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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC04C7 it is the complementary color #43FB38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC04C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC04C7 shade: #C104C2, #D216D5, #E328E8, #F43AFB and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC04C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC04C7 shade: #BC04C7, #AB00B4, #9A00A1, #89008E and #78007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC04C7 shade: #BC04C7, #C7049E, #C70469, #C70434 and #C70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC04C7 shade: #BC04C7, #8804C7, #5304C7, #1E04C7 and #0404C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC04C7 shade matches the following richer shades: #BC04C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC04C7 shade: #BC04C7, #AE14B7, #9F25A6, #903596 and #824685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC04C7 shade: #5204C7, #8604C7, #BA04C7, #C704A0 and #C7046C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC04C7 shade: #700277, #96039F, #BC04C7, #E304F0 and #EE23FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC04C7 shade: #BC04C7, #C71E04 and #04C76C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC04C7 shade: #BC04C7, #C7BA04 and #04C7BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC04C7 shade: #BC04C7, #C71E04, #11C704 and #04ADC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC04C7 shade: #BC04C7, #C75804, #11C704 and #0473C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

Complementary color

CMYK 73 / 0 / 78 / 2

HEX #43FB38

RGB 67 251 56

HSL 116.62, 0.96%, 0.6%

LAB 87.23, -78.15, 73.85

 

CMYK 1 / 98 / 0 / 24

HEX #C104C2

RGB 193 4 194

HSL 299.68, 0.96%, 0.39%

LAB 46.07, 79.48, -49.64

 

CMYK 1 / 90 / 0 / 16

HEX #D216D5

RGB 210 22 213

HSL 299.06, 0.81%, 0.46%

LAB 50.78, 83.3, -52.9

 

CMYK 2 / 83 / 0 / 9

HEX #E328E8

RGB 227 40 232

HSL 298.44, 0.81%, 0.53%

LAB 55.76, 86.08, -55.56

 

CMYK 3 / 77 / 0 / 2

HEX #F43AFB

RGB 244 58 251

HSL 297.82, 0.96%, 0.61%

LAB 60.98, 87.94, -57.68

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 4 / 100 / 0 / 37

HEX #9A00A1

RGB 154 0 161

HSL 297.39, 1%, 0.32%

LAB 36.82, 68.51, -45.27

 

CMYK 4 / 100 / 0 / 44

HEX #89008E

RGB 137 0 142

HSL 297.89, 1%, 0.28%

LAB 32.42, 62.7, -40.91

 

CMYK 2 / 100 / 0 / 52

HEX #78007B

RGB 120 0 123

HSL 298.54, 1%, 0.24%

LAB 27.91, 56.75, -36.43

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 0 / 98 / 21 / 22

HEX #C7049E

RGB 199 4 158

HSL 312.62, 0.96%, 0.4%

LAB 45.22, 75.69, -29.63

 

CMYK 0 / 98 / 47 / 22

HEX #C70469

RGB 199 4 105

HSL 328.92, 0.96%, 0.4%

LAB 43.14, 70.29, -0.28

 

CMYK 0 / 98 / 74 / 22

HEX #C70434

RGB 199 4 52

HSL 345.23, 0.96%, 0.4%

LAB 41.96, 67.13, 31.41

 

CMYK 0 / 98 / 98 / 22

HEX #C70404

RGB 199 4 4

HSL 0, 0.96%, 0.4%

LAB 41.59, 66.11, 54.39

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 32 / 98 / 0 / 22

HEX #8804C7

RGB 136 4 199

HSL 280.62, 0.96%, 0.4%

LAB 36.83, 72.18, -67.98

 

CMYK 58 / 98 / 0 / 22

HEX #5304C7

RGB 83 4 199

HSL 264.31, 0.96%, 0.4%

LAB 29.54, 67.27, -80.25

 

CMYK 85 / 98 / 0 / 22

HEX #1E04C7

RGB 30 4 199

HSL 248, 0.96%, 0.4%

LAB 25.22, 65.16, -87.56

 

CMYK 98 / 98 / 0 / 22

HEX #0404C7

RGB 4 4 199

HSL 240, 0.96%, 0.4%

LAB 24.44, 64.87, -88.89

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 5 / 89 / 0 / 28

HEX #AE14B7

RGB 174 20 183

HSL 296.69, 0.8%, 0.4%

LAB 42.64, 72.87, -48.87

 

