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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE353 it is the complementary color #B51CAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE353. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE353 shade: #4FE34E, #60F561, #71FF74, #82FF87 and #93FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE353. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE353 shade: #4AE353, #39D140, #28BF2D, #17AD1A and #069B07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE353 shade: #4AE353, #6AE34A, #93E34A, #BDE34A and #E3E04A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE353 shade: #4AE353, #4AE37C, #4AE3A5, #4AE3CF and #4ACEE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE353 shade matches the following richer shades: #4AE353 and #39F444

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE353 shade: #4AE353, #5BD262, #6CC171, #7DB080 and #8E9F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE353 shade: #94E34A, #6BE34A, #4AE352, #4AE37A and #4AE3A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE353 shade: #1DBD27, #26DD31, #4AE353, #6EE875 and #92EE97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE353 shade: #4AE353, #4ABDE3 and #E34A80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE353 shade: #4AE353, #524AE3 and #E3524A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE353 shade: #4AE353, #4ABDE3, #E34ADB and #E3704A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE353 shade: #4AE353, #4A8FE3, #E34ADB and #E39E4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

Complementary color

CMYK 0 / 85 / 5 / 29

HEX #B51CAC

RGB 181 28 172

HSL 303.53, 0.73%, 0.41%

LAB 43.7, 71.01, -40.59

 

CMYK 65 / 0 / 66 / 11

HEX #4FE34E

RGB 79 227 78

HSL 119.6, 0.73%, 0.6%

LAB 80.26, -66.85, 59.24

 

CMYK 61 / 0 / 60 / 4

HEX #60F561

RGB 96 245 97

HSL 120.4, 0.88%, 0.67%

LAB 86.33, -67.54, 58.24

 

CMYK 56 / 0 / 55 / 0

HEX #71FF74

RGB 113 255 116

HSL 121.27, 1%, 0.72%

LAB 89.99, -65.1, 54.31

 

CMYK 49 / 0 / 47 / 0

HEX #82FF87

RGB 130 255 135

HSL 122.4, 1%, 0.75%

LAB 90.79, -58.45, 46.62

 

CMYK 42 / 0 / 40 / 0

HEX #93FF9A

RGB 147 255 154

HSL 123.89, 1%, 0.79%

LAB 91.71, -51.11, 38.75

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 73 / 0 / 69 / 18

HEX #39D140

RGB 57 209 64

HSL 122.76, 0.62%, 0.52%

LAB 74.09, -66.2, 57.99

 

CMYK 79 / 0 / 76 / 25

HEX #28BF2D

RGB 40 191 45

HSL 121.99, 0.65%, 0.45%

LAB 67.95, -64.55, 58.45

 

CMYK 87 / 0 / 85 / 32

HEX #17AD1A

RGB 23 173 26

HSL 121.2, 0.77%, 0.38%

LAB 61.78, -62.18, 58.08

 

CMYK 96 / 0 / 95 / 39

HEX #069B07

RGB 6 155 7

HSL 120.4, 0.93%, 0.32%

LAB 55.58, -58.86, 56.31

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 53 / 0 / 67 / 11

HEX #6AE34A

RGB 106 227 74

HSL 107.45, 0.73%, 0.59%

LAB 81.01, -60.98, 61.85

 

CMYK 35 / 0 / 67 / 11

HEX #93E34A

RGB 147 227 74

HSL 91.37, 0.73%, 0.59%

LAB 82.72, -48.53, 64.17

 

CMYK 17 / 0 / 67 / 11

HEX #BDE34A

RGB 189 227 74

HSL 74.9, 0.73%, 0.59%

LAB 85.12, -33.09, 67.41

 

CMYK 0 / 1 / 67 / 11

HEX #E3E04A

RGB 227 224 74

HSL 58.82, 0.73%, 0.59%

LAB 87.06, -16.35, 70.26

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 67 / 0 / 45 / 11

HEX #4AE37C

RGB 74 227 124

HSL 139.61, 0.73%, 0.59%

LAB 80.65, -61.92, 38.79

 

CMYK 67 / 0 / 27 / 11

HEX #4AE3A5

RGB 74 227 165

HSL 155.69, 0.73%, 0.59%

LAB 81.35, -54.26, 18.82

 

CMYK 67 / 0 / 9 / 11

HEX #4AE3CF

RGB 74 227 207

HSL 172.16, 0.73%, 0.59%

LAB 82.32, -44.32, -1.93

 

CMYK 67 / 9 / 0 / 11

HEX #4ACEE3

RGB 74 206 227

HSL 188.24, 0.73%, 0.59%

LAB 76.77, -29.07, -20.91

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 77 / 0 / 72 / 4

HEX #39F444

RGB 57 244 68

HSL 123.53, 0.89%, 0.59%

LAB 84.99, -76.64, 67.8

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 57 / 0 / 53 / 18

HEX #5BD262

RGB 91 210 98

HSL 123.53, 0.57%, 0.59%

LAB 75.58, -55.94, 45.17

 

