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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9DA5 it is the complementary color #43625A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BC9DA5: #C19DA0, #D2AFB3, #E3C1C6, #F4D3D9 and #FFE5EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BC9DA5: #BC9DA5, #AB8B92, #9A797F, #89676C and #785559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

Complementary color

CMYK 32 / 0 / 8 / 62

HEX #43625A

RGB 67 98 90

HSL 164.52, 0.19%, 0.32%

LAB 39.01, -13.29, 0.91

 

CMYK 0 / 19 / 17 / 24

HEX #C19DA0

RGB 193 157 160

HSL 355, 0.23%, 0.69%

LAB 68.01, 13.8, 3.47

 

CMYK 0 / 17 / 15 / 18

HEX #D2AFB3

RGB 210 175 179

HSL 353.14, 0.28%, 0.75%

LAB 74.58, 13.31, 2.7

 

CMYK 0 / 15 / 13 / 11

HEX #E3C1C6

RGB 227 193 198

HSL 351.18, 0.38%, 0.82%

LAB 81.04, 12.86, 1.98

 

CMYK 0 / 14 / 11 / 4

HEX #F4D3D9

RGB 244 211 217

HSL 349.09, 0.6%, 0.89%

LAB 87.4, 12.46, 1.29

 

CMYK 0 / 10 / 7 / 0

HEX #FFE5EC

RGB 255 229 236

HSL 343.85, 1%, 0.95%

LAB 93.17, 10.03, -0.16

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 0 / 19 / 15 / 33

HEX #AB8B92

RGB 171 139 146

HSL 346.88, 0.16%, 0.61%

LAB 60.96, 13.26, 0.85

 

CMYK 0 / 21 / 18 / 40

HEX #9A797F

RGB 154 121 127

HSL 349.09, 0.14%, 0.54%

LAB 54.11, 13.81, 1.64

 

CMYK 0 / 25 / 21 / 46

HEX #89676C

RGB 137 103 108

HSL 351.18, 0.14%, 0.47%

LAB 47.11, 14.44, 2.5

 

CMYK 0 / 29 / 26 / 53

HEX #785559

RGB 120 85 89

HSL 353.14, 0.17%, 0.4%

LAB 39.93, 15.17, 3.46

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 0 / 16 / 15 / 26

HEX #BC9DA0

RGB 188 157 160

HSL 354.19, 0.19%, 0.68%

LAB 67.53, 11.93, 2.72

 

CMYK 0 / 15 / 16 / 26

HEX #BC9F9D

RGB 188 159 157

HSL 3.87, 0.19%, 0.68%

LAB 67.96, 10.34, 5.01

 

CMYK 0 / 12 / 16 / 26

HEX #BCA59D

RGB 188 165 157

HSL 15.48, 0.19%, 0.68%

LAB 69.5, 7.05, 7.21

 

CMYK 0 / 10 / 16 / 26

HEX #BCAA9D

RGB 188 170 157

HSL 25.16, 0.19%, 0.68%

LAB 70.78, 4.33, 9.05

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 0 / 16 / 12 / 6

HEX #EFC8D2

RGB 239 200 210

HSL 344.62, 0.55%, 0.86%

LAB 84.13, 15.35, 0.18

 

CMYK 0 / 17 / 11 / 86

HEX #231D1F

RGB 35 29 31

HSL 340, 0.09%, 0.13%

LAB 11.52, 3.36, -0.3

 

CMYK 0 / 16 / 13 / 66

HEX #56484B

RGB 86 72 75

HSL 347.14, 0.09%, 0.31%

LAB 32.08, 6.5, 0.41

 

CMYK 0 / 17 / 12 / 46

HEX #897278

RGB 137 114 120

HSL 344.35, 0.09%, 0.49%

LAB 50.35, 10.05, 0.06

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 0 / 1 / 16 / 26

HEX #BCBA9D

RGB 188 186 157

HSL 56.13, 0.19%, 0.68%

LAB 74.98, -4.24, 14.98

 

CMYK 16 / 5 / 0 / 26

HEX #9DB2BC

RGB 157 178 188

HSL 199.35, 0.19%, 0.68%

LAB 71.31, -5.1, -7.54

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 12 / 0 / 16 / 26

HEX #A6BC9D

RGB 166 188 157

HSL 102.58, 0.19%, 0.68%

LAB 73.87, -13.33, 13.19

 

CMYK 16 / 12 / 0 / 26

HEX #9DA6BC

RGB 157 166 188

HSL 222.58, 0.19%, 0.68%

LAB 68.07, 1.44, -12.37

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 0 / 1 / 16 / 26

HEX #BCBA9D

RGB 188 186 157

HSL 56.13, 0.19%, 0.68%

LAB 74.98, -4.24, 14.98

 

CMYK 16 / 0 / 4 / 26

HEX #9DBCB4

RGB 157 188 180

HSL 164.52, 0.19%, 0.68%

LAB 73.82, -12.08, 0.54

 

CMYK 16 / 15 / 0 / 26

HEX #9D9FBC

RGB 157 159 188

HSL 236.13, 0.19%, 0.68%

LAB 66.21, 5.32, -15.17

 

CMYK 0 / 16 / 12 / 26

HEX #BC9DA5

RGB 188 157 165

HSL 344.52, 0.19%, 0.68%

LAB 67.67, 12.77, 0.12

 

CMYK 4 / 0 / 16 / 26

HEX #B5BC9D

RGB 181 188 157

HSL 73.55, 0.19%, 0.68%

LAB 74.97, -7.89, 14.88

 

CMYK 16 / 0 / 4 / 26

HEX #9DBCB4

RGB 157 188 180

HSL 164.52, 0.19%, 0.68%

LAB 73.82, -12.08, 0.54

 

CMYK 12 / 16 / 0 / 26

HEX #A59DBC

RGB 165 157 188

HSL 255.48, 0.19%, 0.68%

LAB 66.32, 9.09, -14.94

 

Description

Color code: HEX #BC9DA5 | qconv.com Color code: HEX #BC9DA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 157 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 157 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 12 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 12% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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