX #C6CA5F

RGB 198 202 95

HSL 62.24, 0.5%, 0.58%

LAB 79.08, -15.93, 52.16

 

CMYK 1 / 0 / 41 / 17

HEX #D1D47E

RGB 209 212 126

HSL 62.09, 0.5%, 0.66%

LAB 82.99, -13.59, 42.13

 

CMYK 2 / 0 / 67 / 25

HEX #BCC040

RGB 188 192 64

HSL 61.88, 0.5%, 0.5%

LAB 75.3, -17.25, 61.19

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5B

RGB 64 191 91

HSL 132.76, 0.5%, 0.5%

LAB 68.83, -55.73, 40.16

 

CMYK 26 / 66 / 0 / 25

HEX #8E40BF

RGB 142 64 191

HSL 276.85, 0.5%, 0.5%

LAB 43.03, 54.36, -53.19

 

CMYK 2 / 0 / 67 / 25

HEX #BCC040

RGB 188 192 64

HSL 61.88, 0.5%, 0.5%

LAB 75.3, -17.25, 61.19

 

CMYK 66 / 1 / 0 / 25

HEX #40BDBF

RGB 64 189 191

HSL 180.94, 0.5%, 0.5%

LAB 70.35, -32.84, -11.06

 

CMYK 0 / 66 / 1 / 25

HEX #BF40BD

RGB 191 64 189

HSL 300.94, 0.5%, 0.5%

LAB 50, 65.18, -40.5

 

CMYK 2 / 0 / 67 / 25

HEX #BCC040

RGB 188 192 64

HSL 61.88, 0.5%, 0.5%

LAB 75.3, -17.25, 61.19

 

CMYK 66 / 0 / 52 / 25

HEX #40BF5B

RGB 64 191 91

HSL 132.76, 0.5%, 0.5%

LAB 68.83, -55.73, 40.16

 

CMYK 65 / 66 / 0 / 25

HEX #4240BF

RGB 66 64 191

HSL 240.94, 0.5%, 0.5%

LAB 35.18, 40.19, -66.31

 

CMYK 0 / 66 / 14 / 25

HEX #BF40A4

RGB 191 64 164

HSL 312.76, 0.5%, 0.5%

LAB 48.79, 61.24, -27.74

 

CMYK 2 / 0 / 67 / 25

HEX #BCC040

RGB 188 192 64

HSL 61.88, 0.5%, 0.5%

LAB 75.3, -17.25, 61.19

 

CMYK 66 / 0 / 32 / 25

HEX #40BF82

RGB 64 191 130

HSL 151.18, 0.5%, 0.5%

LAB 69.44, -48.9, 20.85

 

CMYK 65 / 66 / 0 / 25

HEX #4240BF

RGB 66 64 191

HSL 240.94, 0.5%, 0.5%

LAB 35.18, 40.19, -66.31

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

Description

Color code: HEX #BCC040 | qconv.com Color code: HEX #BCC040 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 192 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 192 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 67% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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