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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA47CB it is the complementary color #45B834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA47CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA47CB shade: #BF47C6, #D059D9, #E16BEC, #F27DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA47CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA47CB shade: #BA47CB, #A935B8, #9823A5, #871192 and #76007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA47CB shade: #BA48CB, #CB48B9, #CB4895, #CB4872 and #CB484F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA47CB shade: #BA48CB, #9748CB, #7448CB, #5048CB and #4848CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA47CB shade matches the following richer shades: #BA48CB, #C935DE and #D722F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA47CB shade: #BA48CB, #AC5BB8, #9E6EA5, #908192 and #82947F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA47CB shade: #7448CB, #9748CB, #BA48CB, #CB48BA and #CB4897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA47CB shade: #892A96, #A634B7, #BA48CB, #C768D4 and #D388DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA47CB shade: #BA47CB, #CB5148 and #48CB85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA47CB shade: #BA47CB, #CBBA48 and #48CBBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA47CB shade: #BA47CB, #CB5148, #5ACB48 and #48C3CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA47CB shade: #BA47CB, #CB7848, #5ACB48 and #489BCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 65 / 0 / 20

HEX #BA47CB

RGB 186 71 203

HSL 292.27, 0.56%, 0.54%

LAB 50.99, 63.68, -47.06

 

Complementary color

CMYK 63 / 0 / 72 / 28

HEX #45B834

RGB 69 184 52

HSL 112.27, 0.56%, 0.46%

LAB 66.36, -56.56, 54.59

 

CMYK 4 / 64 / 0 / 22

HEX #BF47C6

RGB 191 71 198

HSL 296.69, 0.53%, 0.53%

LAB 51.45, 63.96, -43.4

 

CMYK 4 / 59 / 0 / 15

HEX #D059D9

RGB 208 89 217

HSL 295.78, 0.63%, 0.6%

LAB 57.62, 63.83, -44.32

 

CMYK 5 / 55 / 0 / 7

HEX #E16BEC

RGB 225 107 236

HSL 294.88, 0.77%, 0.67%

LAB 63.82, 63.44, -45.03

 

CMYK 5 / 51 / 0 / 0

HEX #F27DFF

RGB 242 125 255

HSL 294, 1%, 0.75%

LAB 70.01, 62.9, -45.6

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 8 / 65 / 0 / 20

HEX #BA47CB

RGB 186 71 203

HSL 292.27, 0.56%, 0.54%

LAB 50.99, 63.68, -47.06

 

CMYK 8 / 71 / 0 / 28

HEX #A935B8

RGB 169 53 184

HSL 293.13, 0.55%, 0.46%

LAB 44.86, 63.44, -45.95

 

CMYK 8 / 79 / 0 / 35

HEX #9823A5

RGB 152 35 165

HSL 294, 0.65%, 0.39%

LAB 38.89, 62.49, -44.39

 

CMYK 8 / 88 / 0 / 43

HEX #871192

RGB 135 17 146

HSL 294.88, 0.79%, 0.32%

LAB 33.19, 60.42, -42.15

 

CMYK 7 / 100 / 0 / 50

HEX #76007F

RGB 118 0 127

HSL 295.75, 1%, 0.25%

LAB 27.8, 57.07, -39.15

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 0 / 65 / 9 / 20

HEX #CB48B9

RGB 203 72 185

HSL 308.24, 0.56%, 0.54%

LAB 52.77, 64.35, -33.69

 

CMYK 0 / 65 / 27 / 20

HEX #CB4895

RGB 203 72 149

HSL 324.73, 0.56%, 0.54%

LAB 51.27, 59.22, -14.87

 

CMYK 0 / 65 / 44 / 20

HEX #CB4872

RGB 203 72 114

HSL 340.76, 0.56%, 0.54%

LAB 50.15, 55.23, 4.45

 

CMYK 0 / 65 / 61 / 20

HEX #CB484F

RGB 203 72 79

HSL 356.79, 0.56%, 0.54%

LAB 49.37, 52.34, 24.45

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 26 / 65 / 0 / 20

HEX #9748CB

RGB 151 72 203

HSL 276.18, 0.56%, 0.54%

LAB 46.35, 55.26, -54.76

 

CMYK 43 / 65 / 0 / 20

HEX #7448CB

RGB 116 72 203

HSL 260.15, 0.56%, 0.54%

LAB 42.25, 47.81, -61.58

 

CMYK 61 / 65 / 0 / 20

HEX #5048CB

RGB 80 72 203

HSL 243.66, 0.56%, 0.54%

LAB 38.99, 41.37, -67.03

 

CMYK 65 / 65 / 0 / 20

HEX #4848CB

RGB 72 72 203

HSL 240, 0.56%, 0.54%

LAB 38.42, 40.18, -67.99

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 9 / 76 / 0 / 13

HEX #C935DE

RGB 201 53 222

HSL 292.54, 0.72%, 0.54%

LAB 52.1, 76.54, -56

 

CMYK 11 / 86 / 0 / 5

HEX #D722F1

RGB 215 34 241

HSL 292.46, 0.88%, 0.54%

LAB 53.97, 86.6, -63.6

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 7 / 51 / 0 / 28

HEX #AC5BB8

RGB 172 91 184

HSL 292.26, 0.4%, 0.54%

LAB 51.51, 47.17, -35.39

 

