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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9142 it is the complementary color #446EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9142 shade: #C0913D, #D1A350, #E2B563, #F3C776 and #FFD989

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9142 shade: #BB9142, #AA7F2F, #996D1C, #885B09 and #774900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9142 shade: #BD9242, #BD7142, #BD5042 and #BD4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9142 shade: #BD9242, #BDB342, #A5BD42, #84BD42 and #63BD42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9142 shade matches the following richer shades: #BD9242, #D1992E, #E69F19 and #FBA504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9142 shade: #BD9242, #A88C57, #93866C, #7F7F80 and #6A7995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9142 shade: #BD5142, #BD7142, #BD9242, #BDB342 and #A6BD42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9142 shade: #80632D, #9E7B38, #BD9242, #C7A461 and #D2B57F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9142 shade: #BB9142, #55BD42 and #6142BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9142 shade: #BB9142, #42BD92 and #9242BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9142 shade: #BB9142, #55BD42, #426DBD and #AA42BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9142 shade: #BB9142, #42BD55, #426DBD and #BD42AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 65 / 27

HEX #BB9142

RGB 187 145 66

HSL 39.17, 0.48%, 0.5%

LAB 62.68, 7.23, 46.92

 

Complementary color

CMYK 64 / 42 / 0 / 26

HEX #446EBD

RGB 68 110 189

HSL 219.17, 0.48%, 0.5%

LAB 47.05, 10.76, -45.95

 

CMYK 0 / 24 / 68 / 25

HEX #C0913D

RGB 192 145 61

HSL 38.47, 0.52%, 0.5%

LAB 63.17, 9.11, 49.94

 

CMYK 0 / 22 / 62 / 18

HEX #D1A350

RGB 209 163 80

HSL 38.6, 0.58%, 0.57%

LAB 69.7, 7.89, 48.73

 

CMYK 0 / 20 / 56 / 11

HEX #E2B563

RGB 226 181 99

HSL 38.74, 0.69%, 0.64%

LAB 76.14, 6.84, 47.43

 

CMYK 0 / 18 / 51 / 5

HEX #F3C776

RGB 243 199 118

HSL 38.88, 0.84%, 0.71%

LAB 82.49, 5.94, 46.12

 

CMYK 0 / 15 / 46 / 0

HEX #FFD989

RGB 255 217 137

HSL 40.68, 1%, 0.77%

LAB 88.3, 3.18, 44.17

 

CMYK 0 / 22 / 65 / 27

HEX #BB9142

RGB 187 145 66

HSL 39.17, 0.48%, 0.5%

LAB 62.68, 7.23, 46.92

 

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

CMYK 0 / 29 / 82 / 40

HEX #996D1C

RGB 153 109 28

HSL 38.88, 0.69%, 0.35%

LAB 49.24, 10.18, 48.65

 

CMYK 0 / 33 / 93 / 47

HEX #885B09

RGB 136 91 9

HSL 38.74, 0.88%, 0.28%

LAB 42.36, 12.14, 48.02

 

CMYK 0 / 39 / 100 / 53

HEX #774900

RGB 119 73 0

HSL 36.81, 1%, 0.23%

LAB 35.37, 14.52, 44.69

 

CMYK 0 / 23 / 65 / 26

HEX #BD9242

RGB 189 146 66

HSL 39.02, 0.48%, 0.5%

LAB 63.15, 7.56, 47.49

 

CMYK 0 / 40 / 65 / 26

HEX #BD7142

RGB 189 113 66

HSL 22.93, 0.48%, 0.5%

LAB 55.1, 25.75, 38.36

 

CMYK 0 / 58 / 65 / 26

HEX #BD5042

RGB 189 80 66

HSL 6.83, 0.48%, 0.5%

LAB 48.2, 42.96, 30.12

 

CMYK 0 / 65 / 65 / 26

HEX #BD4242

RGB 189 66 66

HSL 0, 0.48%, 0.5%

LAB 45.78, 49.36, 27.13

 

CMYK 0 / 23 / 65 / 26

HEX #BD9242

RGB 189 146 66

HSL 39.02, 0.48%, 0.5%

LAB 63.15, 7.56, 47.49

 

CMYK 0 / 5 / 65 / 26

HEX #BDB342

RGB 189 179 66

HSL 55.12, 0.48%, 0.5%

LAB 71.86, -10.08, 56.85

 

CMYK 13 / 0 / 65 / 26

HEX #A5BD42

RGB 165 189 66

HSL 71.71, 0.48%, 0.5%

LAB 72.75, -25.2, 57.21

 

CMYK 30 / 0 / 65 / 26

HEX #84BD42

RGB 132 189 66

HSL 87.8, 0.48%, 0.5%

LAB 70.66, -38.1, 54.36

 

CMYK 48 / 0 / 65 / 26

HEX #63BD42

RGB 99 189 66

HSL 103.9, 0.48%, 0.5%

LAB 69.07, -49.22, 52.17

 

CMYK 0 / 23 / 65 / 26

HEX #BD9242

RGB 189 146 66

HSL 39.02, 0.48%, 0.5%

LAB 63.15, 7.56, 47.49

 

CMYK 0 / 27 / 78 / 18

HEX #D1992E

RGB 209 153 46

HSL 39.39, 0.64%, 0.5%

LAB 66.93, 11.48, 60.54

 

CMYK 0 / 31 / 89 / 10

HEX #E69F19

RGB 230 159 25

HSL 39.22, 0.8%, 0.5%

LAB 70.66, 16.78, 70.91

 

CMYK 0 / 34 / 98 / 2

HEX #FBA504

RGB 251 165 4

HSL 39.11, 0.97%, 0.5%

LAB 74.46, 22.29, 77.96

 

