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Color name
HEX #AA7F2F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7F2F it is the complementary color #5580D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7F2F shade: #AF7F2A, #C0913D, #D1A350, #E2B563 and #F3C776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7F2F shade: #AA7F2F, #996D1C, #885B09, #774900 and #663700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7F2F shade: #AC802F, #AC5F2F, #AC3D2F and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7F2F shade: #AC802F, #ACA22F, #94AC2F, #73AC2F and #51AC2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7F2F shade matches the following richer shades: #AC802F, #BE861D and #D08B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7F2F shade: #AC802F, #9A7B41, #897653, #777064 and #656B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7F2F shade: #AC3E2F, #AC5F2F, #AC802F, #ACA22F and #95AC2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7F2F shade: #6B501D, #8C6826, #AC802F, #C9983B and #D2A95C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7F2F shade: #AA7F2F, #42AC2F and #4E2FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7F2F shade: #AA7F2F, #2FAC80 and #802FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7F2F shade: #AA7F2F, #42AC2F, #2F5BAC and #992FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7F2F shade: #AA7F2F, #2FAC42, #2F5BAC and #AC2F99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

Complementary color

CMYK 59 / 38 / 0 / 18

HEX #5580D0

RGB 85 128 208

HSL 219.02, 0.57%, 0.57%

LAB 53.95, 9.41, -45.8

 

CMYK 0 / 27 / 76 / 31

HEX #AF7F2A

RGB 175 127 42

HSL 38.35, 0.61%, 0.43%

LAB 56.55, 10.57, 50.89

 

CMYK 0 / 24 / 68 / 25

HEX #C0913D

RGB 192 145 61

HSL 38.47, 0.52%, 0.5%

LAB 63.17, 9.11, 49.94

 

CMYK 0 / 22 / 62 / 18

HEX #D1A350

RGB 209 163 80

HSL 38.6, 0.58%, 0.57%

LAB 69.7, 7.89, 48.73

 

CMYK 0 / 20 / 56 / 11

HEX #E2B563

RGB 226 181 99

HSL 38.74, 0.69%, 0.64%

LAB 76.14, 6.84, 47.43

 

CMYK 0 / 18 / 51 / 5

HEX #F3C776

RGB 243 199 118

HSL 38.88, 0.84%, 0.71%

LAB 82.49, 5.94, 46.12

 

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

CMYK 0 / 29 / 82 / 40

HEX #996D1C

RGB 153 109 28

HSL 38.88, 0.69%, 0.35%

LAB 49.24, 10.18, 48.65

 

CMYK 0 / 33 / 93 / 47

HEX #885B09

RGB 136 91 9

HSL 38.74, 0.88%, 0.28%

LAB 42.36, 12.14, 48.02

 

CMYK 0 / 39 / 100 / 53

HEX #774900

RGB 119 73 0

HSL 36.81, 1%, 0.23%

LAB 35.37, 14.52, 44.69

 

CMYK 0 / 46 / 100 / 60

HEX #663700

RGB 102 55 0

HSL 32.35, 1%, 0.2%

LAB 28.27, 17.23, 38.55

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 0 / 45 / 73 / 33

HEX #AC5F2F

RGB 172 95 47

HSL 23.04, 0.57%, 0.43%

LAB 48.46, 27.36, 40.18

 

CMYK 0 / 65 / 73 / 33

HEX #AC3D2F

RGB 172 61 47

HSL 6.72, 0.57%, 0.43%

LAB 41.71, 44.6, 32.71

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 0 / 6 / 73 / 33

HEX #ACA22F

RGB 172 162 47

HSL 55.2, 0.57%, 0.43%

LAB 65.61, -9.63, 57.62

 

CMYK 14 / 0 / 73 / 33

HEX #94AC2F

RGB 148 172 47

HSL 71.52, 0.57%, 0.43%

LAB 66.52, -25.1, 57.86

 

CMYK 33 / 0 / 73 / 33

HEX #73AC2F

RGB 115 172 47

HSL 87.36, 0.57%, 0.43%

LAB 64.45, -38.21, 55.11

 

CMYK 53 / 0 / 73 / 33

HEX #51AC2F

RGB 81 172 47

HSL 103.68, 0.57%, 0.43%

LAB 62.89, -49.47, 53.04

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 0 / 29 / 85 / 25

HEX #BE861D

RGB 190 134 29

HSL 39.13, 0.74%, 0.43%

LAB 59.97, 12.92, 59.34

 

CMYK 0 / 33 / 94 / 18

HEX #D08B0C

RGB 208 139 12

HSL 38.88, 0.89%, 0.43%

LAB 63.26, 17.8, 66.78

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 0 / 20 / 58 / 40

HEX #9A7B41

RGB 154 123 65

HSL 39.1, 0.41%, 0.43%

LAB 53.4, 4.85, 35.86

 

