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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB84B5 it is the complementary color #447B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB84B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BB84B5: #C084B0, #D196C3, #E2A8D6, #F3BAE9 and #FFCCFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB84B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BB84B5: #BB84B5, #AA72A2, #99608F, #884E7C and #773C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

Complementary color

CMYK 45 / 0 / 40 / 52

HEX #447B4A

RGB 68 123 74

HSL 126.55, 0.29%, 0.37%

LAB 46.83, -29.37, 21.26

 

CMYK 0 / 31 / 8 / 25

HEX #C084B0

RGB 192 132 176

HSL 316, 0.32%, 0.64%

LAB 62.38, 29.95, -13.88

 

CMYK 0 / 28 / 7 / 18

HEX #D196C3

RGB 209 150 195

HSL 314.24, 0.39%, 0.7%

LAB 68.97, 29.26, -14.43

 

CMYK 0 / 26 / 5 / 11

HEX #E2A8D6

RGB 226 168 214

HSL 312.41, 0.5%, 0.77%

LAB 75.47, 28.62, -14.95

 

CMYK 0 / 23 / 4 / 5

HEX #F3BAE9

RGB 243 186 233

HSL 310.53, 0.7%, 0.84%

LAB 81.87, 28.02, -15.44

 

CMYK 0 / 20 / 1 / 0

HEX #FFCCFC

RGB 255 204 252

HSL 303.53, 1%, 0.9%

LAB 87.71, 25.83, -16.65

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 0 / 33 / 5 / 33

HEX #AA72A2

RGB 170 114 162

HSL 308.57, 0.25%, 0.56%

LAB 55.27, 29.87, -16.85

 

CMYK 0 / 37 / 7 / 40

HEX #99608F

RGB 153 96 143

HSL 310.53, 0.23%, 0.49%

LAB 48.41, 30.64, -16.3

 

CMYK 0 / 43 / 9 / 47

HEX #884E7C

RGB 136 78 124

HSL 312.41, 0.27%, 0.42%

LAB 41.44, 31.45, -15.68

 

CMYK 0 / 50 / 12 / 53

HEX #773C69

RGB 119 60 105

HSL 314.24, 0.33%, 0.35%

LAB 34.34, 32.25, -14.92

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 0 / 29 / 8 / 26

HEX #BC85AD

RGB 188 133 173

HSL 316.36, 0.29%, 0.63%

LAB 62.07, 27.49, -12.68

 

CMYK 0 / 29 / 13 / 26

HEX #BC85A4

RGB 188 133 164

HSL 326.18, 0.29%, 0.63%

LAB 61.78, 25.92, -8

 

CMYK 0 / 29 / 18 / 26

HEX #BC859B

RGB 188 133 155

HSL 336, 0.29%, 0.63%

LAB 61.51, 24.43, -3.26

 

CMYK 0 / 29 / 22 / 26

HEX #BC8592

RGB 188 133 146

HSL 345.82, 0.29%, 0.63%

LAB 61.26, 23.02, 1.51

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 0 / 29 / 3 / 7

HEX #EEA8E6

RGB 238 168 230

HSL 306.86, 0.67%, 0.8%

LAB 77.22, 35.4, -20.89

 

CMYK 0 / 29 / 3 / 87

HEX #221821

RGB 34 24 33

HSL 306, 0.17%, 0.11%

LAB 9.82, 7.06, -4.31

 

CMYK 0 / 29 / 4 / 67

HEX #553C52

RGB 85 60 82

HSL 307.2, 0.17%, 0.28%

LAB 28.83, 15.2, -8.96

 

CMYK 0 / 29 / 3 / 47

HEX #886084

RGB 136 96 132

HSL 306, 0.17%, 0.45%

LAB 46, 22.55, -13.59

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 0 / 21 / 29 / 26

HEX #BC9585

RGB 188 149 133

HSL 17.45, 0.29%, 0.63%

LAB 64.87, 12.26, 14.01

 

CMYK 29 / 0 / 9 / 26

HEX #85BCAB

RGB 133 188 171

HSL 161.45, 0.29%, 0.63%

LAB 72.16, -21.58, 2.85

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 3 / 0 / 29 / 26

HEX #B6BC85

RGB 182 188 133

HSL 66.55, 0.29%, 0.63%

LAB 74.58, -11.06, 27.2

 

CMYK 29 / 3 / 0 / 26

HEX #85B6BC

RGB 133 182 188

HSL 186.55, 0.29%, 0.63%

LAB 70.92, -14.66, -8.28

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 0 / 21 / 29 / 26

HEX #BC9585

RGB 188 149 133

HSL 17.45, 0.29%, 0.63%

LAB 64.87, 12.26, 14.01

 

CMYK 29 / 0 / 27 / 26

HEX #85BC8A

RGB 133 188 138

HSL 125.45, 0.29%, 0.63%

LAB 71.41, -28.06, 19.7

 

CMYK 29 / 9 / 0 / 26

HEX #85ABBC

RGB 133 171 188

HSL 198.55, 0.29%, 0.63%

LAB 67.83, -8.81, -12.9

 

CMYK 0 / 29 / 3 / 27

HEX #BB84B5

RGB 187 132 181

HSL 306.55, 0.29%, 0.63%

LAB 62, 29.15, -17.34

 

CMYK 0 / 12 / 29 / 26

HEX #BCA685

RGB 188 166 133

HSL 36, 0.29%, 0.63%

LAB 69.22, 2.95, 20.04

 

CMYK 29 / 0 / 27 / 26

HEX #85BC8A

RGB 133 188 138

HSL 125.45, 0.29%, 0.63%

LAB 71.41, -28.06, 19.7

 

CMYK 29 / 18 / 0 / 26

HEX #859BBC

RGB 133 155 188

HSL 216, 0.29%, 0.63%

LAB 63.39, -0, -19.61

 

Description

Color code: HEX #BB84B5 | qconv.com Color code: HEX #BB84B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 132 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 132 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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