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Color name
HEX #BF407D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF407D it is the complementary color #40BF82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF407D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF407D shade: #C44078, #D5528B, #E6649E, #F776B1 and #FF88C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF407D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF407D shade: #BF407D, #AE2E6A, #9D1C57, #8C0A44 and #7B0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF407D shade: #BF407D, #BF405B and #BF4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF407D shade: #BF407D, #BF409F, #BD40BF, #9A40BF and #7840BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF407D shade matches the following richer shades: #BF407D, #D42B7C, #E9167B and #FD027B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF407D shade: #BF407D, #AB547E, #96697F, #817E7F and #6D9280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF407D shade: #BD40BF, #BF409F, #BF407D, #BF405B and #BF4640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF407D shade: #812B55, #A03569, #BF407D, #CA5F92 and #D47EA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF407D shade: #BF407D, #BF9B40 and #40B0BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF407D shade: #BF407D, #7DBF40 and #407DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF407D shade: #BF407D, #BF9B40, #40BF82 and #4064BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF407D shade: #BF407D, #BDBF40, #40BF82 and #4240BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

Complementary color

CMYK 66 / 0 / 32 / 25

HEX #40BF82

RGB 64 191 130

HSL 151.18, 0.5%, 0.5%

LAB 69.44, -48.9, 20.85

 

CMYK 0 / 67 / 39 / 23

HEX #C44078

RGB 196 64 120

HSL 334.55, 0.53%, 0.51%

LAB 47.95, 56.98, -2.52

 

CMYK 0 / 62 / 35 / 16

HEX #D5528B

RGB 213 82 139

HSL 333.89, 0.61%, 0.58%

LAB 54.07, 56.74, -4.57

 

CMYK 0 / 57 / 31 / 10

HEX #E6649E

RGB 230 100 158

HSL 333.23, 0.72%, 0.65%

LAB 60.25, 56.23, -6.24

 

CMYK 0 / 52 / 28 / 3

HEX #F776B1

RGB 247 118 177

HSL 332.56, 0.89%, 0.72%

LAB 66.45, 55.58, -7.64

 

CMYK 0 / 47 / 23 / 0

HEX #FF88C4

RGB 255 136 196

HSL 329.75, 1%, 0.77%

LAB 71.46, 51.97, -10.72

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 74 / 39 / 32

HEX #AE2E6A

RGB 174 46 106

HSL 331.88, 0.58%, 0.43%

LAB 41.21, 55.86, -4.3

 

CMYK 0 / 82 / 45 / 38

HEX #9D1C57

RGB 157 28 87

HSL 332.56, 0.7%, 0.36%

LAB 35.37, 54.87, -1.2

 

CMYK 0 / 93 / 51 / 45

HEX #8C0A44

RGB 140 10 68

HSL 333.23, 0.87%, 0.29%

LAB 29.94, 52.6, 2.94

 

CMYK 0 / 100 / 60 / 52

HEX #7B0031

RGB 123 0 49

HSL 336.1, 1%, 0.24%

LAB 25.05, 48.58, 8.42

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 66 / 52 / 25

HEX #BF405B

RGB 191 64 91

HSL 347.24, 0.5%, 0.5%

LAB 46.31, 52.67, 12.73

 

CMYK 0 / 66 / 66 / 25

HEX #BF4040

RGB 191 64 64

HSL 0, 0.5%, 0.5%

LAB 45.79, 50.77, 28.41

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 66 / 17 / 25

HEX #BF409F

RGB 191 64 159

HSL 315.12, 0.5%, 0.5%

LAB 48.57, 60.51, -25.12

 

CMYK 1 / 66 / 0 / 25

HEX #BD40BF

RGB 189 64 191

HSL 299.06, 0.5%, 0.5%

LAB 49.79, 65.05, -42

 

CMYK 19 / 66 / 0 / 25

HEX #9A40BF

RGB 154 64 191

HSL 282.52, 0.5%, 0.5%

LAB 44.66, 57.03, -50.49

 

CMYK 37 / 66 / 0 / 25

HEX #7840BF

RGB 120 64 191

HSL 266.46, 0.5%, 0.5%

LAB 40.28, 49.67, -57.77

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 80 / 42 / 17

HEX #D42B7C

RGB 212 43 124

HSL 331.24, 0.66%, 0.5%

LAB 48.49, 68.62, -3.85

 

CMYK 0 / 91 / 47 / 9

HEX #E9167B

RGB 233 22 123

HSL 331.28, 0.83%, 0.5%

LAB 51.07, 77.52, 1.02

 

