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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94E34A it is the complementary color #6B1CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94E34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94E34A shade: #99E345, #AAF558, #BBFF6B, #CCFF7E and #DDFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94E34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94E34A shade: #94E34A, #83D137, #72BF24, #61AD11 and #509B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94E34A shade: #94E34A, #BDE34A, #E3DF4A, #E3B64A and #E38D4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94E34A shade: #94E34A, #6BE34A, #4AE353, #4AE37C and #4AE3A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94E34A shade matches the following richer shades: #94E34A and #93F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94E34A shade: #94E34A, #95D25B, #95C16C, #96B07D and #969F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94E34A shade: #E3DE4A, #BFE34A, #96E34A, #6EE34A and #4AE34F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94E34A shade: #6BBD1D, #7FDD26, #94E34A, #A9E86E and #BEEE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94E34A shade: #94E34A, #4AE3B5 and #E34AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94E34A shade: #94E34A, #4A96E3 and #E34A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94E34A shade: #94E34A, #4AE3B5, #964AE3 and #E34A78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94E34A shade: #94E34A, #4AE3E3, #964AE3 and #E34A4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

Complementary color

CMYK 41 / 85 / 0 / 29

HEX #6B1CB5

RGB 107 28 181

HSL 270.98, 0.73%, 0.41%

LAB 32.46, 60.22, -64.69

 

CMYK 33 / 0 / 70 / 11

HEX #99E345

RGB 153 227 69

HSL 88.1, 0.74%, 0.58%

LAB 82.99, -46.8, 66.4

 

CMYK 31 / 0 / 64 / 4

HEX #AAF558

RGB 170 245 88

HSL 88.66, 0.89%, 0.65%

LAB 89.18, -47.1, 65.92

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6B

RGB 187 255 107

HSL 87.57, 1%, 0.71%

LAB 93.08, -43.87, 62.64

 

CMYK 20 / 0 / 51 / 0

HEX #CCFF7E

RGB 204 255 126

HSL 83.72, 1%, 0.75%

LAB 94.25, -36.01, 55.86

 

CMYK 13 / 0 / 43 / 0

HEX #DDFF91

RGB 221 255 145

HSL 78.55, 1%, 0.78%

LAB 95.55, -27.82, 48.82

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 37 / 0 / 74 / 18

HEX #83D137

RGB 131 209 55

HSL 90.39, 0.63%, 0.52%

LAB 76.5, -47.81, 64.48

 

CMYK 40 / 0 / 81 / 25

HEX #72BF24

RGB 114 191 36

HSL 89.81, 0.68%, 0.45%

LAB 70.15, -47.24, 64.04

 

CMYK 44 / 0 / 90 / 32

HEX #61AD11

RGB 97 173 17

HSL 89.23, 0.82%, 0.37%

LAB 63.73, -46.39, 62.45

 

CMYK 48 / 0 / 100 / 39

HEX #509B00

RGB 80 155 0

HSL 89.03, 1%, 0.3%

LAB 57.22, -45.22, 59.41

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 17 / 0 / 67 / 11

HEX #BDE34A

RGB 189 227 74

HSL 74.9, 0.73%, 0.59%

LAB 85.12, -33.09, 67.41

 

CMYK 0 / 2 / 67 / 11

HEX #E3DF4A

RGB 227 223 74

HSL 58.43, 0.73%, 0.59%

LAB 86.8, -15.86, 70

 

CMYK 0 / 20 / 67 / 11

HEX #E3B64A

RGB 227 182 74

HSL 42.35, 0.73%, 0.59%

LAB 76.24, 5.07, 59.14

 

CMYK 0 / 38 / 67 / 11

HEX #E38D4A

RGB 227 141 74

HSL 26.27, 0.73%, 0.59%

LAB 66.42, 26.88, 48.5

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 53 / 0 / 67 / 11

HEX #6BE34A

RGB 107 227 74

HSL 107.06, 0.73%, 0.59%

LAB 81.05, -60.72, 61.9

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 67 / 0 / 45 / 11

HEX #4AE37C

RGB 74 227 124

HSL 139.61, 0.73%, 0.59%

LAB 80.65, -61.92, 38.79

 

CMYK 67 / 0 / 27 / 11

HEX #4AE3A5

RGB 74 227 165

HSL 155.69, 0.73%, 0.59%

LAB 81.35, -54.26, 18.82

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 40 / 0 / 77 / 4

HEX #93F439

RGB 147 244 57

HSL 91.12, 0.89%, 0.59%

LAB 87.58, -56.42, 74.76

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 29 / 0 / 57 / 18

HEX #95D25B

RGB 149 210 91

HSL 90.76, 0.57%, 0.59%

LAB 78.02, -39.08, 51.91

 

