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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA66C4 it is the complementary color #45993B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA66C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BA66C4: #BF66BF, #D078D2, #E18AE5, #F29CF8 and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA66C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BA66C4: #BA66C4, #A954B1, #98429E, #87308B and #761E78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

Complementary color

CMYK 55 / 0 / 61 / 40

HEX #45993B

RGB 69 153 59

HSL 113.62, 0.44%, 0.42%

LAB 56.45, -44.29, 40.91

 

CMYK 0 / 47 / 0 / 25

HEX #BF66BF

RGB 191 102 191

HSL 300, 0.41%, 0.57%

LAB 56.43, 48.37, -31.57

 

CMYK 1 / 43 / 0 / 18

HEX #D078D2

RGB 208 120 210

HSL 298.67, 0.5%, 0.65%

LAB 62.92, 47.66, -32.08

 

CMYK 2 / 40 / 0 / 10

HEX #E18AE5

RGB 225 138 229

HSL 297.36, 0.64%, 0.72%

LAB 69.36, 46.92, -32.52

 

CMYK 2 / 37 / 0 / 3

HEX #F29CF8

RGB 242 156 248

HSL 296.09, 0.87%, 0.79%

LAB 75.72, 46.19, -32.91

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 5 / 53 / 0 / 31

HEX #A954B1

RGB 169 84 177

HSL 294.84, 0.37%, 0.51%

LAB 49.44, 48.52, -34.61

 

CMYK 4 / 58 / 0 / 38

HEX #98429E

RGB 152 66 158

HSL 296.09, 0.41%, 0.44%

LAB 42.82, 49.05, -33.94

 

CMYK 3 / 65 / 0 / 45

HEX #87308B

RGB 135 48 139

HSL 297.36, 0.49%, 0.37%

LAB 36.23, 49.26, -33

 

CMYK 2 / 75 / 0 / 53

HEX #761E78

RGB 118 30 120

HSL 298.67, 0.6%, 0.29%

LAB 29.75, 48.83, -31.6

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 0 / 49 / 3 / 24

HEX #C364BE

RGB 195 100 190

HSL 303.16, 0.44%, 0.58%

LAB 56.52, 50.37, -30.81

 

CMYK 0 / 49 / 11 / 24

HEX #C364AE

RGB 195 100 174

HSL 313.26, 0.44%, 0.58%

LAB 55.86, 47.63, -22.62

 

CMYK 0 / 49 / 19 / 24

HEX #C3649E

RGB 195 100 158

HSL 323.37, 0.44%, 0.58%

LAB 55.26, 45.09, -14.23

 

CMYK 0 / 49 / 27 / 24

HEX #C3648F

RGB 195 100 143

HSL 332.84, 0.44%, 0.58%

LAB 54.76, 42.9, -6.2

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 5 / 48 / 0 / 3

HEX #EA81F7

RGB 234 129 247

HSL 293.39, 0.88%, 0.74%

LAB 69.4, 57.36, -42.25

 

CMYK 5 / 49 / 0 / 83

HEX #29162B

RGB 41 22 43

HSL 294.29, 0.32%, 0.13%

LAB 10.7, 14.04, -10.31

 

CMYK 5 / 48 / 0 / 63

HEX #59315E

RGB 89 49 94

HSL 293.33, 0.31%, 0.28%

LAB 27.1, 26.17, -19.4

 

CMYK 5 / 48 / 0 / 43

HEX #8A4B91

RGB 138 75 145

HSL 294, 0.32%, 0.43%

LAB 41.97, 37.84, -27.6

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 0 / 45 / 49 / 24

HEX #C36C64

RGB 195 108 100

HSL 5.05, 0.44%, 0.58%

LAB 55.33, 33.63, 19.79

 

CMYK 49 / 0 / 25 / 24

HEX #64C392

RGB 100 195 146

HSL 149.05, 0.44%, 0.58%

LAB 72.1, -39.48, 16.12

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 0 / 6 / 49 / 24

HEX #C3B864

RGB 195 184 100

HSL 53.05, 0.44%, 0.58%

LAB 74.06, -7.53, 43.76

 

CMYK 49 / 0 / 6 / 24

HEX #64C3B8

RGB 100 195 184

HSL 173.05, 0.44%, 0.58%

LAB 73.02, -30.81, -3.15

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 0 / 45 / 49 / 24

HEX #C36C64

RGB 195 108 100

HSL 5.05, 0.44%, 0.58%

LAB 55.33, 33.63, 19.79

 

CMYK 43 / 0 / 49 / 24

HEX #6FC364

RGB 111 195 100

HSL 113.05, 0.44%, 0.58%

LAB 71.78, -44.2, 39.73

 

CMYK 49 / 4 / 0 / 24

HEX #64BBC3

RGB 100 187 195

HSL 185.05, 0.44%, 0.58%

LAB 71, -24.03, -12.16

 

CMYK 5 / 48 / 0 / 23

HEX #BA66C4

RGB 186 102 196

HSL 293.62, 0.44%, 0.58%

LAB 56.02, 47.85, -35.12

 

CMYK 0 / 30 / 49 / 24

HEX #C38864

RGB 195 136 100

HSL 22.74, 0.44%, 0.58%

LAB 61.77, 18.37, 28.32

 

CMYK 43 / 0 / 49 / 24

HEX #6FC364

RGB 111 195 100

HSL 113.05, 0.44%, 0.58%

LAB 71.78, -44.2, 39.73

 

CMYK 49 / 19 / 0 / 24

HEX #649EC3

RGB 100 158 195

HSL 203.37, 0.44%, 0.58%

LAB 62.59, -8.74, -24.92

 

Description

Color code: HEX #BA66C4 | qconv.com Color code: HEX #BA66C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 102 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 102 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 48 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 48% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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