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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9460 it is the complementary color #446B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BB9460: #C0945B, #D1A66E, #E2B881, #F3CA94 and #FFDCA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BB9460: #BB9460, #AA824D, #99703A, #885E27 and #774C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

Complementary color

CMYK 57 / 33 / 0 / 38

HEX #446B9F

RGB 68 107 159

HSL 214.29, 0.4%, 0.45%

LAB 44.59, 2.28, -32.31

 

CMYK 0 / 23 / 53 / 25

HEX #C0945B

RGB 192 148 91

HSL 33.86, 0.44%, 0.55%

LAB 64.28, 9.67, 36.29

 

CMYK 0 / 21 / 47 / 18

HEX #D1A66E

RGB 209 166 110

HSL 33.94, 0.52%, 0.63%

LAB 70.84, 8.77, 34.91

 

CMYK 0 / 19 / 43 / 11

HEX #E2B881

RGB 226 184 129

HSL 34.02, 0.63%, 0.7%

LAB 77.3, 8, 33.61

 

CMYK 0 / 17 / 39 / 5

HEX #F3CA94

RGB 243 202 148

HSL 34.11, 0.8%, 0.77%

LAB 83.67, 7.32, 32.38

 

CMYK 0 / 14 / 35 / 0

HEX #FFDCA7

RGB 255 220 167

HSL 36.14, 1%, 0.83%

LAB 89.5, 4.82, 30.55

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 0 / 24 / 55 / 33

HEX #AA824D

RGB 170 130 77

HSL 34.19, 0.38%, 0.48%

LAB 57.12, 8.98, 34.38

 

CMYK 0 / 27 / 62 / 40

HEX #99703A

RGB 153 112 58

HSL 34.11, 0.45%, 0.41%

LAB 50.29, 10.12, 35.86

 

CMYK 0 / 31 / 71 / 47

HEX #885E27

RGB 136 94 39

HSL 34.02, 0.55%, 0.34%

LAB 43.34, 11.53, 37.31

 

CMYK 0 / 36 / 83 / 53

HEX #774C14

RGB 119 76 20

HSL 33.94, 0.71%, 0.27%

LAB 36.25, 13.29, 38.38

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 0 / 13 / 49 / 27

HEX #BAA15E

RGB 186 161 94

HSL 43.7, 0.4%, 0.55%

LAB 67.08, 0.33, 38.06

 

CMYK 0 / 5 / 49 / 27

HEX #BAB05E

RGB 186 176 94

HSL 53.48, 0.4%, 0.55%

LAB 71.08, -7.65, 42.94

 

CMYK 3 / 0 / 49 / 27

HEX #B4BA5E

RGB 180 186 94

HSL 63.91, 0.4%, 0.55%

LAB 73.3, -15.3, 45.5

 

CMYK 12 / 0 / 49 / 27

HEX #A4BA5E

RGB 164 186 94

HSL 74.35, 0.4%, 0.55%

LAB 72.11, -21.77, 43.78

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 0 / 21 / 49 / 7

HEX #EEBC7A

RGB 238 188 122

HSL 34.14, 0.77%, 0.71%

LAB 79.36, 10.03, 40.1

 

CMYK 0 / 21 / 50 / 87

HEX #221B11

RGB 34 27 17

HSL 35.29, 0.33%, 0.1%

LAB 10.29, 1.55, 7.81

 

CMYK 0 / 21 / 48 / 67

HEX #55432C

RGB 85 67 44

HSL 33.66, 0.32%, 0.25%

LAB 29.73, 4.24, 16.88

 

CMYK 0 / 21 / 49 / 47

HEX #886C46

RGB 136 108 70

HSL 34.55, 0.32%, 0.4%

LAB 47.5, 5.91, 25.42

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 38 / 0 / 49 / 27

HEX #73BA5E

RGB 115 186 94

HSL 106.3, 0.4%, 0.55%

LAB 69.16, -39.83, 39.51

 

CMYK 41 / 49 / 0 / 27

HEX #6D5EBA

RGB 109 94 186

HSL 249.78, 0.4%, 0.55%

LAB 45.36, 28.75, -46.74

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 49 / 0 / 22 / 27

HEX #5EBA92

RGB 94 186 146

HSL 153.91, 0.4%, 0.55%

LAB 69.16, -36.94, 11.96

 

CMYK 22 / 49 / 0 / 27

HEX #925EBA

RGB 146 94 186

HSL 273.91, 0.4%, 0.55%

LAB 49.08, 38.63, -40.59

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 38 / 0 / 49 / 27

HEX #73BA5E

RGB 115 186 94

HSL 106.3, 0.4%, 0.55%

LAB 69.16, -39.83, 39.51

 

CMYK 49 / 28 / 0 / 27

HEX #5E86BA

RGB 94 134 186

HSL 213.91, 0.4%, 0.55%

LAB 55.05, 0.78, -31.53

 

CMYK 12 / 49 / 0 / 27

HEX #A45EBA

RGB 164 94 186

HSL 285.65, 0.4%, 0.55%

LAB 51.2, 43.72, -37.11

 

CMYK 0 / 21 / 49 / 27

HEX #BB9460

RGB 187 148 96

HSL 34.29, 0.4%, 0.55%

LAB 63.83, 8.03, 32.96

 

CMYK 49 / 0 / 46 / 27

HEX #5EBA64

RGB 94 186 100

HSL 123.91, 0.4%, 0.55%

LAB 68.33, -45.38, 35.26

 

CMYK 49 / 28 / 0 / 27

HEX #5E86BA

RGB 94 134 186

HSL 213.91, 0.4%, 0.55%

LAB 55.05, 0.78, -31.53

 

CMYK 0 / 49 / 3 / 27

HEX #BA5EB4

RGB 186 94 180

HSL 303.91, 0.4%, 0.55%

LAB 53.75, 48.96, -29.45

 

Description

Color code: HEX #BB9460 | qconv.com Color code: HEX #BB9460 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 148 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 148 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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