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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCA498 it is the complementary color #435B67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCA498. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BCA498: #C1A493, #D2B6A6, #E3C8B9, #F4DACC and #FFECDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCA498. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BCA498: #BCA498, #AB9285, #9A8072, #896E5F and #785C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

Complementary color

CMYK 35 / 12 / 0 / 60

HEX #435B67

RGB 67 91 103

HSL 200, 0.21%, 0.33%

LAB 37.22, -5.75, -9.79

 

CMYK 0 / 15 / 24 / 24

HEX #C1A493

RGB 193 164 147

HSL 22.17, 0.27%, 0.67%

LAB 69.47, 7.97, 12.76

 

CMYK 0 / 13 / 21 / 18

HEX #D2B6A6

RGB 210 182 166

HSL 21.82, 0.33%, 0.74%

LAB 76.01, 7.52, 11.84

 

CMYK 0 / 12 / 19 / 11

HEX #E3C8B9

RGB 227 200 185

HSL 21.43, 0.43%, 0.81%

LAB 82.46, 7.12, 10.97

 

CMYK 0 / 11 / 16 / 4

HEX #F4DACC

RGB 244 218 204

HSL 21, 0.65%, 0.88%

LAB 88.8, 6.76, 10.15

 

CMYK 0 / 7 / 13 / 0

HEX #FFECDF

RGB 255 236 223

HSL 24.38, 1%, 0.94%

LAB 94.56, 4.33, 8.61

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 0 / 15 / 22 / 33

HEX #AB9285

RGB 171 146 133

HSL 20.53, 0.18%, 0.6%

LAB 62.43, 7.24, 10.35

 

CMYK 0 / 17 / 26 / 40

HEX #9A8072

RGB 154 128 114

HSL 21, 0.17%, 0.53%

LAB 55.61, 7.74, 11.33

 

CMYK 0 / 20 / 31 / 46

HEX #896E5F

RGB 137 110 95

HSL 21.43, 0.18%, 0.45%

LAB 48.63, 8.32, 12.4

 

CMYK 0 / 23 / 37 / 53

HEX #785C4C

RGB 120 92 76

HSL 21.82, 0.22%, 0.38%

LAB 41.48, 9.03, 13.61

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 0 / 10 / 19 / 26

HEX #BCAA99

RGB 188 170 153

HSL 29.14, 0.21%, 0.67%

LAB 70.69, 3.7, 11.12

 

CMYK 0 / 6 / 19 / 26

HEX #BCB099

RGB 188 176 153

HSL 39.43, 0.21%, 0.67%

LAB 72.26, 0.46, 13.33

SW® 7543

CMYK 0 / 3 / 19 / 26

HEX #BCB699

RGB 188 182 153

HSL 49.71, 0.21%, 0.67%

LAB 73.83, -2.74, 15.54

 

CMYK 0 / 0 / 19 / 26

HEX #BCBC99

RGB 188 188 153

HSL 60, 0.21%, 0.67%

LAB 75.43, -5.91, 17.76

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 0 / 13 / 19 / 6

HEX #EFD0C1

RGB 239 208 193

HSL 19.57, 0.59%, 0.85%

LAB 85.66, 8.51, 11.43

 

CMYK 0 / 11 / 20 / 86

HEX #231F1C

RGB 35 31 28

HSL 25.71, 0.11%, 0.12%

LAB 12.1, 1.24, 2.74

 

CMYK 0 / 13 / 19 / 66

HEX #564B46

RGB 86 75 70

HSL 18.75, 0.1%, 0.31%

LAB 32.82, 3.66, 4.66

 

CMYK 0 / 12 / 19 / 46

HEX #89786F

RGB 137 120 111

HSL 20.77, 0.1%, 0.49%

LAB 51.72, 5, 7.34

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 10 / 0 / 19 / 26

HEX #A9BC99

RGB 169 188 153

HSL 92.57, 0.21%, 0.67%

LAB 74, -12.93, 15.56

 

CMYK 19 / 18 / 0 / 26

HEX #999BBC

RGB 153 155 188

HSL 236.57, 0.21%, 0.67%

LAB 64.84, 6.26, -17.27

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 19 / 0 / 13 / 26

HEX #99BCA4

RGB 153 188 164

HSL 138.86, 0.21%, 0.67%

LAB 73.17, -16.58, 8.27

 

CMYK 13 / 19 / 0 / 26

HEX #A499BC

RGB 164 153 188

HSL 258.86, 0.21%, 0.67%

LAB 65.2, 11, -16.64

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 10 / 0 / 19 / 26

HEX #A9BC99

RGB 169 188 153

HSL 92.57, 0.21%, 0.67%

LAB 74, -12.93, 15.56

 

CMYK 19 / 6 / 0 / 26

HEX #99B0BC

RGB 153 176 188

HSL 200.57, 0.21%, 0.67%

LAB 70.49, -5.32, -8.78

 

CMYK 9 / 19 / 0 / 26

HEX #AC99BC

RGB 172 153 188

HSL 272.57, 0.21%, 0.67%

LAB 65.89, 13.68, -15.53

 

CMYK 0 / 13 / 19 / 26

HEX #BCA498

RGB 188 164 152

HSL 20, 0.21%, 0.67%

LAB 69.12, 6.81, 9.44

 

CMYK 15 / 0 / 19 / 26

HEX #9FBC99

RGB 159 188 153

HSL 109.71, 0.21%, 0.67%

LAB 73.31, -16.51, 14.49

 

CMYK 19 / 6 / 0 / 26

HEX #99B0BC

RGB 153 176 188

HSL 200.57, 0.21%, 0.67%

LAB 70.49, -5.32, -8.78

 

CMYK 3 / 19 / 0 / 26

HEX #B699BC

RGB 182 153 188

HSL 289.71, 0.21%, 0.67%

LAB 66.79, 17.08, -14.08

 

Description

Color code: HEX #BCA498 | qconv.com Color code: HEX #BCA498 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 164 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 164 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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