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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC52D it is the complementary color #443AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BBC52D: #C0C528, #D1D73B, #E2E94E, #F3FB61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BBC52D: #BBC52D, #AAB31A, #99A107, #888F00 and #777D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

Complementary color

CMYK 68 / 72 / 0 / 18

HEX #443AD2

RGB 68 58 210

HSL 243.95, 0.63%, 0.53%

LAB 35.81, 50.04, -76.34

 

CMYK 3 / 0 / 80 / 23

HEX #C0C528

RGB 192 197 40

HSL 61.91, 0.66%, 0.46%

LAB 76.86, -19.14, 70.8

 

CMYK 3 / 0 / 73 / 16

HEX #D1D73B

RGB 209 215 59

HSL 62.31, 0.66%, 0.54%

LAB 83.16, -20.11, 71.27

 

CMYK 3 / 0 / 67 / 9

HEX #E2E94E

RGB 226 233 78

HSL 62.71, 0.78%, 0.61%

LAB 89.39, -20.93, 71.09

 

CMYK 3 / 0 / 61 / 2

HEX #F3FB61

RGB 243 251 97

HSL 63.12, 0.95%, 0.68%

LAB 95.54, -21.61, 70.52

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 5 / 0 / 85 / 30

HEX #AAB31A

RGB 170 179 26

HSL 63.53, 0.75%, 0.4%

LAB 70.08, -20.02, 67.79

 

CMYK 5 / 0 / 96 / 37

HEX #99A107

RGB 153 161 7

HSL 63.12, 0.92%, 0.33%

LAB 63.57, -18.74, 65.26

 

CMYK 5 / 0 / 100 / 44

HEX #888F00

RGB 136 143 0

HSL 62.94, 1%, 0.28%

LAB 56.96, -17.2, 60.72

 

CMYK 5 / 0 / 100 / 51

HEX #777D00

RGB 119 125 0

HSL 62.88, 1%, 0.25%

LAB 50.2, -15.51, 55.11

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 17 / 0 / 77 / 24

HEX #A2C32C

RGB 162 195 44

HSL 73.11, 0.63%, 0.47%

LAB 74.12, -30.52, 66.38

 

CMYK 30 / 0 / 77 / 24

HEX #89C32C

RGB 137 195 44

HSL 83.05, 0.63%, 0.47%

LAB 72.58, -40.31, 64.39

 

CMYK 43 / 0 / 77 / 24

HEX #70C32C

RGB 112 195 44

HSL 92.98, 0.63%, 0.47%

LAB 71.32, -49.12, 62.75

 

CMYK 55 / 0 / 77 / 24

HEX #57C32C

RGB 87 195 44

HSL 102.91, 0.63%, 0.47%

LAB 70.34, -56.58, 61.48

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 5 / 0 / 77 / 3

HEX #EBF839

RGB 235 248 57

HSL 64.08, 0.93%, 0.6%

LAB 93.92, -25.37, 82.5

 

CMYK 5 / 0 / 77 / 83

HEX #2A2C0A

RGB 42 44 10

HSL 63.53, 0.63%, 0.11%

LAB 17.06, -6.57, 20.36

 

CMYK 5 / 0 / 77 / 63

HEX #5A5F16

RGB 90 95 22

HSL 64.11, 0.62%, 0.23%

LAB 38.58, -12.07, 38.62

 

CMYK 5 / 0 / 77 / 43

HEX #8B9221

RGB 139 146 33

HSL 63.72, 0.63%, 0.35%

LAB 58.19, -16.53, 54.56

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 77 / 0 / 58 / 24

HEX #2CC352

RGB 44 195 82

HSL 135.1, 0.63%, 0.47%

LAB 69.59, -61.59, 45.27

 

CMYK 27 / 77 / 0 / 24

HEX #8E2CC3

RGB 142 44 195

HSL 278.94, 0.63%, 0.47%

LAB 40.4, 63.47, -59.79

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 77 / 4 / 0 / 24

HEX #2CBBC3

RGB 44 187 195

HSL 183.18, 0.63%, 0.47%

LAB 69.48, -33.17, -14.6

 

CMYK 0 / 77 / 4 / 24

HEX #C32CBB

RGB 195 44 187

HSL 303.18, 0.63%, 0.47%

LAB 48.25, 72.26, -42.06

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 77 / 0 / 58 / 24

HEX #2CC352

RGB 44 195 82

HSL 135.1, 0.63%, 0.47%

LAB 69.59, -61.59, 45.27

 

CMYK 74 / 77 / 0 / 24

HEX #332CC3

RGB 51 44 195

HSL 242.78, 0.63%, 0.47%

LAB 30.51, 51.17, -76.38

 

CMYK 0 / 77 / 19 / 24

HEX #C32C9D

RGB 195 44 157

HSL 315.1, 0.63%, 0.47%

LAB 46.76, 67.98, -26.68

 

CMYK 5 / 0 / 77 / 23

HEX #BBC52D

RGB 187 197 45

HSL 63.95, 0.63%, 0.47%

LAB 76.49, -21.07, 68.9

 

CMYK 77 / 0 / 35 / 24

HEX #2CC37F

RGB 44 195 127

HSL 152.98, 0.63%, 0.47%

LAB 70.24, -54.04, 23.47

 

CMYK 74 / 77 / 0 / 24

HEX #332CC3

RGB 51 44 195

HSL 242.78, 0.63%, 0.47%

LAB 30.51, 51.17, -76.38

 

CMYK 0 / 77 / 43 / 24

HEX #C32C70

RGB 195 44 112

HSL 332.98, 0.63%, 0.47%

LAB 45.04, 62.83, -1.92

 

Description

Color code: HEX #BBC52D | qconv.com Color code: HEX #BBC52D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 197 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 197 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 77 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 77% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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