CMYK 23 / 0 / 44 / 24

HEX #95C16C

RGB 149 193 108

HSL 91.06, 0.41%, 0.59%

LAB 73.29, -29.35, 38.05

 

CMYK 15 / 0 / 29 / 31

HEX #96B07D

RGB 150 176 125

HSL 90.59, 0.24%, 0.59%

LAB 68.76, -18.23, 23.26

 

CMYK 6 / 0 / 11 / 38

HEX #969F8E

RGB 150 159 142

HSL 91.76, 0.08%, 0.59%

LAB 64.35, -6.44, 7.77

 

CMYK 0 / 2 / 67 / 11

HEX #E3DE4A

RGB 227 222 74

HSL 58.04, 0.73%, 0.59%

LAB 86.54, -15.36, 69.74

 

CMYK 16 / 0 / 67 / 11

HEX #BFE34A

RGB 191 227 74

HSL 74.12, 0.73%, 0.59%

LAB 85.26, -32.3, 67.58

 

CMYK 34 / 0 / 67 / 11

HEX #96E34A

RGB 150 227 74

HSL 90.2, 0.73%, 0.59%

LAB 82.87, -47.5, 64.37

 

CMYK 52 / 0 / 67 / 11

HEX #6EE34A

RGB 110 227 74

HSL 105.88, 0.73%, 0.59%

LAB 81.15, -59.92, 62.04

 

CMYK 67 / 0 / 65 / 11

HEX #4AE34F

RGB 74 227 79

HSL 121.96, 0.73%, 0.59%

LAB 80.16, -67.71, 58.69

 

CMYK 43 / 0 / 85 / 26

HEX #6BBD1D

RGB 107 189 29

HSL 90.75, 0.73%, 0.43%

LAB 69.19, -49.07, 64.83

 

CMYK 43 / 0 / 83 / 13

HEX #7FDD26

RGB 127 221 38

HSL 90.82, 0.73%, 0.51%

LAB 79.82, -54.78, 72.43

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 27 / 0 / 53 / 9

HEX #A9E86E

RGB 169 232 110

HSL 90.98, 0.73%, 0.67%

LAB 85.64, -39.85, 52.44

 

CMYK 20 / 0 / 39 / 7

HEX #BEEE92

RGB 190 238 146

HSL 91.3, 0.73%, 0.75%

LAB 89, -30.96, 39.61

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 67 / 0 / 20 / 11

HEX #4AE3B5

RGB 74 227 181

HSL 161.96, 0.73%, 0.59%

LAB 81.69, -50.7, 10.9

 

CMYK 0 / 67 / 7 / 11

HEX #E34AD4

RGB 227 74 212

HSL 305.88, 0.73%, 0.59%

LAB 58.02, 73.54, -40.68

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 67 / 34 / 0 / 11

HEX #4A96E3

RGB 74 150 227

HSL 210.2, 0.73%, 0.59%

LAB 60.62, 0.83, -45.92

 

CMYK 0 / 67 / 34 / 11

HEX #E34A96

RGB 227 74 150

HSL 330.2, 0.73%, 0.59%

LAB 55.51, 65.3, -8.68

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 67 / 0 / 20 / 11

HEX #4AE3B5

RGB 74 227 181

HSL 161.96, 0.73%, 0.59%

LAB 81.69, -50.7, 10.9

 

CMYK 34 / 67 / 0 / 11

HEX #964AE3

RGB 150 74 227

HSL 269.8, 0.73%, 0.59%

LAB 48.17, 59.6, -65.54

 

CMYK 0 / 67 / 47 / 11

HEX #E34A78

RGB 227 74 120

HSL 341.96, 0.73%, 0.59%

LAB 54.64, 62.29, 7.82

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 67 / 0 / 0 / 11

HEX #4AE3E3

RGB 74 227 227

HSL 180, 0.73%, 0.59%

LAB 82.88, -38.96, -11.7

 

CMYK 34 / 67 / 0 / 11

HEX #964AE3

RGB 150 74 227

HSL 269.8, 0.73%, 0.59%

LAB 48.17, 59.6, -65.54

 

CMYK 0 / 67 / 67 / 11

HEX #E34A4A

RGB 227 74 74

HSL 0, 0.73%, 0.59%

LAB 53.73, 59.05, 33.73

 

Description

Color code: HEX #94E34A | qconv.com Color code: HEX #94E34A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 227 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 227 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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