CMYK 0 / 99 / 51 / 1

HEX #FD027B

RGB 253 2 123

HSL 331.08, 0.98%, 0.5%

LAB 54.4, 83.64, 6.33

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 51 / 26 / 33

HEX #AB547E

RGB 171 84 126

HSL 331.03, 0.34%, 0.5%

LAB 47.63, 40.58, -7.07

 

CMYK 0 / 30 / 15 / 41

HEX #96697F

RGB 150 105 127

HSL 330.67, 0.18%, 0.5%

LAB 49.64, 21.53, -4.97

 

CMYK 0 / 2 / 2 / 49

HEX #817E7F

RGB 129 126 127

HSL 340, 0.01%, 0.5%

LAB 53.08, 1.33, -0.15

 

CMYK 25 / 0 / 12 / 43

HEX #6D9280

RGB 109 146 128

HSL 150.81, 0.15%, 0.5%

LAB 57.43, -16.75, 5.39

 

CMYK 1 / 66 / 0 / 25

HEX #BD40BF

RGB 189 64 191

HSL 299.06, 0.5%, 0.5%

LAB 49.79, 65.05, -42

 

CMYK 0 / 66 / 17 / 25

HEX #BF409F

RGB 191 64 159

HSL 315.12, 0.5%, 0.5%

LAB 48.57, 60.51, -25.12

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 66 / 52 / 25

HEX #BF405B

RGB 191 64 91

HSL 347.24, 0.5%, 0.5%

LAB 46.31, 52.67, 12.73

 

CMYK 0 / 63 / 66 / 25

HEX #BF4640

RGB 191 70 64

HSL 2.83, 0.5%, 0.5%

LAB 46.75, 48.19, 29.58

 

CMYK 0 / 67 / 34 / 49

HEX #812B55

RGB 129 43 85

HSL 330.7, 0.5%, 0.34%

LAB 31.92, 41.15, -5.6

 

CMYK 0 / 67 / 34 / 37

HEX #A03569

RGB 160 53 105

HSL 330.84, 0.5%, 0.42%

LAB 39.65, 48.97, -6.26

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 53 / 28 / 21

HEX #CA5F92

RGB 202 95 146

HSL 331.4, 0.5%, 0.58%

LAB 54.88, 48.14, -7.68

 

CMYK 0 / 41 / 21 / 17

HEX #D47EA7

RGB 212 126 167

HSL 331.4, 0.5%, 0.66%

LAB 63.1, 38.63, -7.44

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 19 / 66 / 25

HEX #BF9B40

RGB 191 155 64

HSL 42.99, 0.5%, 0.5%

LAB 65.66, 3.4, 51.21

 

CMYK 66 / 8 / 0 / 25

HEX #40B0BF

RGB 64 176 191

HSL 187.09, 0.5%, 0.5%

LAB 66.45, -26.51, -16.94

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 35 / 0 / 66 / 25

HEX #7DBF40

RGB 125 191 64

HSL 91.18, 0.5%, 0.5%

LAB 70.87, -41.67, 55.29

 

CMYK 66 / 35 / 0 / 25

HEX #407DBF

RGB 64 125 191

HSL 211.18, 0.5%, 0.5%

LAB 51.29, 1.55, -40.38

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 0 / 19 / 66 / 25

HEX #BF9B40

RGB 191 155 64

HSL 42.99, 0.5%, 0.5%

LAB 65.66, 3.4, 51.21

 

CMYK 66 / 0 / 32 / 25

HEX #40BF82

RGB 64 191 130

HSL 151.18, 0.5%, 0.5%

LAB 69.44, -48.9, 20.85

 

CMYK 66 / 48 / 0 / 25

HEX #4064BF

RGB 64 100 191

HSL 222.99, 0.5%, 0.5%

LAB 44.18, 17.1, -51.7

 

CMYK 0 / 66 / 35 / 25

HEX #BF407D

RGB 191 64 125

HSL 331.18, 0.5%, 0.5%

LAB 47.27, 56.07, -6.67

 

CMYK 1 / 0 / 66 / 25

HEX #BDBF40

RGB 189 191 64

HSL 60.94, 0.5%, 0.5%

LAB 75.11, -16.33, 61.02

 

CMYK 66 / 0 / 32 / 25

HEX #40BF82

RGB 64 191 130

HSL 151.18, 0.5%, 0.5%

LAB 69.44, -48.9, 20.85

 

CMYK 65 / 66 / 0 / 25

HEX #4240BF

RGB 66 64 191

HSL 240.94, 0.5%, 0.5%

LAB 35.18, 40.19, -66.31

 

Description

Color code: HEX #BF407D | qconv.com Color code: HEX #BF407D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 64 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 64 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 35 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 35% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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