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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5947 it is the complementary color #45A6B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5947. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5947 shade: #BF5942, #D06B55, #E17D68, #F28F7B and #FFA18E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5947. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5947 shade: #BA5947, #A94734, #983521, #87230E and #761100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5947 shade: #B95846 and #B94646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5947 shade: #B95846, #B97746, #B99646, #B9B546 and #9EB946

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5947 shade matches the following richer shades: #B95846, #CE4A31, #E23C1D and #F72E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5947 shade: #B95846, #A4665B, #90746F, #7B8384 and #669199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5947 shade: #B94672, #B94654, #B95746, #B97646 and #B99546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5947 shade: #7D3C2F, #9B4A3B, #B95846, #C47364 and #D08E82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5947 shade: #BA5947, #91B946 and #4663B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5947 shade: #BA5947, #46B957 and #5746B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5947 shade: #BA5947, #91B946, #46A8B9 and #6E46B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5947 shade: #BA5947, #6EB946, #46A8B9 and #9146B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 62 / 27

HEX #BA5947

RGB 186 89 71

HSL 9.39, 0.45%, 0.5%

LAB 49.54, 37.67, 28.8

 

Complementary color

CMYK 63 / 10 / 0 / 28

HEX #45A6B8

RGB 69 166 184

HSL 189.39, 0.45%, 0.5%

LAB 63.34, -22.74, -17.73

 

CMYK 0 / 53 / 65 / 25

HEX #BF5942

RGB 191 89 66

HSL 11.04, 0.49%, 0.5%

LAB 50.23, 39.26, 32.67

 

CMYK 0 / 49 / 59 / 18

HEX #D06B55

RGB 208 107 85

HSL 10.73, 0.57%, 0.57%

LAB 56.67, 37.89, 30.46

 

CMYK 0 / 44 / 54 / 12

HEX #E17D68

RGB 225 125 104

HSL 10.41, 0.67%, 0.65%

LAB 63.07, 36.6, 28.52

 

CMYK 0 / 41 / 49 / 5

HEX #F28F7B

RGB 242 143 123

HSL 10.08, 0.82%, 0.72%

LAB 69.44, 35.41, 26.8

 

CMYK 0 / 37 / 44 / 0

HEX #FFA18E

RGB 255 161 142

HSL 10.09, 1%, 0.78%

LAB 75.27, 32.81, 24.54

 

CMYK 0 / 52 / 62 / 27

HEX #BA5947

RGB 186 89 71

HSL 9.39, 0.45%, 0.5%

LAB 49.54, 37.67, 28.8

 

CMYK 0 / 58 / 69 / 34

HEX #A94734

RGB 169 71 52

HSL 9.74, 0.53%, 0.43%

LAB 43.05, 39.04, 31.25

 

CMYK 0 / 65 / 78 / 40

HEX #983521

RGB 152 53 33

HSL 10.08, 0.64%, 0.36%

LAB 36.61, 40.36, 34.05

 

CMYK 0 / 74 / 90 / 47

HEX #87230E

RGB 135 35 14

HSL 10.41, 0.81%, 0.29%

LAB 30.36, 41.38, 36.89

 

CMYK 0 / 86 / 100 / 54

HEX #761100

RGB 118 17 0

HSL 8.64, 1%, 0.23%

LAB 24.49, 41.56, 36.27

 

CMYK 0 / 52 / 62 / 27

HEX #B95846

RGB 185 88 70

HSL 9.39, 0.45%, 0.5%

LAB 49.17, 37.73, 28.88

 

CMYK 0 / 62 / 62 / 27

HEX #B94646

RGB 185 70 70

HSL 0, 0.45%, 0.5%

LAB 45.82, 46.47, 24.65

 

CMYK 0 / 52 / 62 / 27

HEX #B95846

RGB 185 88 70

HSL 9.39, 0.45%, 0.5%

LAB 49.17, 37.73, 28.88

 

CMYK 0 / 36 / 62 / 27

HEX #B97746

RGB 185 119 70

HSL 25.57, 0.45%, 0.5%

LAB 56.04, 21.03, 37.22

 

CMYK 0 / 19 / 62 / 27

HEX #B99646

RGB 185 150 70

HSL 41.74, 0.45%, 0.5%

LAB 63.81, 3.89, 46.2

 

CMYK 0 / 2 / 62 / 27

HEX #B9B546

RGB 185 181 70

HSL 57.91, 0.45%, 0.5%

LAB 72.1, -12.56, 55.3

 

CMYK 15 / 0 / 62 / 27

HEX #9EB946

RGB 158 185 70

HSL 74.09, 0.45%, 0.5%

LAB 71.15, -25.82, 53.67

 

CMYK 0 / 52 / 62 / 27

HEX #B95846

RGB 185 88 70

HSL 9.39, 0.45%, 0.5%

LAB 49.17, 37.73, 28.88

 

CMYK 0 / 64 / 76 / 19

HEX #CE4A31

RGB 206 74 49

HSL 9.55, 0.62%, 0.5%

LAB 49.79, 50.93, 42.16

 

CMYK 0 / 73 / 87 / 11

HEX #E23C1D

RGB 226 60 29

HSL 9.44, 0.77%, 0.5%

LAB 51.25, 62.25, 54.4

 

CMYK 0 / 81 / 97 / 3

HEX #F72E08

RGB 247 46 8

HSL 9.54, 0.94%, 0.5%

LAB 53.76, 72.07, 64.57

 

CMYK 0 / 52 / 62 / 27

HEX #B95846

RGB 185 88 70

HSL 9.39, 0.45%, 0.5%

LAB 49.17, 37.73, 28.88

 