CMYK 4 / 33 / 0 / 35

HEX #9E6EA5

RGB 158 110 165

HSL 292.36, 0.23%, 0.54%

LAB 53.1, 28.67, -22.02

 

CMYK 1 / 12 / 0 / 43

HEX #908192

RGB 144 129 146

HSL 292.94, 0.07%, 0.54%

LAB 55.79, 8.94, -7.05

 

CMYK 12 / 0 / 14 / 42

HEX #82947F

RGB 130 148 127

HSL 111.43, 0.09%, 0.54%

LAB 59.4, -10.6, 8.96

 

CMYK 43 / 65 / 0 / 20

HEX #7448CB

RGB 116 72 203

HSL 260.15, 0.56%, 0.54%

LAB 42.25, 47.81, -61.58

 

CMYK 26 / 65 / 0 / 20

HEX #9748CB

RGB 151 72 203

HSL 276.18, 0.56%, 0.54%

LAB 46.35, 55.26, -54.76

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 0 / 65 / 8 / 20

HEX #CB48BA

RGB 203 72 186

HSL 307.79, 0.56%, 0.54%

LAB 52.81, 64.51, -34.2

 

CMYK 0 / 65 / 26 / 20

HEX #CB4897

RGB 203 72 151

HSL 323.82, 0.56%, 0.54%

LAB 51.34, 59.48, -15.94

 

CMYK 9 / 72 / 0 / 41

HEX #892A96

RGB 137 42 150

HSL 292.78, 0.56%, 0.38%

LAB 36.32, 54.24, -39.57

 

CMYK 9 / 72 / 0 / 28

HEX #A634B7

RGB 166 52 183

HSL 292.21, 0.56%, 0.46%

LAB 44.21, 62.97, -46.43

 

CMYK 8 / 65 / 0 / 20

HEX #BA48CB

RGB 186 72 203

HSL 292.21, 0.56%, 0.54%

LAB 51.14, 63.27, -46.83

 

CMYK 6 / 51 / 0 / 17

HEX #C768D4

RGB 199 104 212

HSL 292.78, 0.56%, 0.62%

LAB 58.79, 53.55, -39.75

 

CMYK 5 / 39 / 0 / 13

HEX #D388DE

RGB 211 136 222

HSL 292.33, 0.57%, 0.7%

LAB 67.07, 42.44, -32.31

 

CMYK 8 / 65 / 0 / 20

HEX #BA47CB

RGB 186 71 203

HSL 292.27, 0.56%, 0.54%

LAB 50.99, 63.68, -47.06

 

CMYK 0 / 60 / 65 / 20

HEX #CB5148

RGB 203 81 72

HSL 4.12, 0.56%, 0.54%

LAB 50.74, 47.91, 30.3

 

CMYK 65 / 0 / 34 / 20

HEX #48CB85

RGB 72 203 133

HSL 147.94, 0.56%, 0.54%

LAB 73.4, -51.64, 24.68

 

CMYK 8 / 65 / 0 / 20

HEX #BA47CB

RGB 186 71 203

HSL 292.27, 0.56%, 0.54%

LAB 50.99, 63.68, -47.06

 

CMYK 0 / 8 / 65 / 20

HEX #CBBA48

RGB 203 186 72

HSL 52.21, 0.56%, 0.54%

LAB 75, -7.36, 58

 

CMYK 65 / 0 / 8 / 20

HEX #48CBBA

RGB 72 203 186

HSL 172.21, 0.56%, 0.54%

LAB 74.59, -39.46, -2.03

 

CMYK 8 / 65 / 0 / 20

HEX #BA47CB

RGB 186 71 203

HSL 292.27, 0.56%, 0.54%

LAB 50.99, 63.68, -47.06

 

CMYK 0 / 60 / 65 / 20

HEX #CB5148

RGB 203 81 72

HSL 4.12, 0.56%, 0.54%

LAB 50.74, 47.91, 30.3

 

CMYK 56 / 0 / 65 / 20

HEX #5ACB48

RGB 90 203 72

HSL 111.76, 0.56%, 0.54%

LAB 73.12, -56.52, 53.99

 

CMYK 65 / 4 / 0 / 20

HEX #48C3CB

RGB 72 195 203

HSL 183.66, 0.56%, 0.54%

LAB 72.71, -31.05, -14.06

 

CMYK 8 / 65 / 0 / 20

HEX #BA47CB

RGB 186 71 203

HSL 292.27, 0.56%, 0.54%

LAB 50.99, 63.68, -47.06

 

CMYK 0 / 41 / 65 / 20

HEX #CB7848

RGB 203 120 72

HSL 21.98, 0.56%, 0.54%

LAB 58.6, 28.14, 39.76

 

CMYK 56 / 0 / 65 / 20

HEX #5ACB48

RGB 90 203 72

HSL 111.76, 0.56%, 0.54%

LAB 73.12, -56.52, 53.99

 

CMYK 65 / 24 / 0 / 20

HEX #489BCB

RGB 72 155 203

HSL 201.98, 0.56%, 0.54%

LAB 60.9, -10.36, -32.11

 

Description

Color code: HEX #BA47CB | qconv.com Color code: HEX #BA47CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 71 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 71 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 65 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 65% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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