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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE348 it is the complementary color #451CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE348 shade: #BFE343, #D0F556, #E1FF69, #F2FF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE348 shade: #BAE348, #A9D135, #98BF22, #87AD0F and #769B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE348 shade: #BAE34A, #E3E24A, #E3B94A, #E3904A and #E3664A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE348 shade: #BAE34A, #91E34A, #68E34A, #4AE355 and #4AE37F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE348 shade matches the following richer shades: #BAE34A and #C2F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE348 shade: #BAE34A, #B2D25B, #AAC16C, #A2B07D and #9B9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE348 shade: #E3B84A, #E3E04A, #BDE34A, #94E34A and #6BE34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE348 shade: #93BD1D, #ADDD26, #BAE34A, #C8E86E and #D5EE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE348 shade: #BAE348, #4AE38F and #CC4AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE348 shade: #BAE348, #4ABDE3 and #E34ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE348 shade: #BAE348, #4AE38F, #704AE3 and #E34A9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE348 shade: #BAE348, #4AE3BD, #704AE3 and #E34A70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 68 / 11

HEX #BAE348

RGB 186 227 72

HSL 75.87, 0.73%, 0.59%

LAB 84.92, -34.37, 67.88

 

Complementary color

CMYK 62 / 85 / 0 / 28

HEX #451CB7

RGB 69 28 183

HSL 255.87, 0.73%, 0.41%

LAB 28.15, 56.39, -73.14

 

CMYK 16 / 0 / 70 / 11

HEX #BFE343

RGB 191 227 67

HSL 73.5, 0.74%, 0.58%

LAB 85.21, -32.71, 70.08

 

CMYK 15 / 0 / 65 / 4

HEX #D0F556

RGB 208 245 86

HSL 73.96, 0.89%, 0.65%

LAB 91.41, -33.23, 69.73

 

CMYK 12 / 0 / 59 / 0

HEX #E1FF69

RGB 225 255 105

HSL 72, 1%, 0.71%

LAB 95.39, -29.98, 66.71

 

CMYK 5 / 0 / 51 / 0

HEX #F2FF7C

RGB 242 255 124

HSL 65.95, 1%, 0.74%

LAB 96.76, -21.92, 60.35

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 18 / 0 / 68 / 11

HEX #BAE348

RGB 186 227 72

HSL 75.87, 0.73%, 0.59%

LAB 84.92, -34.37, 67.88

 

CMYK 19 / 0 / 75 / 18

HEX #A9D135

RGB 169 209 53

HSL 75.38, 0.63%, 0.51%

LAB 78.63, -33.81, 67.94

 

CMYK 20 / 0 / 82 / 25

HEX #98BF22

RGB 152 191 34

HSL 74.9, 0.7%, 0.44%

LAB 72.26, -33.09, 67.25

 

CMYK 22 / 0 / 91 / 32

HEX #87AD0F

RGB 135 173 15

HSL 74.43, 0.84%, 0.37%

LAB 65.81, -32.16, 65.35

 

CMYK 24 / 0 / 100 / 39

HEX #769B00

RGB 118 155 0

HSL 74.32, 1%, 0.3%

LAB 59.25, -31, 61.85

 

CMYK 18 / 0 / 67 / 11

HEX #BAE34A

RGB 186 227 74

HSL 76.08, 0.73%, 0.59%

LAB 84.93, -34.25, 67.15

 

CMYK 0 / 0 / 67 / 11

HEX #E3E24A

RGB 227 226 74

HSL 59.61, 0.73%, 0.59%

LAB 87.59, -17.33, 70.79

 

CMYK 0 / 19 / 67 / 11

HEX #E3B94A

RGB 227 185 74

HSL 43.53, 0.73%, 0.59%

LAB 76.99, 3.5, 59.94

 

CMYK 0 / 37 / 67 / 11

HEX #E3904A

RGB 227 144 74

HSL 27.45, 0.73%, 0.59%

LAB 67.11, 25.29, 49.25

 

CMYK 0 / 55 / 67 / 11

HEX #E3664A

RGB 227 102 74

HSL 10.98, 0.73%, 0.59%

LAB 58.35, 46.8, 39.25

 

CMYK 18 / 0 / 67 / 11

HEX #BAE34A

RGB 186 227 74

HSL 76.08, 0.73%, 0.59%

LAB 84.93, -34.25, 67.15

 

CMYK 36 / 0 / 67 / 11

HEX #91E34A

RGB 145 227 74

HSL 92.16, 0.73%, 0.59%

LAB 82.62, -49.21, 64.03

 

CMYK 54 / 0 / 67 / 11

HEX #68E34A

RGB 104 227 74

HSL 108.24, 0.73%, 0.59%

LAB 80.95, -61.5, 61.76

 

CMYK 67 / 0 / 63 / 11

HEX #4AE355

RGB 74 227 85

HSL 124.31, 0.73%, 0.59%

LAB 80.21, -67.1, 56.27

 

CMYK 67 / 0 / 44 / 11

HEX #4AE37F

RGB 74 227 127

HSL 140.78, 0.73%, 0.59%

LAB 80.7, -61.43, 37.36

 

CMYK 18 / 0 / 67 / 11

HEX #BAE34A

RGB 186 227 74

HSL 76.08, 0.73%, 0.59%

LAB 84.93, -34.25, 67.15

 

CMYK 20 / 0 / 77 / 4

HEX #C2F439

RGB 194 244 57

HSL 76.04, 0.89%, 0.59%

LAB 90.08, -39.71, 77.98

 

