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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 0 180 it is the complementary color RGB 84 255 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 0 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 171 0 180: RGB 176 0 175, RGB 193 18 194, RGB 210 36 213, RGB 227 54 232 and RGB 244 72 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 0 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 171 0 180: RGB 171 0 180, RGB 154 0 161, RGB 137 0 142, RGB 120 0 123 and RGB 103 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

Complementary color

CMYK 67 / 0 / 71 / 0

HEX #54FF4B

RGB 84 255 75

HSL 117, 1%, 0.65%

LAB 88.88, -75.25, 69.5

 

CMYK 0 / 100 / 1 / 31

HEX #B000AF

RGB 176 0 175

HSL 300.34, 1%, 0.35%

LAB 41.73, 74.25, -45.58

 

CMYK 1 / 91 / 0 / 24

HEX #C112C2

RGB 193 18 194

HSL 299.66, 0.83%, 0.42%

LAB 46.53, 78.11, -48.9

 

CMYK 1 / 83 / 0 / 16

HEX #D224D5

RGB 210 36 213

HSL 298.98, 0.71%, 0.49%

LAB 51.57, 80.98, -51.64

 

CMYK 2 / 77 / 0 / 9

HEX #E336E8

RGB 227 54 232

HSL 298.31, 0.79%, 0.56%

LAB 56.88, 82.84, -53.78

 

CMYK 3 / 71 / 0 / 2

HEX #F448FB

RGB 244 72 251

HSL 297.65, 0.96%, 0.63%

LAB 62.37, 83.96, -55.47

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 4 / 100 / 0 / 37

HEX #9A00A1

RGB 154 0 161

HSL 297.39, 1%, 0.32%

LAB 36.82, 68.51, -45.27

 

CMYK 4 / 100 / 0 / 44

HEX #89008E

RGB 137 0 142

HSL 297.89, 1%, 0.28%

LAB 32.42, 62.7, -40.91

 

CMYK 2 / 100 / 0 / 52

HEX #78007B

RGB 120 0 123

HSL 298.54, 1%, 0.24%

LAB 27.91, 56.75, -36.43

 

CMYK 1 / 100 / 0 / 59

HEX #670068

RGB 103 0 104

HSL 299.42, 1%, 0.2%

LAB 23.28, 50.65, -31.81

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 0 / 100 / 12 / 30

HEX #B2009D

RGB 178 0 157

HSL 307.08, 1%, 0.35%

LAB 41.06, 72.05, -35.84

 

CMYK 0 / 100 / 29 / 30

HEX #B2007F

RGB 178 0 127

HSL 317.19, 1%, 0.35%

LAB 39.58, 68.33, -19.79

 

CMYK 0 / 100 / 45 / 30

HEX #B20062

RGB 178 0 98

HSL 326.97, 1%, 0.35%

LAB 38.46, 65.44, -3.23

 

CMYK 0 / 100 / 62 / 30

HEX #B20044

RGB 178 0 68

HSL 337.08, 1%, 0.35%

LAB 37.63, 63.24, 14.89

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 5 / 100 / 0 / 9

HEX #DB00E7

RGB 219 0 231

HSL 296.88, 1%, 0.45%

LAB 52.76, 89.33, -59.88

 

CMYK 4 / 100 / 0 / 89

HEX #1A001B

RGB 26 0 27

HSL 297.78, 1%, 0.05%

LAB 2.7, 13.92, -10.49

 

CMYK 5 / 100 / 0 / 69

HEX #4A004E

RGB 74 0 78

HSL 296.92, 1%, 0.15%

LAB 15.52, 40.9, -27.18

 

CMYK 5 / 100 / 0 / 49

HEX #7B0081

RGB 123 0 129

HSL 297.21, 1%, 0.25%

LAB 28.89, 58.24, -38.61

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 0 / 85 / 100 / 30

HEX #B21A00

RGB 178 26 0

HSL 8.76, 1%, 0.35%

LAB 38.21, 57.31, 51.82

 

CMYK 100 / 0 / 45 / 30

HEX #00B262

RGB 0 178 98

HSL 153.03, 1%, 0.35%

LAB 63.94, -56.76, 30.3

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 0 / 5 / 100 / 30

HEX #B2A900

RGB 178 169 0

HSL 56.97, 1%, 0.35%

LAB 67.9, -11.84, 70.33

 

CMYK 100 / 0 / 5 / 30

HEX #00B2A9

RGB 0 178 169

HSL 176.97, 1%, 0.35%

LAB 65.52, -39.43, -6.21

Pantone® 326 C

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 0 / 85 / 100 / 30

HEX #B21A00

RGB 178 26 0

HSL 8.76, 1%, 0.35%

LAB 38.21, 57.31, 51.82

 

CMYK 96 / 0 / 100 / 30

HEX #08B200

RGB 8 178 0

HSL 117.3, 1%, 0.35%

LAB 63.25, -65.42, 63.57

 

CMYK 100 / 15 / 0 / 30

HEX #0097B2

RGB 0 151 178

HSL 189.1, 1%, 0.35%

LAB 57.41, -23.55, -23.5

 

CMYK 5 / 100 / 0 / 29

HEX #AB00B4

RGB 171 0 180

HSL 297, 1%, 0.35%

LAB 41.14, 74.2, -49.53

 

CMYK 0 / 55 / 100 / 30

HEX #B25000

RGB 178 80 0

HSL 26.97, 1%, 0.35%

LAB 45.91, 36.51, 55.65

 

CMYK 96 / 0 / 100 / 30

HEX #08B200

RGB 8 178 0

HSL 117.3, 1%, 0.35%

LAB 63.25, -65.42, 63.57

 

CMYK 100 / 45 / 0 / 30

HEX #0062B2

RGB 0 98 178

HSL 206.97, 1%, 0.35%

LAB 41.14, 7.34, -49.1

 

Description

Color code: RGB 171 0 180 | qconv.com Color code: RGB 171 0 180 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, none green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 0 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 100 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 100% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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