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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB4F7E it is the complementary color #44B081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB4F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BB4F7E: #C04F79, #D1618C, #E2739F, #F385B2 and #FF97C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB4F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BB4F7E: #BB4F7E, #AA3D6B, #992B58, #881945 and #770732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

Complementary color

CMYK 61 / 0 / 27 / 31

HEX #44B081

RGB 68 176 129

HSL 153.89, 0.44%, 0.48%

LAB 64.85, -42.12, 15.08

 

CMYK 0 / 59 / 37 / 25

HEX #C04F79

RGB 192 79 121

HSL 337.7, 0.47%, 0.53%

LAB 49.71, 49.39, -0.62

 

CMYK 0 / 54 / 33 / 18

HEX #D1618C

RGB 209 97 140

HSL 336.96, 0.55%, 0.6%

LAB 56.09, 48.7, -2.26

 

CMYK 0 / 49 / 30 / 11

HEX #E2739F

RGB 226 115 159

HSL 336.22, 0.66%, 0.67%

LAB 62.45, 47.91, -3.63

 

CMYK 0 / 45 / 27 / 5

HEX #F385B2

RGB 243 133 178

HSL 335.45, 0.82%, 0.74%

LAB 68.78, 47.09, -4.8

 

CMYK 0 / 41 / 23 / 0

HEX #FF97C5

RGB 255 151 197

HSL 333.46, 1%, 0.8%

LAB 74.46, 44.61, -6.8

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 0 / 64 / 37 / 33

HEX #AA3D6B

RGB 170 61 107

HSL 334.68, 0.47%, 0.45%

LAB 42.68, 48.86, -2.82

 

CMYK 0 / 72 / 42 / 40

HEX #992B58

RGB 153 43 88

HSL 335.45, 0.56%, 0.38%

LAB 36.38, 48.95, -0.47

 

CMYK 0 / 82 / 49 / 47

HEX #881945

RGB 136 25 69

HSL 336.22, 0.69%, 0.32%

LAB 30.3, 48.26, 2.69

 

CMYK 0 / 94 / 58 / 53

HEX #770732

RGB 119 7 50

HSL 336.96, 0.89%, 0.25%

LAB 24.65, 46.24, 7.03

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 0 / 58 / 41 / 27

HEX #BA4E6D

RGB 186 78 109

HSL 342.78, 0.44%, 0.52%

LAB 48.25, 46.53, 4.38

 

CMYK 0 / 58 / 51 / 27

HEX #BA4E5B

RGB 186 78 91

HSL 352.78, 0.44%, 0.52%

LAB 47.81, 44.74, 14.66

 

CMYK 0 / 55 / 58 / 27

HEX #BA544E

RGB 186 84 78

HSL 3.33, 0.44%, 0.52%

LAB 48.67, 40.72, 23.6

 

CMYK 0 / 45 / 58 / 27

HEX #BA664E

RGB 186 102 78

HSL 13.33, 0.44%, 0.52%

LAB 52.39, 31.35, 28.36

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 0 / 58 / 33 / 7

HEX #EE65A0

RGB 238 101 160

HSL 334.16, 0.8%, 0.66%

LAB 61.67, 58.5, -5.16

 

CMYK 0 / 59 / 32 / 87

HEX #220E17

RGB 34 14 23

HSL 333, 0.42%, 0.09%

LAB 6.47, 11.66, -1.69

 

CMYK 0 / 58 / 33 / 67

HEX #552439

RGB 85 36 57

HSL 334.29, 0.4%, 0.24%

LAB 21.9, 25.41, -2.62

 

CMYK 0 / 58 / 32 / 47

HEX #88395C

RGB 136 57 92

HSL 333.42, 0.41%, 0.38%

LAB 35.86, 37.67, -4.12

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 0 / 15 / 58 / 27

HEX #BA9F4E

RGB 186 159 78

HSL 45, 0.44%, 0.52%

LAB 66.36, 0.03, 45.25

 

CMYK 58 / 9 / 0 / 27

HEX #4EAABA

RGB 78 170 186

HSL 188.89, 0.44%, 0.52%

LAB 64.89, -22.54, -16.47

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 32 / 0 / 58 / 27

HEX #7FBA4E

RGB 127 186 78

HSL 92.78, 0.44%, 0.52%

LAB 69.6, -37.51, 47.84

 

CMYK 58 / 32 / 0 / 27

HEX #4E7FBA

RGB 78 127 186

HSL 212.78, 0.44%, 0.52%

LAB 52.22, 1.3, -36

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 0 / 15 / 58 / 27

HEX #BA9F4E

RGB 186 159 78

HSL 45, 0.44%, 0.52%

LAB 66.36, 0.03, 45.25

 

CMYK 58 / 0 / 26 / 27

HEX #4EBA89

RGB 78 186 137

HSL 152.78, 0.44%, 0.52%

LAB 68.42, -42.6, 15.73

 

CMYK 58 / 44 / 0 / 27

HEX #4E69BA

RGB 78 105 186

HSL 225, 0.44%, 0.52%

LAB 46, 14.79, -45.85

 

CMYK 0 / 58 / 33 / 27

HEX #BB4F7E

RGB 187 79 126

HSL 333.89, 0.44%, 0.52%

LAB 49.08, 48.37, -4.65

 

CMYK 3 / 0 / 58 / 27

HEX #B5BA4E

RGB 181 186 78

HSL 62.78, 0.44%, 0.52%

LAB 73.21, -16.23, 52.91

 

CMYK 58 / 0 / 26 / 27

HEX #4EBA89

RGB 78 186 137

HSL 152.78, 0.44%, 0.52%

LAB 68.42, -42.6, 15.73

 

CMYK 55 / 58 / 0 / 27

HEX #544EBA

RGB 84 78 186

HSL 243.33, 0.44%, 0.52%

LAB 39.38, 32.97, -56.48

 

Description

Color code: HEX #BB4F7E | qconv.com Color code: HEX #BB4F7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 79 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 79 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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