CMYK 4 / 78 / 0 / 35

HEX #9F25A6

RGB 159 37 166

HSL 296.74, 0.64%, 0.4%

LAB 40.32, 63.49, -42.62

 

CMYK 4 / 65 / 0 / 41

HEX #903596

RGB 144 53 150

HSL 296.29, 0.48%, 0.4%

LAB 39.03, 51.41, -35.19

 

CMYK 2 / 47 / 0 / 48

HEX #824685

RGB 130 70 133

HSL 297.14, 0.31%, 0.4%

LAB 39.27, 35.68, -24.59

 

CMYK 59 / 98 / 0 / 22

HEX #5204C7

RGB 82 4 199

HSL 264, 0.96%, 0.4%

LAB 29.42, 67.21, -80.45

 

CMYK 33 / 98 / 0 / 22

HEX #8604C7

RGB 134 4 199

HSL 280, 0.96%, 0.4%

LAB 36.52, 71.94, -68.51

 

CMYK 7 / 98 / 0 / 22

HEX #BA04C7

RGB 186 4 199

HSL 296, 0.96%, 0.4%

LAB 45.15, 79.12, -54.09

 

CMYK 0 / 98 / 20 / 22

HEX #C704A0

RGB 199 4 160

HSL 312, 0.96%, 0.4%

LAB 45.31, 75.93, -30.67

 

CMYK 0 / 98 / 46 / 22

HEX #C7046C

RGB 199 4 108

HSL 328, 0.96%, 0.4%

LAB 43.23, 70.53, -2.02

 

CMYK 6 / 98 / 0 / 53

HEX #700277

RGB 112 2 119

HSL 296.41, 0.97%, 0.24%

LAB 26.22, 54.34, -36.68

 

CMYK 6 / 98 / 0 / 38

HEX #96039F

RGB 150 3 159

HSL 296.54, 0.96%, 0.32%

LAB 36.08, 67.17, -45.29

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 5 / 98 / 0 / 6

HEX #E304F0

RGB 227 4 240

HSL 296.69, 0.97%, 0.48%

LAB 54.77, 91.6, -61.64

 

CMYK 5 / 86 / 0 / 2

HEX #EE23FA

RGB 238 35 250

HSL 296.65, 0.96%, 0.56%

LAB 58.3, 91.57, -61.46

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 0 / 85 / 98 / 22

HEX #C71E04

RGB 199 30 4

HSL 8, 0.96%, 0.4%

LAB 42.88, 62.4, 54.98

 

CMYK 98 / 0 / 46 / 22

HEX #04C76C

RGB 4 199 108

HSL 152, 0.96%, 0.4%

LAB 70.84, -61.92, 34.05

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 0 / 7 / 98 / 22

HEX #C7BA04

RGB 199 186 4

HSL 56, 0.96%, 0.4%

LAB 74.36, -11.29, 75.41

 

CMYK 98 / 0 / 7 / 22

HEX #04C7BA

RGB 4 199 186

HSL 176, 0.96%, 0.4%

LAB 72.51, -43.59, -5.2

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 0 / 85 / 98 / 22

HEX #C71E04

RGB 199 30 4

HSL 8, 0.96%, 0.4%

LAB 42.88, 62.4, 54.98

 

CMYK 91 / 0 / 98 / 22

HEX #11C704

RGB 17 199 4

HSL 116, 0.96%, 0.4%

LAB 70.16, -70.66, 68.68

 

CMYK 98 / 13 / 0 / 22

HEX #04ADC7

RGB 4 173 199

HSL 188, 0.96%, 0.4%

LAB 64.99, -27.46, -23.66

 

CMYK 6 / 98 / 0 / 22

HEX #BC04C7

RGB 188 4 199

HSL 296.62, 0.96%, 0.4%

LAB 45.5, 79.43, -53.51

 

CMYK 0 / 56 / 98 / 22

HEX #C75804

RGB 199 88 4

HSL 25.85, 0.96%, 0.4%

LAB 50.84, 40.85, 59.31

 

CMYK 91 / 0 / 98 / 22

HEX #11C704

RGB 17 199 4

HSL 116, 0.96%, 0.4%

LAB 70.16, -70.66, 68.68

 

CMYK 98 / 42 / 0 / 22

HEX #0473C7

RGB 4 115 199

HSL 205.85, 0.96%, 0.4%

LAB 47.51, 5.12, -51.06

 

Description

Color code: HEX #BC04C7 | qconv.com Color code: HEX #BC04C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 4 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 4 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 98 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 98% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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