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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2048 it is the complementary color #43DFB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2048. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BC2048: #C12043, #D23256, #E34469, #F4567C and #FF688F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2048. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BC2048: #BC2048, #AB0E35, #9A0022, #89000F and #780000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

Complementary color

CMYK 70 / 0 / 18 / 13

HEX #43DFB7

RGB 67 223 183

HSL 164.62, 0.71%, 0.57%

LAB 80.4, -49.6, 7.98

 

CMYK 0 / 83 / 65 / 24

HEX #C12043

RGB 193 32 67

HSL 346.96, 0.72%, 0.44%

LAB 42.42, 62.09, 22.42

 

CMYK 0 / 76 / 59 / 18

HEX #D23256

RGB 210 50 86

HSL 346.5, 0.64%, 0.51%

LAB 47.82, 63.05, 18.41

 

CMYK 0 / 70 / 54 / 11

HEX #E34469

RGB 227 68 105

HSL 346.04, 0.74%, 0.58%

LAB 53.48, 63.28, 15.14

 

CMYK 0 / 65 / 49 / 4

HEX #F4567C

RGB 244 86 124

HSL 345.57, 0.88%, 0.65%

LAB 59.29, 63.06, 12.43

 

CMYK 0 / 59 / 44 / 0

HEX #FF688F

RGB 255 104 143

HSL 344.5, 1%, 0.7%

LAB 64.28, 60.67, 8.72

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 0 / 92 / 69 / 33

HEX #AB0E35

RGB 171 14 53

HSL 345.1, 0.85%, 0.36%

LAB 36.42, 59, 22.69

 

CMYK 0 / 100 / 78 / 40

HEX #9A0022

RGB 154 0 34

HSL 346.75, 1%, 0.3%

LAB 31.77, 55.69, 28.36

 

CMYK 0 / 100 / 89 / 46

HEX #89000F

RGB 137 0 15

HSL 353.43, 1%, 0.27%

LAB 27.72, 50.73, 34.39

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 0 / 83 / 75 / 27

HEX #BB1F2F

RGB 187 31 47

HSL 353.85, 0.72%, 0.43%

LAB 40.82, 59.74, 32.46

 

CMYK 0 / 78 / 83 / 27

HEX #BB2A1F

RGB 187 42 31

HSL 4.23, 0.72%, 0.43%

LAB 41.72, 56.18, 42.39

 

CMYK 0 / 64 / 83 / 27

HEX #BB441F

RGB 187 68 31

HSL 14.23, 0.72%, 0.43%

LAB 45.36, 46.24, 45.71

 

CMYK 0 / 50 / 83 / 27

HEX #BB5E1F

RGB 187 94 31

HSL 24.23, 0.72%, 0.43%

LAB 50.3, 33.49, 50.14

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 0 / 83 / 62 / 6

HEX #EF295C

RGB 239 41 92

HSL 344.55, 0.86%, 0.55%

LAB 52.63, 73.56, 22.17

 

CMYK 0 / 83 / 63 / 86

HEX #23060D

RGB 35 6 13

HSL 345.52, 0.71%, 0.08%

LAB 4.67, 13.92, 1.8

 

CMYK 0 / 83 / 62 / 66

HEX #560F21

RGB 86 15 33

HSL 344.79, 0.7%, 0.2%

LAB 17.6, 33.11, 8.12

 

CMYK 0 / 83 / 62 / 46

HEX #891734

RGB 137 23 52

HSL 344.74, 0.71%, 0.31%

LAB 29.86, 47.77, 13.43

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 0 / 5 / 83 / 27

HEX #BBB11F

RGB 187 177 31

HSL 56.15, 0.72%, 0.43%

LAB 70.95, -11.46, 67.91

 

CMYK 83 / 28 / 0 / 27

HEX #1F87BB

RGB 31 135 187

HSL 200, 0.72%, 0.43%

LAB 53.18, -9.99, -35.18

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 61 / 0 / 83 / 27

HEX #49BB1F

RGB 73 187 31

HSL 103.85, 0.72%, 0.43%

LAB 67.32, -57.99, 62.2

 

CMYK 83 / 61 / 0 / 27

HEX #1F49BB

RGB 31 73 187

HSL 223.85, 0.72%, 0.43%

LAB 35.29, 29.18, -63.84

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 0 / 5 / 83 / 27

HEX #BBB11F

RGB 187 177 31

HSL 56.15, 0.72%, 0.43%

LAB 70.95, -11.46, 67.91

 

CMYK 83 / 0 / 22 / 27

HEX #1FBB91

RGB 31 187 145

HSL 163.85, 0.72%, 0.43%

LAB 67.93, -48.18, 10.55

 

CMYK 83 / 78 / 0 / 27

HEX #1F2ABB

RGB 31 42 187

HSL 235.77, 0.72%, 0.43%

LAB 28.21, 48.31, -75.5

 

CMYK 0 / 83 / 62 / 26

HEX #BC2048

RGB 188 32 72

HSL 344.62, 0.71%, 0.43%

LAB 41.52, 61.03, 17.92

 

CMYK 19 / 0 / 83 / 27

HEX #97BB1F

RGB 151 187 31

HSL 73.85, 0.72%, 0.43%

LAB 71.02, -31.73, 66.89

 

CMYK 83 / 0 / 22 / 27

HEX #1FBB91

RGB 31 187 145

HSL 163.85, 0.72%, 0.43%

LAB 67.93, -48.18, 10.55

 

CMYK 64 / 83 / 0 / 27

HEX #441FBB

RGB 68 31 187

HSL 254.23, 0.72%, 0.43%

LAB 28.89, 56.23, -74.29

 

Description

Color code: HEX #BC2048 | qconv.com Color code: HEX #BC2048 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 32 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 32 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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