CMYK 0 / 23 / 65 / 26

HEX #BD9242

RGB 189 146 66

HSL 39.02, 0.48%, 0.5%

LAB 63.15, 7.56, 47.49

 

CMYK 0 / 17 / 48 / 34

HEX #A88C57

RGB 168 140 87

HSL 39.26, 0.32%, 0.5%

LAB 59.68, 3.48, 32.15

 

CMYK 0 / 9 / 27 / 42

HEX #93866C

RGB 147 134 108

HSL 40, 0.15%, 0.5%

LAB 56.42, 0.6, 15.8

 

CMYK 1 / 1 / 0 / 50

HEX #7F7F80

RGB 127 127 128

HSL 240, 0%, 0.5%

LAB 53.22, 0.2, -0.55

 

CMYK 29 / 19 / 0 / 42

HEX #6A7995

RGB 106 121 149

HSL 219.07, 0.17%, 0.5%

LAB 50.58, 1.24, -16.95

 

CMYK 0 / 57 / 65 / 26

HEX #BD5142

RGB 189 81 66

HSL 7.32, 0.48%, 0.5%

LAB 48.38, 42.47, 30.35

 

CMYK 0 / 40 / 65 / 26

HEX #BD7142

RGB 189 113 66

HSL 22.93, 0.48%, 0.5%

LAB 55.1, 25.75, 38.36

 

CMYK 0 / 23 / 65 / 26

HEX #BD9242

RGB 189 146 66

HSL 39.02, 0.48%, 0.5%

LAB 63.15, 7.56, 47.49

 

CMYK 0 / 5 / 65 / 26

HEX #BDB342

RGB 189 179 66

HSL 55.12, 0.48%, 0.5%

LAB 71.86, -10.08, 56.85

 

CMYK 12 / 0 / 65 / 26

HEX #A6BD42

RGB 166 189 66

HSL 71.22, 0.48%, 0.5%

LAB 72.82, -24.79, 57.31

 

CMYK 0 / 23 / 65 / 50

HEX #80632D

RGB 128 99 45

HSL 39.04, 0.48%, 0.34%

LAB 43.8, 5.26, 34.49

 

CMYK 0 / 22 / 65 / 38

HEX #9E7B38

RGB 158 123 56

HSL 39.41, 0.48%, 0.42%

LAB 53.73, 5.96, 40.95

 

CMYK 0 / 23 / 65 / 26

HEX #BD9242

RGB 189 146 66

HSL 39.02, 0.48%, 0.5%

LAB 63.15, 7.56, 47.49

 

CMYK 0 / 18 / 51 / 22

HEX #C7A461

RGB 199 164 97

HSL 39.41, 0.48%, 0.58%

LAB 69.15, 4.47, 39.35

 

CMYK 0 / 14 / 40 / 18

HEX #D2B57F

RGB 210 181 127

HSL 39.04, 0.48%, 0.66%

LAB 75, 2.95, 31.37

 

CMYK 0 / 22 / 65 / 27

HEX #BB9142

RGB 187 145 66

HSL 39.17, 0.48%, 0.5%

LAB 62.68, 7.23, 46.92

 

CMYK 55 / 0 / 65 / 26

HEX #55BD42

RGB 85 189 66

HSL 110.73, 0.48%, 0.5%

LAB 68.55, -53.18, 51.45

 

CMYK 49 / 65 / 0 / 26

HEX #6142BD

RGB 97 66 189

HSL 255.12, 0.48%, 0.5%

LAB 38.04, 43.5, -60.35

 

CMYK 0 / 22 / 65 / 27

HEX #BB9142

RGB 187 145 66

HSL 39.17, 0.48%, 0.5%

LAB 62.68, 7.23, 46.92

 

CMYK 65 / 0 / 23 / 26

HEX #42BD92

RGB 66 189 146

HSL 159.02, 0.48%, 0.5%

LAB 69.2, -44.22, 11.9

 

CMYK 23 / 65 / 0 / 26

HEX #9242BD

RGB 146 66 189

HSL 279.02, 0.48%, 0.5%

LAB 43.77, 53.88, -50.8

 

CMYK 0 / 22 / 65 / 27

HEX #BB9142

RGB 187 145 66

HSL 39.17, 0.48%, 0.5%

LAB 62.68, 7.23, 46.92

 

CMYK 55 / 0 / 65 / 26

HEX #55BD42

RGB 85 189 66

HSL 110.73, 0.48%, 0.5%

LAB 68.55, -53.18, 51.45

 

CMYK 65 / 42 / 0 / 26

HEX #426DBD

RGB 66 109 189

HSL 219.02, 0.48%, 0.5%

LAB 46.67, 11.03, -46.55

 

CMYK 10 / 65 / 0 / 26

HEX #AA42BD

RGB 170 66 189

HSL 290.73, 0.48%, 0.5%

LAB 47.13, 59.44, -45.25

 

CMYK 0 / 22 / 65 / 27

HEX #BB9142

RGB 187 145 66

HSL 39.17, 0.48%, 0.5%

LAB 62.68, 7.23, 46.92

 

CMYK 65 / 0 / 55 / 26

HEX #42BD55

RGB 66 189 85

HSL 129.27, 0.48%, 0.5%

LAB 68.17, -55.44, 42.28

 

CMYK 65 / 42 / 0 / 26

HEX #426DBD

RGB 66 109 189

HSL 219.02, 0.48%, 0.5%

LAB 46.67, 11.03, -46.55

 

CMYK 0 / 65 / 10 / 26

HEX #BD42AA

RGB 189 66 170

HSL 309.27, 0.48%, 0.5%

LAB 49.03, 60.85, -30.93

 

Description

Color code: HEX #BB9142 | qconv.com Color code: HEX #BB9142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 145 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 145 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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