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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8F04 it is the complementary color #4370FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8F04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BC8F04: #C18F00, #D2A112, #E3B325, #F4C538 and #FFD74B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8F04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BC8F04: #BC8F04, #AB7D00, #9A6B00, #895900 and #784700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

Complementary color

CMYK 73 / 55 / 0 / 2

HEX #4370FB

RGB 67 112 251

HSL 225.33, 0.96%, 0.62%

LAB 51.55, 31.41, -73.79

 

CMYK 0 / 26 / 100 / 24

HEX #C18F00

RGB 193 143 0

HSL 44.46, 1%, 0.38%

LAB 62.49, 8.83, 67.21

 

CMYK 0 / 23 / 91 / 18

HEX #D2A112

RGB 210 161 18

HSL 44.69, 0.84%, 0.45%

LAB 68.92, 6.87, 70.03

 

CMYK 0 / 21 / 84 / 11

HEX #E3B325

RGB 227 179 37

HSL 44.84, 0.77%, 0.52%

LAB 75.27, 5.15, 71.5

 

CMYK 0 / 19 / 77 / 4

HEX #F4C538

RGB 244 197 56

HSL 45, 0.9%, 0.59%

LAB 81.54, 3.64, 71.86

 

CMYK 0 / 16 / 71 / 0

HEX #FFD74B

RGB 255 215 75

HSL 46.67, 1%, 0.65%

LAB 87.18, -0.16, 70.8

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 0 / 27 / 100 / 33

HEX #AB7D00

RGB 171 125 0

HSL 43.86, 1%, 0.34%

LAB 55.41, 8.81, 61.2

 

CMYK 0 / 31 / 100 / 40

HEX #9A6B00

RGB 154 107 0

HSL 41.69, 1%, 0.3%

LAB 48.74, 11.14, 55.73

 

CMYK 0 / 35 / 100 / 46

HEX #895900

RGB 137 89 0

HSL 38.98, 1%, 0.27%

LAB 41.94, 13.6, 50.17

 

CMYK 0 / 41 / 100 / 53

HEX #784700

RGB 120 71 0

HSL 35.5, 1%, 0.24%

LAB 35, 16.2, 44.52

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 0 / 8 / 98 / 26

HEX #BDAE03

RGB 189 174 3

HSL 55.16, 0.97%, 0.38%

LAB 70.24, -9.51, 72.11

 

CMYK 8 / 0 / 98 / 26

HEX #AEBD03

RGB 174 189 3

HSL 64.84, 0.97%, 0.38%

LAB 73.15, -23.63, 73.71

 

CMYK 24 / 0 / 98 / 26

HEX #8FBD03

RGB 143 189 3

HSL 74.84, 0.97%, 0.38%

LAB 71.04, -36.47, 71.17

 

CMYK 41 / 0 / 98 / 26

HEX #70BD03

RGB 112 189 3

HSL 84.84, 0.97%, 0.38%

LAB 69.36, -48.02, 69.15

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 0 / 24 / 98 / 6

HEX #EFB605

RGB 239 182 5

HSL 45.38, 0.96%, 0.48%

LAB 77.17, 8.26, 79.07

 

CMYK 0 / 23 / 97 / 86

HEX #231B01

RGB 35 27 1

HSL 45.88, 0.94%, 0.07%

LAB 10.13, 0.13, 14.73

 

CMYK 0 / 24 / 98 / 66

HEX #564102

RGB 86 65 2

HSL 45, 0.95%, 0.17%

LAB 28.81, 3.02, 37.26

 

CMYK 0 / 24 / 98 / 46

HEX #896803

RGB 137 104 3

HSL 45.22, 0.96%, 0.27%

LAB 45.94, 4.9, 52.16

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 93 / 0 / 98 / 26

HEX #0DBD03

RGB 13 189 3

HSL 116.77, 0.97%, 0.38%

LAB 66.89, -68.15, 66.14

 

CMYK 64 / 98 / 0 / 26

HEX #4403BD

RGB 68 3 189

HSL 260.97, 0.97%, 0.38%

LAB 26.64, 64.22, -79.21

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 98 / 0 / 24 / 26

HEX #03BD8F

RGB 3 189 143

HSL 165.16, 0.97%, 0.38%

LAB 68.31, -50.97, 12.15

 

CMYK 24 / 98 / 0 / 26

HEX #8F03BD

RGB 143 3 189

HSL 285.16, 0.97%, 0.38%

LAB 37.08, 71.3, -61.66

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 93 / 0 / 98 / 26

HEX #0DBD03

RGB 13 189 3

HSL 116.77, 0.97%, 0.38%

LAB 66.89, -68.15, 66.14

 

CMYK 98 / 74 / 0 / 26

HEX #0332BD

RGB 3 50 189

HSL 224.84, 0.97%, 0.38%

LAB 29.35, 43.4, -74.82

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 0 / 24 / 98 / 26

HEX #BC8F04

RGB 188 143 4

HSL 45.33, 0.96%, 0.38%

LAB 61.95, 6.63, 65.97

 

CMYK 98 / 0 / 74 / 26

HEX #03BD32

RGB 3 189 50

HSL 135.16, 0.97%, 0.38%

LAB 67.01, -66.42, 55.68

 

CMYK 98 / 74 / 0 / 26

HEX #0332BD

RGB 3 50 189

HSL 224.84, 0.97%, 0.38%

LAB 29.35, 43.4, -74.82

 

CMYK 0 / 98 / 24 / 26

HEX #BD038F

RGB 189 3 143

HSL 314.84, 0.97%, 0.38%

LAB 42.56, 72.05, -24.84

 

Description

Color code: HEX #BC8F04 | qconv.com Color code: HEX #BC8F04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 143 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 143 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 98 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 98% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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