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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC42AE it is the complementary color #43BD51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC42AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BC42AE: #C142A9, #D254BC, #E366CF, #F478E2 and #FF8AF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC42AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BC42AE: #BC42AE, #AB309B, #9A1E88, #890C75 and #780062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

Complementary color

CMYK 65 / 0 / 57 / 26

HEX #43BD51

RGB 67 189 81

HSL 126.89, 0.48%, 0.5%

LAB 68.15, -55.75, 44.16

 

CMYK 0 / 66 / 12 / 24

HEX #C142A9

RGB 193 66 169

HSL 311.34, 0.51%, 0.51%

LAB 49.62, 61.73, -29.38

 

CMYK 0 / 60 / 10 / 18

HEX #D254BC

RGB 210 84 188

HSL 310.48, 0.58%, 0.58%

LAB 55.76, 61.69, -30.68

 

CMYK 0 / 55 / 9 / 11

HEX #E366CF

RGB 227 102 207

HSL 309.6, 0.69%, 0.65%

LAB 61.95, 61.35, -31.71

 

CMYK 0 / 51 / 7 / 4

HEX #F478E2

RGB 244 120 226

HSL 308.71, 0.85%, 0.71%

LAB 68.14, 60.84, -32.56

 

CMYK 0 / 46 / 4 / 0

HEX #FF8AF5

RGB 255 138 245

HSL 305.13, 1%, 0.77%

LAB 73.56, 58.51, -34.48

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 72 / 9 / 33

HEX #AB309B

RGB 171 48 155

HSL 307.8, 0.56%, 0.43%

LAB 42.97, 60.82, -31.7

 

CMYK 0 / 81 / 12 / 40

HEX #9A1E88

RGB 154 30 136

HSL 308.71, 0.67%, 0.36%

LAB 37.07, 59.62, -29.61

 

CMYK 0 / 91 / 15 / 46

HEX #890C75

RGB 137 12 117

HSL 309.6, 0.84%, 0.29%

LAB 31.5, 57.16, -26.71

 

CMYK 0 / 100 / 18 / 53

HEX #780062

RGB 120 0 98

HSL 311, 1%, 0.24%

LAB 26.38, 53, -22.75

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 65 / 17 / 26

HEX #BC429C

RGB 188 66 156

HSL 315.74, 0.48%, 0.5%

LAB 48.25, 58.48, -23.87

 

CMYK 0 / 65 / 28 / 26

HEX #BC4287

RGB 188 66 135

HSL 326.07, 0.48%, 0.5%

LAB 47.41, 55.59, -12.56

 

CMYK 0 / 65 / 39 / 26

HEX #BC4273

RGB 188 66 115

HSL 335.9, 0.48%, 0.5%

LAB 46.74, 53.21, -1.41

 

CMYK 0 / 65 / 50 / 26

HEX #BC425E

RGB 188 66 94

HSL 346.23, 0.48%, 0.5%

LAB 46.17, 51.12, 10.62

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 65 / 8 / 6

HEX #EF54DD

RGB 239 84 221

HSL 306.97, 0.83%, 0.63%

LAB 61.58, 74.07, -40.04

 

CMYK 0 / 66 / 9 / 86

HEX #230C20

RGB 35 12 32

HSL 307.83, 0.49%, 0.09%

LAB 6.54, 15.42, -8.53

 

CMYK 0 / 65 / 7 / 66

HEX #561E50

RGB 86 30 80

HSL 306.43, 0.48%, 0.23%

LAB 21.89, 32.94, -18.29

 

CMYK 0 / 65 / 7 / 46

HEX #89307F

RGB 137 48 127

HSL 306.74, 0.48%, 0.36%

LAB 35.92, 47.65, -26.06

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 45 / 65 / 26

HEX #BC6742

RGB 188 103 66

HSL 18.2, 0.48%, 0.5%

LAB 52.71, 30.76, 35.53

 

CMYK 65 / 0 / 20 / 26

HEX #42BC97

RGB 66 188 151

HSL 161.8, 0.48%, 0.5%

LAB 69.01, -42.62, 8.9

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 6 / 0 / 65 / 26

HEX #B0BC42

RGB 176 188 66

HSL 65.9, 0.48%, 0.5%

LAB 73.28, -20.16, 58.01

 

CMYK 65 / 6 / 0 / 26

HEX #42B0BC

RGB 66 176 188

HSL 185.9, 0.48%, 0.5%

LAB 66.4, -27.09, -15.34

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 45 / 65 / 26

HEX #BC6742

RGB 188 103 66

HSL 18.2, 0.48%, 0.5%

LAB 52.71, 30.76, 35.53

 

CMYK 65 / 0 / 59 / 26

HEX #42BC4E

RGB 66 188 78

HSL 125.9, 0.48%, 0.5%

LAB 67.78, -55.97, 45.11

 

CMYK 65 / 20 / 0 / 26

HEX #4297BC

RGB 66 151 188

HSL 198.2, 0.48%, 0.5%

LAB 58.9, -14.05, -26.78

 

CMYK 0 / 65 / 7 / 26

HEX #BC42AE

RGB 188 66 174

HSL 306.89, 0.48%, 0.5%

LAB 49.06, 61.23, -33.24

 

CMYK 0 / 26 / 65 / 26

HEX #BC8B42

RGB 188 139 66

HSL 35.9, 0.48%, 0.5%

LAB 61.26, 10.97, 45.37

 

CMYK 65 / 0 / 59 / 26

HEX #42BC4E

RGB 66 188 78

HSL 125.9, 0.48%, 0.5%

LAB 67.78, -55.97, 45.11

 

CMYK 65 / 39 / 0 / 26

HEX #4273BC

RGB 66 115 188

HSL 215.9, 0.48%, 0.5%

LAB 48.32, 6.94, -43.34

 

Description

Color code: HEX #BC42AE | qconv.com Color code: HEX #BC42AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 66 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 66 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 7 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 7% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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