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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2FF4 it is the complementary color #43D00B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2FF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2FF4 shade: #C12FEF, #D241FF, #E353FF, #F465FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2FF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2FF4 shade: #BC2FF4, #AB1DE1, #9A0BCE, #8900BB and #7800A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2FF4 shade: #BC2FF4, #F12FF4, #F42FC2, #F42F8C and #F42F57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2FF4 shade: #BC2FF4, #872FF4, #512FF4 and #2F2FF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2FF4 shade matches the following richer shades: #BC2FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2FF4 shade: #BC2FF4, #B440E2, #AD52D1, #A564BF and #9D76AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2FF4 shade: #502FF4, #842FF4, #B92FF4, #ED2FF4 and #F42FC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2FF4 shade: #900AC6, #AD0CED, #BC2FF4, #C956F6 and #D57DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2FF4 shade: #BC2FF4, #F42F42 and #2FF46A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2FF4 shade: #BC2FF4, #F4B92F and #2FF4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2FF4 shade: #BC2FF4, #F42F42, #6AF42F and #2FF4E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2FF4 shade: #BC2FF4, #F4562F, #6AF42F and #2FCDF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

Complementary color

CMYK 68 / 0 / 95 / 18

HEX #43D00B

RGB 67 208 11

HSL 102.94, 0.9%, 0.43%

LAB 73.76, -66.83, 71.18

 

CMYK 19 / 80 / 0 / 6

HEX #C12FEF

RGB 193 47 239

HSL 285.63, 0.86%, 0.56%

LAB 51.38, 79.78, -66.82

 

CMYK 18 / 75 / 0 / 0

HEX #D241FF

RGB 210 65 255

HSL 285.79, 1%, 0.63%

LAB 56.78, 80.31, -66.9

 

CMYK 11 / 67 / 0 / 0

HEX #E353FF

RGB 227 83 255

HSL 290.23, 1%, 0.66%

LAB 61.43, 77.34, -59.32

 

CMYK 4 / 60 / 0 / 0

HEX #F465FF

RGB 244 101 255

HSL 295.71, 1%, 0.7%

LAB 66.34, 74.05, -51.37

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 24 / 87 / 0 / 12

HEX #AB1DE1

RGB 171 29 225

HSL 283.47, 0.77%, 0.5%

LAB 45.6, 78.02, -68.44

 

CMYK 25 / 95 / 0 / 19

HEX #9A0BCE

RGB 154 11 206

HSL 284, 0.9%, 0.43%

LAB 40.52, 74.98, -65.91

 

CMYK 27 / 100 / 0 / 27

HEX #8900BB

RGB 137 0 187

HSL 283.96, 1%, 0.37%

LAB 35.8, 70.52, -62.6

 

CMYK 29 / 100 / 0 / 34

HEX #7800A8

RGB 120 0 168

HSL 282.86, 1%, 0.33%

LAB 31.39, 64.79, -58.58

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 1 / 81 / 0 / 4

HEX #F12FF4

RGB 241 47 244

HSL 299.09, 0.9%, 0.57%

LAB 59.22, 88.92, -56.63

 

CMYK 0 / 81 / 20 / 4

HEX #F42FC2

RGB 244 47 194

HSL 315.23, 0.9%, 0.57%

LAB 57.23, 82.69, -31.42

 

CMYK 0 / 81 / 43 / 4

HEX #F42F8C

RGB 244 47 140

HSL 331.68, 0.9%, 0.57%

LAB 55.24, 76.96, -2.85

 

CMYK 0 / 81 / 64 / 4

HEX #F42F57

RGB 244 47 87

HSL 347.82, 0.9%, 0.57%

LAB 53.98, 73.2, 27.1

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 45 / 81 / 0 / 4

HEX #872FF4

RGB 135 47 244

HSL 266.8, 0.9%, 0.57%

LAB 43.82, 72.19, -82.3

 

CMYK 67 / 81 / 0 / 4

HEX #512FF4

RGB 81 47 244

HSL 250.36, 0.9%, 0.57%

LAB 38.4, 66.53, -91.43

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF4

RGB 47 47 244

HSL 240, 0.9%, 0.57%

LAB 36.31, 64.4, -94.96

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 20 / 72 / 0 / 11

HEX #B440E2

RGB 180 64 226

HSL 282.96, 0.74%, 0.57%

LAB 50.52, 69.52, -60.97

 

CMYK 17 / 61 / 0 / 18

HEX #AD52D1

RGB 173 82 209

HSL 282.99, 0.58%, 0.57%

LAB 51.29, 56.91, -50.12

 