CMYK 18 / 0 / 67 / 11

HEX #BAE34A

RGB 186 227 74

HSL 76.08, 0.73%, 0.59%

LAB 84.93, -34.25, 67.15

 

CMYK 15 / 0 / 57 / 18

HEX #B2D25B

RGB 178 210 91

HSL 76.13, 0.57%, 0.59%

LAB 79.79, -28.18, 54.41

 

CMYK 12 / 0 / 44 / 24

HEX #AAC16C

RGB 170 193 108

HSL 76.24, 0.41%, 0.59%

LAB 74.68, -21.37, 40.09

 

CMYK 8 / 0 / 29 / 31

HEX #A2B07D

RGB 162 176 125

HSL 76.47, 0.24%, 0.59%

LAB 69.62, -13.68, 24.56

 

CMYK 3 / 0 / 11 / 38

HEX #9B9F8E

RGB 155 159 142

HSL 74.12, 0.08%, 0.59%

LAB 64.74, -4.58, 8.38

 

CMYK 0 / 19 / 67 / 11

HEX #E3B84A

RGB 227 184 74

HSL 43.14, 0.73%, 0.59%

LAB 76.74, 4.02, 59.67

 

CMYK 0 / 1 / 67 / 11

HEX #E3E04A

RGB 227 224 74

HSL 58.82, 0.73%, 0.59%

LAB 87.06, -16.35, 70.26

 

CMYK 17 / 0 / 67 / 11

HEX #BDE34A

RGB 189 227 74

HSL 74.9, 0.73%, 0.59%

LAB 85.12, -33.09, 67.41

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 53 / 0 / 67 / 11

HEX #6BE34A

RGB 107 227 74

HSL 107.06, 0.73%, 0.59%

LAB 81.05, -60.72, 61.9

 

CMYK 22 / 0 / 85 / 26

HEX #93BD1D

RGB 147 189 29

HSL 75.75, 0.73%, 0.43%

LAB 71.34, -34.34, 67.54

 

CMYK 22 / 0 / 83 / 13

HEX #ADDD26

RGB 173 221 38

HSL 75.74, 0.73%, 0.51%

LAB 82.24, -38.29, 75.48

 

CMYK 18 / 0 / 67 / 11

HEX #BAE34A

RGB 186 227 74

HSL 76.08, 0.73%, 0.59%

LAB 84.93, -34.25, 67.15

 

CMYK 14 / 0 / 53 / 9

HEX #C8E86E

RGB 200 232 110

HSL 75.74, 0.73%, 0.67%

LAB 87.54, -28.41, 55.15

 

CMYK 11 / 0 / 39 / 7

HEX #D5EE92

RGB 213 238 146

HSL 76.3, 0.73%, 0.75%

LAB 90.49, -22.6, 41.82

 

CMYK 18 / 0 / 68 / 11

HEX #BAE348

RGB 186 227 72

HSL 75.87, 0.73%, 0.59%

LAB 84.92, -34.37, 67.88

 

CMYK 67 / 0 / 37 / 11

HEX #4AE38F

RGB 74 227 143

HSL 147.06, 0.73%, 0.59%

LAB 80.95, -58.64, 29.63

 

CMYK 10 / 67 / 0 / 11

HEX #CC4AE3

RGB 204 74 227

HSL 290.98, 0.73%, 0.59%

LAB 55.36, 70.86, -53.59

 

CMYK 18 / 0 / 68 / 11

HEX #BAE348

RGB 186 227 72

HSL 75.87, 0.73%, 0.59%

LAB 84.92, -34.37, 67.88

 

CMYK 67 / 17 / 0 / 11

HEX #4ABDE3

RGB 74 189 227

HSL 194.9, 0.73%, 0.59%

LAB 71.82, -20.55, -28.46

 

CMYK 0 / 67 / 17 / 11

HEX #E34ABD

RGB 227 74 189

HSL 314.9, 0.73%, 0.59%

LAB 56.98, 70.19, -29.16

 

CMYK 18 / 0 / 68 / 11

HEX #BAE348

RGB 186 227 72

HSL 75.87, 0.73%, 0.59%

LAB 84.92, -34.37, 67.88

 

CMYK 67 / 0 / 37 / 11

HEX #4AE38F

RGB 74 227 143

HSL 147.06, 0.73%, 0.59%

LAB 80.95, -58.64, 29.63

 

CMYK 51 / 67 / 0 / 11

HEX #704AE3

RGB 112 74 227

HSL 254.9, 0.73%, 0.59%

LAB 44.07, 52.63, -72.38

 

CMYK 0 / 67 / 30 / 11

HEX #E34A9E

RGB 227 74 158

HSL 327.06, 0.73%, 0.59%

LAB 55.78, 66.21, -12.98

 

CMYK 18 / 0 / 68 / 11

HEX #BAE348

RGB 186 227 72

HSL 75.87, 0.73%, 0.59%

LAB 84.92, -34.37, 67.88

 

CMYK 67 / 0 / 17 / 11

HEX #4AE3BD

RGB 74 227 189

HSL 165.1, 0.73%, 0.59%

LAB 81.88, -48.82, 6.94

 

CMYK 51 / 67 / 0 / 11

HEX #704AE3

RGB 112 74 227

HSL 254.9, 0.73%, 0.59%

LAB 44.07, 52.63, -72.38

 

CMYK 0 / 67 / 51 / 11

HEX #E34A70

RGB 227 74 112

HSL 345.1, 0.73%, 0.59%

LAB 54.45, 61.6, 12.31

 

Description

Color code: HEX #BAE348 | qconv.com Color code: HEX #BAE348 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 227 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 227 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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