CMYK 0 / 38 / 45 / 36

HEX #A4665B

RGB 164 102 91

HSL 9.04, 0.29%, 0.5%

LAB 49.68, 23.66, 16.7

 

CMYK 0 / 19 / 23 / 44

HEX #90746F

RGB 144 116 111

HSL 9.09, 0.13%, 0.5%

LAB 51.34, 10.14, 6.9

 

CMYK 7 / 1 / 0 / 48

HEX #7B8384

RGB 123 131 132

HSL 186.67, 0.04%, 0.5%

LAB 54.14, -2.73, -1.56

 

CMYK 33 / 5 / 0 / 40

HEX #669199

RGB 102 145 153

HSL 189.41, 0.2%, 0.5%

LAB 57.44, -12.59, -8.95

 

CMYK 0 / 62 / 38 / 27

HEX #B94672

RGB 185 70 114

HSL 337.04, 0.45%, 0.5%

LAB 46.86, 50.43, -0.7

 

CMYK 0 / 62 / 55 / 27

HEX #B94654

RGB 185 70 84

HSL 352.7, 0.45%, 0.5%

LAB 46.09, 47.51, 16.54

 

CMYK 0 / 53 / 62 / 27

HEX #B95746

RGB 185 87 70

HSL 8.87, 0.45%, 0.5%

LAB 48.97, 38.24, 28.63

 

CMYK 0 / 36 / 62 / 27

HEX #B97646

RGB 185 118 70

HSL 25.04, 0.45%, 0.5%

LAB 55.8, 21.59, 36.94

 

CMYK 0 / 19 / 62 / 27

HEX #B99546

RGB 185 149 70

HSL 41.22, 0.45%, 0.5%

LAB 63.55, 4.44, 45.91

 

CMYK 0 / 52 / 62 / 51

HEX #7D3C2F

RGB 125 60 47

HSL 10, 0.45%, 0.34%

LAB 33.56, 26.96, 21.04

 

CMYK 0 / 52 / 62 / 39

HEX #9B4A3B

RGB 155 74 59

HSL 9.38, 0.45%, 0.42%

LAB 41.5, 32.5, 24.74

 

CMYK 0 / 52 / 62 / 27

HEX #B95846

RGB 185 88 70

HSL 9.39, 0.45%, 0.5%

LAB 49.17, 37.73, 28.88

 

CMYK 0 / 41 / 49 / 23

HEX #C47364

RGB 196 115 100

HSL 9.38, 0.45%, 0.58%

LAB 56.99, 30.26, 22.05

 

CMYK 0 / 32 / 38 / 18

HEX #D08E82

RGB 208 142 130

HSL 9.23, 0.45%, 0.66%

LAB 65.25, 23.57, 16.56

 

CMYK 0 / 52 / 62 / 27

HEX #BA5947

RGB 186 89 71

HSL 9.39, 0.45%, 0.5%

LAB 49.54, 37.67, 28.8

 

CMYK 22 / 0 / 62 / 27

HEX #91B946

RGB 145 185 70

HSL 80.87, 0.45%, 0.5%

LAB 70.29, -31, 52.48

 

CMYK 62 / 46 / 0 / 27

HEX #4663B9

RGB 70 99 185

HSL 224.87, 0.45%, 0.5%

LAB 43.84, 16.66, -48.74

 

CMYK 0 / 52 / 62 / 27

HEX #BA5947

RGB 186 89 71

HSL 9.39, 0.45%, 0.5%

LAB 49.54, 37.67, 28.8

 

CMYK 62 / 0 / 53 / 27

HEX #46B957

RGB 70 185 87

HSL 128.87, 0.45%, 0.5%

LAB 67.04, -52.84, 39.97

 

CMYK 53 / 62 / 0 / 27

HEX #5746B9

RGB 87 70 185

HSL 248.87, 0.45%, 0.5%

LAB 37.68, 38.09, -58.63

 

CMYK 0 / 52 / 62 / 27

HEX #BA5947

RGB 186 89 71

HSL 9.39, 0.45%, 0.5%

LAB 49.54, 37.67, 28.8

 

CMYK 22 / 0 / 62 / 27

HEX #91B946

RGB 145 185 70

HSL 80.87, 0.45%, 0.5%

LAB 70.29, -31, 52.48

 

CMYK 62 / 9 / 0 / 27

HEX #46A8B9

RGB 70 168 185

HSL 188.87, 0.45%, 0.5%

LAB 64.01, -23.28, -17.28

 

CMYK 41 / 62 / 0 / 27

HEX #6E46B9

RGB 110 70 185

HSL 260.87, 0.45%, 0.5%

LAB 39.91, 42.78, -54.9

 

CMYK 0 / 52 / 62 / 27

HEX #BA5947

RGB 186 89 71

HSL 9.39, 0.45%, 0.5%

LAB 49.54, 37.67, 28.8

 

CMYK 41 / 0 / 62 / 27

HEX #6EB946

RGB 110 185 70

HSL 99.13, 0.45%, 0.5%

LAB 68.35, -43.73, 49.8

 

CMYK 62 / 9 / 0 / 27

HEX #46A8B9

RGB 70 168 185

HSL 188.87, 0.45%, 0.5%

LAB 64.01, -23.28, -17.28

 

CMYK 22 / 62 / 0 / 27

HEX #9146B9

RGB 145 70 185

HSL 279.13, 0.45%, 0.5%

LAB 44.09, 50.85, -47.96

 

Description

Color code: HEX #BA5947 | qconv.com Color code: HEX #BA5947 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 89 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 89 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 62 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 62% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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