CMYK 44 / 0 / 41 / 24

HEX #6CC171

RGB 108 193 113

HSL 123.53, 0.41%, 0.59%

LAB 71.23, -42.36, 32.43

 

CMYK 29 / 0 / 27 / 31

HEX #7DB080

RGB 125 176 128

HSL 123.53, 0.24%, 0.59%

LAB 67.25, -26.64, 19.32

 

CMYK 11 / 0 / 10 / 38

HEX #8E9F8F

RGB 142 159 143

HSL 123.53, 0.08%, 0.59%

LAB 63.78, -9.17, 6.31

 

CMYK 35 / 0 / 67 / 11

HEX #94E34A

RGB 148 227 74

HSL 90.98, 0.73%, 0.59%

LAB 82.77, -48.19, 64.23

 

CMYK 53 / 0 / 67 / 11

HEX #6BE34A

RGB 107 227 74

HSL 107.06, 0.73%, 0.59%

LAB 81.05, -60.72, 61.9

 

CMYK 67 / 0 / 64 / 11

HEX #4AE352

RGB 74 227 82

HSL 123.14, 0.73%, 0.59%

LAB 80.18, -67.41, 57.49

 

CMYK 67 / 0 / 46 / 11

HEX #4AE37A

RGB 74 227 122

HSL 138.82, 0.73%, 0.59%

LAB 80.63, -62.24, 39.74

 

CMYK 67 / 0 / 28 / 11

HEX #4AE3A3

RGB 74 227 163

HSL 154.9, 0.73%, 0.59%

LAB 81.31, -54.68, 19.8

 

CMYK 85 / 0 / 79 / 26

HEX #1DBD27

RGB 29 189 39

HSL 123.75, 0.73%, 0.43%

LAB 67.13, -65.6, 59.5

 

CMYK 83 / 0 / 78 / 13

HEX #26DD31

RGB 38 221 49

HSL 123.61, 0.73%, 0.51%

LAB 77.49, -73.43, 66.44

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 53 / 0 / 50 / 9

HEX #6EE875

RGB 110 232 117

HSL 123.44, 0.73%, 0.67%

LAB 83.08, -57.12, 45.44

 

CMYK 39 / 0 / 37 / 7

HEX #92EE97

RGB 146 238 151

HSL 123.26, 0.73%, 0.75%

LAB 86.75, -44.67, 33.72

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 67 / 17 / 0 / 11

HEX #4ABDE3

RGB 74 189 227

HSL 194.9, 0.73%, 0.59%

LAB 71.82, -20.55, -28.46

 

CMYK 0 / 67 / 44 / 11

HEX #E34A80

RGB 227 74 128

HSL 338.82, 0.73%, 0.59%

LAB 54.85, 63.02, 3.37

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 64 / 67 / 0 / 11

HEX #524AE3

RGB 82 74 227

HSL 243.14, 0.73%, 0.59%

LAB 41.59, 48.13, -76.54

 

CMYK 0 / 64 / 67 / 11

HEX #E3524A

RGB 227 82 74

HSL 3.14, 0.73%, 0.59%

LAB 54.93, 55.81, 35.18

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 67 / 17 / 0 / 11

HEX #4ABDE3

RGB 74 189 227

HSL 194.9, 0.73%, 0.59%

LAB 71.82, -20.55, -28.46

 

CMYK 0 / 67 / 4 / 11

HEX #E34ADB

RGB 227 74 219

HSL 303.14, 0.73%, 0.59%

LAB 58.36, 74.62, -44.1

 

CMYK 0 / 51 / 67 / 11

HEX #E3704A

RGB 227 112 74

HSL 14.9, 0.73%, 0.59%

LAB 60.26, 41.91, 41.48

 

CMYK 67 / 0 / 63 / 11

HEX #4AE353

RGB 74 227 83

HSL 123.53, 0.73%, 0.59%

LAB 80.19, -67.3, 57.08

 

CMYK 67 / 37 / 0 / 11

HEX #4A8FE3

RGB 74 143 227

HSL 212.94, 0.73%, 0.59%

LAB 58.65, 4.94, -49.04

 

CMYK 0 / 67 / 4 / 11

HEX #E34ADB

RGB 227 74 219

HSL 303.14, 0.73%, 0.59%

LAB 58.36, 74.62, -44.1

 

CMYK 0 / 30 / 67 / 11

HEX #E39E4A

RGB 227 158 74

HSL 32.94, 0.73%, 0.59%

LAB 70.37, 17.82, 52.85

 

Description

Color code: HEX #4AE353 | qconv.com Color code: HEX #4AE353 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 227 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 227 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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