CMYK 14 / 48 / 0 / 25

HEX #A564BF

RGB 165 100 191

HSL 282.86, 0.42%, 0.57%

LAB 52.81, 41.84, -37.45

 

CMYK 9 / 32 / 0 / 32

HEX #9D76AD

RGB 157 118 173

HSL 282.55, 0.25%, 0.57%

LAB 55.22, 25.42, -23.41

 

CMYK 67 / 81 / 0 / 4

HEX #502FF4

RGB 80 47 244

HSL 250.05, 0.9%, 0.57%

LAB 38.32, 66.45, -91.56

 

CMYK 46 / 81 / 0 / 4

HEX #842FF4

RGB 132 47 244

HSL 265.89, 0.9%, 0.57%

LAB 43.46, 71.81, -82.9

 

CMYK 24 / 81 / 0 / 4

HEX #B92FF4

RGB 185 47 244

HSL 282.03, 0.9%, 0.57%

LAB 50.55, 79.41, -71.04

 

CMYK 3 / 81 / 0 / 4

HEX #ED2FF4

RGB 237 47 244

HSL 297.87, 0.9%, 0.57%

LAB 58.57, 88.21, -57.69

 

CMYK 0 / 81 / 19 / 4

HEX #F42FC6

RGB 244 47 198

HSL 314.01, 0.9%, 0.57%

LAB 57.41, 83.18, -33.45

 

CMYK 27 / 95 / 0 / 22

HEX #900AC6

RGB 144 10 198

HSL 282.77, 0.9%, 0.41%

LAB 38.24, 72.28, -65.04

 

CMYK 27 / 95 / 0 / 7

HEX #AD0CED

RGB 173 12 237

HSL 282.93, 0.9%, 0.49%

LAB 45.99, 82.98, -74.6

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 18 / 65 / 0 / 4

HEX #C956F6

RGB 201 86 246

HSL 283.13, 0.9%, 0.65%

LAB 57.78, 68.93, -60.38

 

CMYK 14 / 50 / 0 / 3

HEX #D57DF8

RGB 213 125 248

HSL 282.93, 0.9%, 0.73%

LAB 66.21, 53.86, -47.99

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 0 / 81 / 73 / 4

HEX #F42F42

RGB 244 47 66

HSL 354.21, 0.9%, 0.57%

LAB 53.66, 72.25, 39

 

CMYK 81 / 0 / 57 / 4

HEX #2FF46A

RGB 47 244 106

HSL 137.97, 0.9%, 0.57%

LAB 85.17, -73.91, 52.73

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 0 / 24 / 81 / 4

HEX #F4B92F

RGB 244 185 47

HSL 42.03, 0.9%, 0.57%

LAB 78.54, 9.58, 72.08

 

CMYK 81 / 0 / 24 / 4

HEX #2FF4B9

RGB 47 244 185

HSL 162.03, 0.9%, 0.57%

LAB 86.41, -59.74, 15.42

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 0 / 81 / 73 / 4

HEX #F42F42

RGB 244 47 66

HSL 354.21, 0.9%, 0.57%

LAB 53.66, 72.25, 39

 

CMYK 57 / 0 / 81 / 4

HEX #6AF42F

RGB 106 244 47

HSL 102.03, 0.9%, 0.57%

LAB 85.99, -68.69, 75.47

 

CMYK 81 / 0 / 8 / 4

HEX #2FF4E0

RGB 47 244 224

HSL 173.91, 0.9%, 0.57%

LAB 87.33, -50.08, -3.57

 

CMYK 23 / 81 / 0 / 4

HEX #BC2FF4

RGB 188 47 244

HSL 282.94, 0.9%, 0.57%

LAB 50.99, 79.89, -70.31

 

CMYK 0 / 65 / 81 / 4

HEX #F4562F

RGB 244 86 47

HSL 11.88, 0.9%, 0.57%

LAB 58.13, 58.74, 53.62

 

CMYK 57 / 0 / 81 / 4

HEX #6AF42F

RGB 106 244 47

HSL 102.03, 0.9%, 0.57%

LAB 85.99, -68.69, 75.47

 

CMYK 81 / 16 / 0 / 4

HEX #2FCDF4

RGB 47 205 244

HSL 191.88, 0.9%, 0.57%

LAB 76.56, -26.35, -30.4

 

Description

Color code: HEX #BC2FF4 | qconv.com Color code: HEX #BC2FF4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 47 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 47 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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