CMYK 0 / 14 / 39 / 46

HEX #897653

RGB 137 118 83

HSL 38.89, 0.25%, 0.43%

LAB 50.57, 2.08, 22.01

 

CMYK 0 / 6 / 16 / 53

HEX #777064

RGB 119 112 100

HSL 37.89, 0.09%, 0.43%

LAB 47.53, 0.5, 7.64

 

CMYK 14 / 9 / 0 / 54

HEX #656B76

RGB 101 107 118

HSL 218.82, 0.08%, 0.43%

LAB 45.07, 0.17, -6.91

 

CMYK 0 / 64 / 73 / 33

HEX #AC3E2F

RGB 172 62 47

HSL 7.2, 0.57%, 0.43%

LAB 41.88, 44.15, 32.91

 

CMYK 0 / 45 / 73 / 33

HEX #AC5F2F

RGB 172 95 47

HSL 23.04, 0.57%, 0.43%

LAB 48.46, 27.36, 40.18

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 0 / 6 / 73 / 33

HEX #ACA22F

RGB 172 162 47

HSL 55.2, 0.57%, 0.43%

LAB 65.61, -9.63, 57.62

 

CMYK 13 / 0 / 73 / 33

HEX #95AC2F

RGB 149 172 47

HSL 71.04, 0.57%, 0.43%

LAB 66.6, -24.68, 57.95

 

CMYK 0 / 25 / 73 / 58

HEX #6B501D

RGB 107 80 29

HSL 39.23, 0.57%, 0.27%

LAB 35.89, 5.52, 33.33

 

CMYK 0 / 26 / 73 / 45

HEX #8C6826

RGB 140 104 38

HSL 38.82, 0.57%, 0.35%

LAB 46.47, 7.49, 41.22

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 0 / 24 / 71 / 21

HEX #C9983B

RGB 201 152 59

HSL 39.3, 0.57%, 0.51%

LAB 65.9, 9.11, 53.99

 

CMYK 0 / 20 / 56 / 18

HEX #D2A95C

RGB 210 169 92

HSL 39.15, 0.57%, 0.59%

LAB 71.45, 5.98, 44.92

 

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

CMYK 62 / 0 / 73 / 33

HEX #42AC2F

RGB 66 172 47

HSL 110.88, 0.57%, 0.43%

LAB 62.4, -53.4, 52.37

 

CMYK 55 / 73 / 0 / 33

HEX #4E2FAC

RGB 78 47 172

HSL 254.88, 0.57%, 0.43%

LAB 30.95, 45.67, -61.93

 

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

CMYK 73 / 0 / 26 / 33

HEX #2FAC80

RGB 47 172 128

HSL 158.88, 0.57%, 0.43%

LAB 63.07, -44.3, 13.06

 

CMYK 26 / 73 / 0 / 33

HEX #802FAC

RGB 128 47 172

HSL 278.88, 0.57%, 0.43%

LAB 37.12, 54.77, -51.62

 

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

CMYK 62 / 0 / 73 / 33

HEX #42AC2F

RGB 66 172 47

HSL 110.88, 0.57%, 0.43%

LAB 62.4, -53.4, 52.37

 

CMYK 73 / 47 / 0 / 33

HEX #2F5BAC

RGB 47 91 172

HSL 218.88, 0.57%, 0.43%

LAB 39.69, 13.27, -47.83

 

CMYK 11 / 73 / 0 / 33

HEX #992FAC

RGB 153 47 172

HSL 290.88, 0.57%, 0.43%

LAB 40.87, 59.99, -45.38

 

CMYK 0 / 25 / 72 / 33

HEX #AA7F2F

RGB 170 127 47

HSL 39.02, 0.57%, 0.43%

LAB 56.02, 8.57, 48.03

 

CMYK 73 / 0 / 62 / 33

HEX #2FAC42

RGB 47 172 66

HSL 129.12, 0.57%, 0.43%

LAB 62.09, -55.37, 43.94

 

CMYK 73 / 47 / 0 / 33

HEX #2F5BAC

RGB 47 91 172

HSL 218.88, 0.57%, 0.43%

LAB 39.69, 13.27, -47.83

 

CMYK 0 / 73 / 11 / 33

HEX #AC2F99

RGB 172 47 153

HSL 309.12, 0.57%, 0.43%

LAB 42.92, 61.1, -30.57

 

Description

Color code: HEX #AA7F2F | qconv.com Color code: HEX #AA7F2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 127 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 127 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 72% 33% C M Y K

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Provide designers and agencies with accurate color values.

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